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禪藝合流與石濤畫論的禪美學
Author 賴賢宗 (著)=Lai, Shen-chon (au.)
Source 普門學報=Universal Gate Buddhist Journal
Volumen.1
Date2001.01.01
Pages194 - 225
Publisher佛光山文教基金會=Fo Guang Shan Foundation for Buddhist Culture & Education
Publisher Url https://www.fgs.org.tw/
Location臺北市, 臺灣 [Taipei shih, Taiwan]
Content type期刊論文=Journal Article
Language中文=Chinese
Note作者為華梵大學哲學系助理教授
Keyword賴賢宗; 禪; 石濤
Table of contents一、第一節 禪藝合流 2
(一)禪藝合流的脈動 2
(二)禪畫的歷史過程與禪對山水畫的影響 3
(三)曉雲法師論三種禪畫及其內在關係 5
二、第二節 禪宗的「不即不離」與禪藝合流的思想基礎 7
三、第三節「不即不離」在禪美學的用 9
(一)「不即不離」在美學的用的文獻 9
(二)簡論禪的「不即不離」在禪的畫論上的運用 12
四、第四節 石濤的「一畫論」與禪的意境論美學 12
(一)詮釋學美學的三個環節及其山水畫,禪畫的關連 12
(二)石濤的 <畫譜> 的本文的三個部分 14
(三)石濤畫論的禪畫意境美學的三個環節結論 18
ISSN1609476X (P)
Hits1357
Created date2009.07.27
Modified date2017.10.11



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