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西安市小雁塔出土的唐代線刻菩薩系吳道子真跡=The Incised Line Drawing of the Bodhisattva Portrait Unearthed From the Small Wild Goose Pagoda in Xi’an Was the Original Work of Wu Daozi |
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| 著者 |
冉萬里 =Ran, Wan-li
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| 掲載誌 |
文博=Relics and Museolgy
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| 巻号 | n.1 (總號=n.184) |
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| 出版年月日 | 2015.01 |
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| ページ | 39 - 43 |
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| 出版者 | 西安文物保護修復中心 |
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| 出版サイト |
http://www.xccch.net/
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| 出版地 | 西安, 中國 [Xi'an, China] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 中文=Chinese |
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| ノート | 作者單位：西北大學文化遺產學院 |
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| キーワード | 西安=Xi’an; 小雁塔=Small Wild Goose Pagoda; 薦福寺=Jianfu Monastery; 吳道子=Wu Daozi(Painter,active 710-760 AD); 唐代=Tang Dynasty; 維摩詰經變=Pictorial Narrative of Vimalakirti Sutra |
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| 抄録 | 西安市小雁塔即唐代薦福寺的塔院，曾經在其遺址中發現線刻菩薩的石刻。筆者根據出土石刻的圖像特徵，並結合有關文獻及敦煌莫高窟維摩詰經變中的圖像資料，論證石刻上的題材是維摩詰經變的一部分。同時，更進一步指出，該石刻上的線刻菩薩圖像是以吳道子在薦福寺菩提院的維摩詰經變畫為底稿雕刻而成，從而推斷小雁塔發現的石刻當系吳道子真跡。
From the courtyard of the Small Wild Goose Pagoda, which was the Jianfu Monastery in the Tang Dynasty, stone carving with incised line drawing of a bodhisattva portrait has been unearthed. Based on the iconographic characteristics and referring to the relevant historic literatures and the iconographic materials of the mural of Weimojie Jingbian(pictorial narrative of Vimalakirti Sutra) in the Mogao Grottoes in Dunhuang, this paper proved that the motif of the stone carving with bodhisattva portrait was a part of the pictorial narrative of Vimalakirti Sutra. Moreover, this paper pointed out that the original sketch of this bodhisattva portrait was the pictorial narrative of Vimalakirti Sutra drawn by Wu Daozi in Bodhi Court of the Jianfu Monastery, and inferred that this stone carving was the direct trace of Wu Daozi’s original artwork. |
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| 目次 | 一、關於捧缽菩薩和雙手合十菩薩 40
二、線刻菩薩或天人與吳道子 41
三、從壺門的特點看線刻的年代 42
小結 42 |
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| ISSN | 10007954 (P); 10007954 (E) |
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| ヒット数 | 106 |
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| 作成日 | 2020.01.06 |
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| 更新日期 | 2020.01.17 |
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