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試論漢譯佛典四言格文體的形成及影響=On the Formation and Influence of Four-Character Patterns in Buddhist Scriptures in Chinese Translation |
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| 著者 |
荊亞玲 (著)=Jing, Ya-ling (au.)
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顏洽茂 (著)=Yan, Qia-mao (au.)
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| 掲載誌 |
浙江大學學報(人文社會科學版)=Journal of Zhejiang University (Humanities and Social Sciences)
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| 巻号 | n.5 |
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| 出版年月日 | 2008 |
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| ページ | 177 - 185 |
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| 出版者 | 浙江大學 |
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| 出版サイト |
http://www.zju.edu.cn/
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| 出版地 | 杭州, 中國 [Hangzhou, China] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 中文=Chinese |
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| キーワード | 佛典=Buddhist scriptures; 四言格=four-character patterns; 成因=contributing factors; 詞匯=vocabulary |
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| 抄録 | 從東漢至南北朝，漢譯佛典四言格文體經歷了一個逐漸定型的過程，其形成是時代駢體風尚、四言雅正觀念、四言語音優勢、譯經者語言文化素養等多重因素共同作用的結果。這種特殊的文體結構一經形成便無形地制約著譯經者的遣詞造句，在表義明確的前提下，譯經者往往採取增刪字數等手段對文句進行調控，譯經中不少表達形式的生成與這種調控密切相關。同時，為滿足四言"二二"節奏對雙音形式的需求，譯經者還採取多種方式延長或簡縮詞語形式，以湊足四言。不可否認，由於譯經者的這些努力，語言中形成了大量的雙音新詞語，客觀上對漢語的雙音化起到了一定的促進作用。
The Eastern Han Dynasty through the Six Dynasties(25—589) witnessed the gradual formation of the stylistic feature of four-character patterns in Buddhist scriptures in Chinese translation.The contributing factors include the popular parallel style of the times,the conception of the elegance and rightness of four-character patterns,the four-character pronunciation superiority,the linguistic and cultural accomplishment of individual translators,etc.This special stylistic pattern,once formed,would unconsciously influence the translators’ wording and phrasing. In other words , without failure to express the meaning clearly , they would manipulate the linguistic structure by adding or omitting words in translation. For example , they did the manipulation in order to satisfy the disyllabic form required by a 〃2 + 2 rhythm pattern〃of four-character phrases or sentences. It is undeniable that many new disyllabic words and phrases thus formed promoted the disyllabization of the Chinese language objectively.
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| 目次 | 一.漢譯佛典四言格文體發展概述 178
二.漢譯佛典四言格文體成因探討 180
三.漢譯佛典四言格文體影響分析 182 |
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| ISSN | 1008942X (P) |
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| ヒット数 | 664 |
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| 作成日 | 2008.12.29 |
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| 更新日期 | 2020.04.21 |
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