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中亞西半部七世紀前後佛教藝術風貌 -- 以《大唐西域記》與近代考古為依據=The Style and Features of the Buddhist Art in the West-Central Asia around the 7th Century: Based on the Da Tang Xi Yu Ji and Modern Archeological Findings |
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張文玲 (著)=Chang, Wen-ling (au.)
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| Source |
法鼓佛學學報=Dharma Drum Journal of Buddhist Studies
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| Volume | n.3 |
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| Date | 2008.12.01 |
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| Pages | 101 - 143 |
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| Publisher | 法鼓文理學院 |
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| Publisher Url |
https://www.dila.edu.tw/
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| Location | 新北市, 臺灣 [New Taipei City, Taiwan] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Keyword | 草原文化=steppe culture; 月氏貴霜=Ku?ana / K?ā?a; 薩珊王朝=Sassanian Dynasty; 薩迦族=Saka; 犍陀羅=Gandhara |
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| Abstract | 七世紀前後中亞佛教藝術的整體風貌，可說是呈現了佛教藝術成、住、壞、空完整的發展過程，即從早期以塔為中心的無佛像時代，到擁有巨大佛像、金碧輝煌佛寺的鼎盛期，進而到「諸窣堵波荒蕪圮壞」、「久絕僧侶」的衰敗期。本文所依據之研究資料除了玄奘《大唐西域記》外，還引用了中亞、印
度、歐美及中國、日本學者的研究成果，以及筆者親訪中亞所收集之第一手資料。筆者歸納7 世紀前後中亞西半部佛教藝術的風貌，並探討某些中亞佛教藝術造型的文化背景因素，本文較為新穎之見解，或為筆者提出草原文化與犍陀羅佛教造像之間的可能關聯，亦即從中亞地區深厚的草原文化背景中，去探討犍陀羅菩薩造像以及所謂「佛要金裝」──佛像的金彩裝飾之造像風格，其與草原貴族的衣著品味、審美價值觀之間的可能關聯。
Central Asian Buddhist art within the period of the 7th century can be viewed as stages of an evolutional process: 1. The earliest stage of Buddhist art, which contained non-Buddha images; 2. The golden age of Buddhist art with splendorous Buddhist temples and large Buddha figures; and 3. A period of decline. In addition to Xuanzang’s Da Tang Xi Yu Ji , the sources for this study include research findings of the Central Asian, Indian, European, American, Chinese, and Japanese scholars, as well as materials collected by the author during a trip to Central Asia. This study summarizes the styles and features of Central Asian Buddhist art within the period of the 7th century. It identifies the cultural background of some Central Asian Buddhist art forms. It also proposes a possible connection between the Central Asian steppe culture and the style of the Gandharian Buddhisattva statues. It attempts to find the meaning of the golden decoration on Buddhisattva statues found in Gandharian Buddhist art by connecting it to the clothing tastes and aesthetic view points of the steppe culture’s aristocrats.
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| Table of contents | 一、前言──《大唐西域記》有關中亞佛教的概述 103
二、從考古與文獻來看佛教在中亞的發展 105
三、七世紀前後中亞西半部之佛教藝術風貌解析 110
（一）從佛塔到佛像信仰 111
（二）佛寺建築形制與風格的演變 123
（三）七世紀前後中亞地區的特殊造像風格 130
四、結論 133 |
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| ISSN | 19968000 (P) |
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| Hits | 1453 |
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| Created date | 2009.03.05 |
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| Modified date | 2021.01.11 |
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