|
|
|
当書目の情報提供者は 李玉珉老師 です
|
|
|
|
敦煌早期壁畫中中原式人物造型=A study of the Central Plains Style of figure and genre painting in the early period of the Dunhuang Grottoes |
|
|
|
| 著者 |
趙聲良
|
|---|
| 掲載誌 |
敦煌研究=Dunhuang Research
|
|---|
| 巻号 | n.3 (總號=n.109) |
|---|
| 出版年月日 | 2008.06 |
|---|
| ページ | 13 - 18 |
|---|
| 出版者 | 敦煌研究編輯部 |
|---|
| 出版サイト |
http://www.dha.ac.cn/
|
|---|
| 出版地 | 蘭州, 中國 [Lanzhou, China] |
|---|
| 資料の種類 | 期刊論文=Journal Article |
|---|
| 言語 | 中文=Chinese |
|---|
| キーワード | 中原人物; 壁畫; 人物; 造型 |
|---|
| 抄録 | 本文分析了敦煌早期壁畫中中原式人物畫的發展,指出對中原式人物造型有三個階段,一是來自漢晉以來的傳統藝術,一是在北魏末到西魏初傳入敦煌的新型風格,一是在北周以后對中原式與西域式畫法的融合。對不同繪畫樣式的源流進行探討,指出了不同時期來自中原影響的變化,以及對敦煌這一特殊地方形成的與中原不完全相同的繪畫特征。
This paper makes a careful examination of the "Central Plains Style" of figure and genre painting in the early period of Dunhuang Grottoes and the track of development, pointing out three stages in the development of the "Central Plains Style" of figure and genre painting. The first stage transmits the traditional style of the Han and Jin dynasties; in the second stage, during the Northern Wei and the Western Wei dynasties, a new art style was transmitted to Dunhuang; in the third stage, during the Northern Zhou dynasty and later, there was a merging of the Central Plains and Western Regions styles. This article traces the sources of diverse painting styles and identifies successive changes in figure and genre painting under the central plains influence. The local style in Dunhuang has some features that are not identical with those of the Central Plains. |
|---|
| ISSN | 10004106 (P) |
|---|
| 研究種類 | 文獻資料 |
|---|
| 研究年代 | 南北朝-北朝 |
|---|
| 研究地域 | 甘肅(敦煌莫高窟) |
|---|
| ヒット数 | 218 |
|---|
| 作成日 | 2016.05.12 |
|---|
| 更新日期 | 2018.04.19 |
|---|
 |
Chrome, Firefox, Safari(Mac)での検索をお勧めします。ＩＥではこの検索システムを表示できません。
|
|
|
