The bibliographic record is provided by 李玉珉老師.
|
|
|
|
對部分廣元密教造像題材的再考察——兼析某些密教造型藝術的淵源=Re-consideration to Some Tantric Motif in The Guangyuan Grottoes |
|
|
|
| Author |
姚崇新
|
|---|
| Source |
敦煌研究=Dunhuang Research
|
|---|
| Volume | n.2 (總號=n.96) |
|---|
| Date | 2006.04 |
|---|
| Pages | 1 - 5 |
|---|
| Publisher | 敦煌研究編輯部 |
|---|
| Publisher Url |
http://www.dha.ac.cn/
|
|---|
| Location | 蘭州, 中國 [Lanzhou, China] |
|---|
| Content type | 期刊論文=Journal Article |
|---|
| Language | 中文=Chinese |
|---|
| Keyword | 菩提瑞像; 六拏具; 菩提雙樹; 天龍八部; 密教; 密教造像題材; 顯教造型藝術 |
|---|
| Abstract | 本文認為從大乘佛教孕育出來的密教,在造型藝術上深受顯教造型藝術的影響,有些密教系統的圖像可以從顯教系統的圖像中找到淵源。
This article is taking it for granted that the esoteric sect of Buddhism of which let develop as in the womb of Mahayana Buddhism had deeply influenced in many ways in its figurative art since it has come into being.Therefore,some esoteric icons could be traced back to the original of Mahayana Buddhist plastic theme. |
|---|
| ISSN | 10004106 (P) |
|---|
| Categories | 石窟; 佛教圖像 |
|---|
| Dynasty | 唐代 |
|---|
| Regions | 四川(廣元千佛崖) |
|---|
| Hits | 213 |
|---|
| Created date | 2016.05.12 |
|---|
| Modified date | 2018.04.12 |
|---|
|
Best viewed with Chrome, Firefox, Safari(Mac) but not supported IE
|
