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Battling Tengu, Battling Conceit: Visualizing Abstraction in The Tale of the Handcart Priest
Author Kimbrough, R. Keller
Source Japanese Journal of Religious Studies
Volumev.39 n.2
Date2012
Pages275 - 305
PublisherNanzan Institute for Religion and Culture=南山宗教文化研究所
Publisher Url http://nirc.nanzan-u.ac.jp/en/
Location名古屋, 日本 [Nagoya, Japan]
Content type期刊論文=Journal Article
Language英文=English
NoteR. Keller Kimbrough is an associate professor of Japanese Literature at the University of
Colorado Boulder.
Keywordtengu; Zen; otogizōshi; nara ehon; setsuwa; noh; Tarōbō; Zegaibō; medieval Buddhist fiction
AbstractThe sixteenth- or early seventeenth-century Tale of the Handcart Priest tells of an eccentric Zen practitioner’s encounter with the legendary Tarōbō, a tengu of Mt. Atago who is attracted to the priest because of the priest’s excessive pride. This article provides a close reading of The Tale of the Handcart Priest in its historical and literary context, drawing upon such related works as the noh plays Kuruma-zō and Zegai, the otogizōshi Matsuhime monogatari and Itozakura no monogatari, and the puppet play Shuten Dōji wakazakari. I discuss the significance of tengu, carts, and handcart priests in Japanese textual and pictorial sources from the twelfth through eighteenth centuries, as well as the possibilities for psychological realism in the larger world of medieval Japanese fiction. Taking a psychoanalytic interpretive approach, I argue that in Kuruma-zō sōshi and other
medieval and Edo-period literary sources, characters’ struggles with tengu can often be read allegorically as externalized depictions of those characters’ internal struggles with their own “demons” of conceit.

Table of contentsDriving the Single Vehicle 278
Battling Tengu, Battling Conceit 286
Conclusion 301
ISSN03041042 (P)
Hits1142
Created date2013.04.16
Modified date2017.09.14



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