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淫辭艷曲與佛教:從《西廂記》相關文本論清初戲曲美學的佛教詮釋=Erotica and Buddhism: The Buddhist Dimension of the Commentary of Xixiang ji
Author 廖肇亨 (著)=Liao, Chao-heng (au.)
Source 中國文哲研究集刊=Bulletin of the Institute of Chinese Literature and Philosophy
Pages127 - 160
Publisher Url
Location臺北市, 臺灣 [Taipei shih, Taiwan]
Content type期刊論文=Journal Article
Contents note          
Keyword西廂記=Xixiang ji (The story of the western wing); 戲曲=Drama; 清代佛教=Qing Buddhism; 金聖嘆=Jing Shengtan; 尤侗=You Tong

Drama once was looked on as a kind of erotica with the potential to stir up sensation and encourage the popular audience to pursue happiness regardless of social stability. The function of Buddhism was emphasized in aesthetic theories of drama in 17th century China. This paper explores the role that Buddhism played in the commentary on drama in late imperial China by means of elucidating the related social and cultural contexts of the Xixiang ji (The Story of the Western Wing). It also analyzes the interrelations between religion and drama, and the value system behind Buddhist commentaries on drama of the time. In addition, it investigates the tradition and rationale of the prevailing opinion that looked on the Buddha's life as a wonderful drama, and the religious influence on drama from the Tiantai School of Buddhism. A profound psychological analysis is also found in Jin Shengtan's reading of the Xixiang ji, which was deeply informed by Buddhism. You Tong's reading of the Xixiang ji, written in the style of the eight-legged essay (baguwen), also touches upon many aspects of the Chan teaching in its analysis of the emotional relations between men and women in the story. The paper tries to foreground drama as an important cultural metaphor in Buddhist learning.
Table of contents一、前言:「不風流處也風流」——從順治與木陳道忞的對話談起 127
二、「一齣好戲」:最佳演員釋迦牟尼 130
三、「十界升沉」:天台學說的介入 138
四、「止借菩薩極微之一言」:金批《西廂記》的深度心理閱讀 141
五、「怎當他臨去秋波那一轉」:〈西廂制義〉的社會意涵 148
六、結語:「如何是嶄新曲調」——朝向新理論的可能 154

ISSN10176462 (P)
Created date2015.10.30
Modified date2019.08.07

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