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藝術抑或吉則，這是一個問題 ── 以青海熱貢唐卡為例=Art or Tibetan Jize, This is a Problem: Taking Regong Tangka in Qinghai Province as an Example |
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| Author |
彭兆榮 (著)=Peng, Zhaorong (au.)
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| Source |
西北民族研究=Northwest ethno-national studies
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| Volume | n.2 (總號=n.77) |
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| Date | 2013 |
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| Pages | 171 - 176 |
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| Publisher | 西北民族大學《西北民族研究》編輯部 |
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| Publisher Url |
http://www.xbmu.edu.cn/frontIndex.action?siteId=1
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| Location | 蘭州, 中國 [Lanzhou, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 彭兆榮，廈門大學人類學研究所所長，國家社科重大專案“中國非物質文化遺產體系探索研究”首席專家。
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| Keyword | 熱貢=Regong; 唐卡=Tangka; 手工=handwork; 藝術=art |
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| Abstract | 唐卡在今天不僅被視為"熱貢藝術"的標志,更被卷入一場全球性的文化遺產化進程。然而,被譽為"熱貢藝術"的唐卡,其生成價值、傳承方式和技藝表達與其獨特的認知體系有關,因此,冠之以"藝術"這樣的外來詞值得商榷。本文以此為例,試圖對我國少數民族的非物質文化當下的傳承形制進行探討和反思。不當之處,敬請讀者指正。
Nowadays, Tangka is not only regarded as the symbol of Regong art, but also being more and more involved in a global process of making cultural heritage. Actually, the value, inheritance way and craft expression of Tangka, the so-called Regong art, is related to its special cognitive system, so it is questionable to name it "art". Taking this as an example, this paper critically analyzed the inheritance ways of the cultural heritage of ethnic minorities in contemporary China. |
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| Table of contents | 手工還是藝術：認知的反思 171
吉則抑或藝術，這是一個問題③ 173
結論 176
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| ISSN | 10015558 (P) |
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| Hits | 60 |
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| Created date | 2017.05.12 |
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| Modified date | 2019.10.22 |
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