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敦煌北朝時期《法華經》藝術及信仰考察=A Study of Art Presentation of The Saddharma-Pundarīka-Sūtra in Dunhuang Grottoes and Its Faith During The Northern Dynasty |
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| 著者 |
張元林
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| 掲載誌 |
敦煌研究=Dunhuang Research
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| 巻号 | n.5 (總號=n.99) |
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| 出版年月日 | 2006.10 |
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| ページ | 16 - 23 |
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| 出版者 | 敦煌研究編輯部 |
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| 出版サイト |
http://www.dha.ac.cn/
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| 出版地 | 蘭州, 中國 [Lanzhou, China] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 中文=Chinese |
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| キーワード | 敦煌; 法華經; 藝術; 信仰 |
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| 抄録 | 本文以敦煌北朝石窟中四個表現“二佛並坐”題材的洞窟為主，系統考察了這一時期敦煌《法華語》藝術的表現形式及其所反映的信仰思想及背景。
This article is going to taking the four important caves, in which the motif were presented by the image of the two Buddha sitting together, dating from the Northern Dynasties as an example to making a systematic study of particularity art of The Saddharma-pundarīka-sūtra in Dunhuang at the period of the northern dynasty, especially the art form of presentation, and article also tries to analyzing the profound reasons of the popular belief and to clarify historic background. |
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| ISSN | 10004106 (P) |
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| 研究種類 | 佛教-信仰; 石窟 |
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| 研究年代 | 南北朝-北朝 |
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| 研究地域 | 甘肅(敦煌莫高窟) |
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| ヒット数 | 627 |
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| 作成日 | 2008.04.01 |
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| 更新日期 | 2018.04.12 |
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