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Jingi kōshiki: A Neglected Field of Study
Author Guelberg, Niels
Source Japanese Journal of Religious Studies
Volumev.43 n.1
Date2016
Pages153 - 175
PublisherNanzan Institute for Religion and Culture=南山宗教文化研究所
Publisher Url http://nirc.nanzan-u.ac.jp/en/
Location名古屋, 日本 [Nagoya, Japan]
Content type期刊論文=Journal Article
Language英文=English
NoteNiels Guelberg is a Professor at the School of Law, Waseda University.
KeywordBuddhist rites; kōshiki; honji suijaku; Meiji; shinbutsu bunri
AbstractOne-sixth of the known works of the kōshiki genre belong to the category of jingi kōshiki, which make non-Buddhist divinities their central objects of worship and thereby integrate them into Buddhist doctrine and practice. Appearing 210 years after the first works of the genre were composed, this subgenre is not one of the oldest, but it is the category that contains the greatest number of works, a fact that makes this group extremely important for an understanding of the genre of kōshiki as a whole. Nevertheless, the study of jingi kōshiki has remained the most neglected field of research among those related to kōshiki. This article examines specific problems faced when attempting to grasp the character of jingi kōshiki, while maintaining a steady focus on the development of the genre as a whole.
Table of contentsDefining Jingi kōshiki 155
Beginnings 157
Sources 157
Mansai, A Medieval Practitioner of kōshiki 161
Monastic Confraternities and jingi kōshiki: The Case of Jien (1155–1225) 163
Jingi kōshiki and Lay Associations: Danzan Shrine 167
The Last Living Tradition: Kōya Myōjin kō 169
Jingi kōshiki and Intertextuality 170
The Origin of Jingi kōshiki 171
References 172
ISSN03041042 (P)
Hits255
Created date2016.07.11
Modified date2017.09.14



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