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從佛教造像看北京地區古代雕塑藝術=Look At Ancient Statuary Art in Beijing from Buddhism Statues |
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| 著者 |
黃春和
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| 掲載誌 |
雕塑=Sculpture
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| 巻号 | n.6 |
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| 出版年月日 | 2003 |
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| 出版者 | 中國工藝美術學會 |
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| 出版地 | 北京, 中國 [Beijing, China] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 中文=Chinese |
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| キーワード | 雕塑=雕刻=Sculpture; 漢傳佛教=大乘佛教=北傳佛教=Mahayana Buddhism; 造像=To Make an Image; 佛教; 佛; 西藏佛教=藏傳佛教=Tibetan Buddhism |
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| 抄録 | 明清佛教造像藝術 明清時期,北京佛教造像藝術進入了明顯的衰微期,這一方面與明代整個社會審美觀念的下降有關,同時也與藏傳佛教造像藝術的廣泛流行分不開,因為藏傳佛教造像藝術注重造像的比例和量度,限制了藝術家的創造和發揮,從而使造像藝術普遍趨向了程式化的發展,而喪失了個性化的藝術魅力。 明代時,北京同時流行漢傳佛教造像和藏傳佛教造像,但藏傳佛教造像的地位和影響要突出的多。
Buddhism Statue Art of the Ming and Qing DynastiesDuring the Ming and Qing Dynasties, Buddhism statue art in Beijing entered into an obvious decline period. This is related with the descending of aesthetic concept in the whole society of the Ming Dynasty on the one hand, and is also linked with the extensive prevalence of the statue art of Tibetan Buddhism, which paid attention to the scale and measurement of the statues, restricted the creation and exertion of the artists, giving rise to a universal development trend of stylization for statue art and the loss of individualized artistic charm.In the Ming Dynasty, both Chinese and Tibetan Buddhism statues were prevailing in Beijing, and they developed under the support of the emperors. Court statues were dominant in the Ming Dynasty, they were mainly used as important religious gifts to be awarded or presented to upper-class Tibetan religious personnel. Overall style and feature of these statues reflected the political and economic mightiness and prosperity during the reign of Yongle and Xuande of the Ming Dynasty. As compared with Tibetan Buddhism statue art, traditional Chinese Buddhism statue art of the Ming Dynasty in Beijing was dull. It is noteworthy that, despite the declining overall development of Chinese Buddhism statue art at this period, the folk statue was brisk instead.Till the Qing Dynasty, because of the full-scale support for the "Yellow Religion" by the emperors, Tibetan Buddhism statue art occupied Beijing as an absolute mainstream form, influencing all over China, resulting clear predomination in the form of Beijing Buddhism statue; at that time, however, Beijing’s traditional Chinese Buddhism statue had been thoroughly sticking to the swelling and fawning-on-vulgarity relique of the Ming Dynasty, without any development and innovation. Therefore, it can be said that, as in the Buddhism statue history of Beijing, the Qing Dynasty is a time when Tibetan Buddhism statue took the lead. Attention paid and the passion shown by emperors of the Qing Dynasty to Tibetan Buddhism statue were well above that of emperors of Yuan and Ming Dynasties. |
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| 目次 | 明清佛教造像藝術 41 |
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| ISSN | 10072144 (P) |
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| ヒット数 | 419 |
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| 作成日 | 2005.04.29 |
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| 更新日期 | 2020.05.27 |
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