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成都萬佛寺石刻佛教造像的源流=Stone Sculptures and Statue of Buddha of the Wanfo Temple in Chengdu, Sichuan Province
Author 何先紅 (著)=He, Xian-hong (au.) ; 董華鋒 (著)=Dong, Hua-feng (au.)
Source 收藏家=Collectors
Volumen.12 (總號=n.218)
Date2014
Pages63 - 68
Publisher北京市文物局
Location北京, 中國 [Beijing, China]
Content type期刊論文=Journal Article
Language中文=Chinese
Keyword萬佛寺; 佛教造像; 袁表; 石刻造像; 王懿榮; 年代序列; 出土情況; 馮漢; 菩薩頭像; 立像
Abstract成都萬佛寺石刻造像是我國南方地區年代較早、題材豐富、在中國佛教造像藝術發展過程中產生過重要影響的一批造像。這批造像數量多、保存較完好、年代序列清晰、雕造精美、題材豐富,其重要的學術價值已為學術界廣泛認同。然而,由於這些造像係清末(1644-1911年)以來陸續出土,且出土後幾經輾轉,給我們今天的研究帶來諸多不便。前人曾對這批造像的出土及流傳狀況做過疏理,如:清代王懿榮所著《天壤閣筆記》最早記錄了該遺址的造像出土情況,馮漢驥先生也曾對歷次造像的出土和流傳狀況做過簡要的介紹。

Stone sculptures and statue of Buddha were unearthed five times in the historical site of the Wanfo temple in Chengdu in1882-1954. The most of articles were collected at the Sichuan Museum,amount to36 pieces, in which 41 pieces of statue of Buddha in the Southern Dynasty, 22 pieces in the Tang Dynasty.
Table of contents一、清光緒八年成都萬佛寺遺址第一次出土造像 63
二、1902年第二次出土「梁大同七年造像」實物已不知所蹤 64
三、20 世紀30年代成都萬佛寺遺址第三次出土造像 64
ISSN10050655 (P)
Hits627
Created date2017.02.15
Modified date2019.12.23



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