The bibliographic record is provided by 李玉珉老師.
|
|
|
|
論悲慘與悲壯之差異──兼論敦煌早期佛教藝術內涵並與李澤厚「悲慘世界論」商榷=The Discrepancy between Being Miserable and Being both Moving and Tragic-Also on the Connotation of Early Dunhuang Buddhist Art and the “Saying of Miserable World” Given by Mr. Li Zehou |
|
|
|
| Author |
胡同慶 (著)
|
|---|
| Source |
敦煌研究=Dunhuang Research
|
|---|
| Volume | n.2 (總號=n.138) |
|---|
| Date | 2013.04 |
|---|
| Pages | 28 - 35 |
|---|
| Publisher | 敦煌研究編輯部 |
|---|
| Publisher Url |
http://www.dha.ac.cn/
|
|---|
| Location | 蘭州, 中國 [Lanzhou, China] |
|---|
| Content type | 期刊論文=Journal Article |
|---|
| Language | 中文=Chinese |
|---|
| Keyword | 捨身飼虎; 割肉貿鴿; 五百強盜成佛 |
|---|
| Abstract | 本文從壁畫佛經內容、歷史社會背景以及當代政治、經濟與宗教的關系等方面進行分析,指出李澤厚先生關于敦煌早期佛教藝術是"悲慘世界"的反映、宗教和宗教藝術是苦難者的呻吟等觀點的片面性,認為人們信仰宗教的原因很多,宗教藝術中的內容也非常豐富。
By studying the Buddhist contents of the murals,the social and historical background,and the contemporary relationship between politics and religions,this paper points out that Mr.Li Zehou’s one-sided opinion that early Dunhuang Buddhist art is the embodiment of the "miserable world," and that religions and religious art are the groaning of the miserable people is not tenable.It also suggests that there were many reasons for people to convert to religions,and that religious art was also rich in content. |
|---|
| Table of contents | 一、問題的提出 29
二、兩種相異的觀點 29
三、悲慘與悲壯的概念差異 30
四、從壁畫所描繪的佛經內容分析 31
五、從歷史社會背景分析 32
六、從當代政治、經濟與宗教的關係分析 33
七、結語 35
|
|---|
| ISSN | 10004106 (P) |
|---|
| Categories | 數位化 |
|---|
| Dynasty | 南北朝-北朝-西魏 |
|---|
| Regions | 甘肅(敦煌莫高窟) |
|---|
| Hits | 149 |
|---|
| Created date | 2016.05.12 |
|---|
| Modified date | 2022.03.11 |
|---|
 |
Best viewed with Chrome, Firefox, Safari(Mac) but not supported IE
|
