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大通智勝佛與十六王子藝術表現再述=A Study on the Artistic Representation of Mahabhijna-Jnanabhibhu Buddha and the Sixteen Princes |
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| 著者 |
張總 (著)=Zhang, Zong (au.)
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| 掲載誌 |
敦煌研究=Dunhuang Research
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| 巻号 | n.5 (總號=n.171) |
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| 出版年月日 | 2018 |
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| ページ | 1 - 15 |
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| 出版者 | 敦煌研究編輯部 |
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| 出版サイト |
http://www.dha.ac.cn/
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| 出版地 | 蘭州, 中國 [Lanzhou, China] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 中文=Chinese |
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| ノート | 作者單位：南海佛學院藝術系主任，教授，中國社會科學院世界宗教研究所研究員 |
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| キーワード | 大通智勝佛=Mahabhijna-Jnanabhibhu; 十六王子=Sixteen Princes; 往古=in ancient times; 因緣喻=karma-parables; 石窟=grottoes; 碑像=stele; 銘記=inscription |
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| 抄録 | 敦煌壁畫中法華經變雖多,然就此題材之表達卻相當少,且時代晚在五代;而晉冀魯豫地區之石窟碑像與題銘中大通智勝佛與十六王子事題材可達十余處,跨度從北魏至隋。此題材雖置于《化城喻品》中,但意涵關涉《法華經》基本精神,因而值得重視。
There are many Lotus sutra illustrations in Dunhuang murals but depictions of Mahabhijna-Jnanabhibhu Buddha and the Sixteen Princes are fairly rare and appeared only very late in the era of the Five Dynasties. However, there are more than ten illustrations of this subject in the cave images, steles, and inscriptions of Shanxi, Hebei, Shandong, and He’nan that appeared over the period from the Northern Wei to the Sui dynasty. Though this scene was originally from the smaller "Parable of the Magic City," because the basic spirit of the Lotus Sutra can be detected within the motif it is considered as requiring more detailed attention. |
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| 目次 | 一 基本情況 2
二 13
三 13
四 14 |
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| ISSN | 10004106 (P) |
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| ヒット数 | 292 |
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| 作成日 | 2020.10.26 |
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| 更新日期 | 2020.10.26 |
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