|
|
|
 |
|
|
|
|
|
|
宇宙主釋迦佛 -- 從印度到中亞、中國=Sakyamuni,Buddha of The Universe:from India to The Central Asia and China |
|
|
|
| 著者 |
賀小萍
;
宮治昭
|
|---|
| 掲載誌 |
敦煌研究=Dunhuang Research
|
|---|
| 巻号 | n.1 (總號=n.77) |
|---|
| 出版年月日 | 2003.02 |
|---|
| ページ | 25 - 32 |
|---|
| 出版者 | 敦煌研究編輯部 |
|---|
| 出版サイト |
http://www.dha.ac.cn/
|
|---|
| 出版地 | 蘭州, 中國 [Lanzhou, China] |
|---|
| 資料の種類 | 期刊論文=Journal Article |
|---|
| 言語 | 中文=Chinese |
|---|
| ノート | 出處:中國期刊網-文史哲輯專欄目錄 |
|---|
| キーワード | 宇宙主釋迦像; 初說法; 舍衛城神變; 大光明神變; 中亞; 敦煌 |
|---|
| 抄録 | 印度在笈多朝時期 ,佛教藝術開始追求超越佛陀自身永恆的圖像 ,稱作“宇宙主的釋迦像”,是由初說法、舍衛城神變 (千佛化現 )、大光明神變發展而來的 ,傳人中亞和中國 (敦煌 )再經發展 ,敦煌第 42 8窟一般稱作盧舍那的佛像 ,應為這種宇宙主的釋迦像。
From the time began at The Gupta Dynasty (320 535) in India,Buddhist art began to having conceptual frame of a half historic a half superiority being embodied as in the image of Sakyamuni,the Buddha of universe.The development of the image probably derived from legend of the first Sermon of the master after his awakening,and the miracle transformation in Srvasti with appearance of thousand Buddhas,the miracle transformation of the God of Great Light.Those processes let to development of mature form of the Buddha of the Universe.Later,the image were introduced to China via the Central Asia until reaching to Dunhuang.The image of the Universe Buddha continuing to taking shape by adding new elements to the form.The Buddha Image inside cave 285 at Mogao Grottoes,generally known as Vairocana,should belong to the image of Sakyamuni:the Buddha of the Universe.
|
|---|
| ISSN | 10004106 (P) |
|---|
| 研究年代 | 唐代 |
|---|
| 研究地域 | 甘肅(敦煌莫高窟); 中亞(不詳); 印度(不詳) |
|---|
| ヒット数 | 377 |
|---|
| 作成日 | 2005.03.042005.02.25 |
|---|
| 更新日期 | 2018.03.05 |
|---|
 |
Chrome, Firefox, Safari(Mac)での検索をお勧めします。ＩＥではこの検索システムを表示できません。
|
|
|
