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麥積山石窟133窟10號造像碑研究=On the Buddhist Votive Stele No.10 in Cave 133 of the Maijishan Grottoes |
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| Author |
龍忠 =Long, Zhong
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| Source |
文博=Relics and Museolgy
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| Volume | n.4 (總號=n.199) |
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| Date | 2017.07 |
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| Pages | 60 - 64 |
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| Publisher | 西安文物保護修復中心 |
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| Publisher Url |
http://www.xccch.net/
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| Location | 西安, 中國 [Xi'an, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者單位：西北師範大學美術學院。 |
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| Keyword | 造像碑=Buddhist Votive Steles; 彌勒=Maitreya; 佛傳圖=Scenes from the Life of Buddha |
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| Abstract | 麥積山石窟133窟10號造像碑內容豐富、雕刻技法精湛，制作於北魏晚期。該造像碑為釋迦、釋迦多寶、彌勒組合題材，兩側雕滿佛轉故事。在藝術形式上已擺脫了孝文帝時期的「秀骨清像」風格，明顯受到來自龍門石窟造像的影響。該造像碑不僅代表著北朝佛教藝術的水平，更是中國古代傳統雕塑中的精品之作。
The Buddhist votive stele No. 10 in Cave 133 of the Maijishan Grottoes, which is made in the late Northern Wei Dynasty, has rich contents and is carved with superb skills. The theme of this votive stele is the assemblage of Sakyamuni Buddha, abreast seated Sakyamuni Buddha and Prabhutaratna, and Maitreya; on the two sides of the stele, scenes from the life of Buddha are carved. This stele has completely got rid of the "xiugu qingxiang(slender build and graceful look)" art style since the reign of Emperor Xiaowen and clearly shows the influence of the sculpture of the Longmen Grottoes. This votive stele not only represents the art level of the Buddhist art in the Northern Dynasties Period, but also a masterpiece of the traditional sculpture of ancient China. |
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| Table of contents | 一、麥積山石窟133窟10號造像碑的雕刻內容 60
二、133窟10號造像碑的題材考釋 61
三、133窟10號造像碑的來源 63
四、133窟10號造像碑的藝術風格 63
五、結語 64 |
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| ISSN | 10007954 (P); 10007954 (E) |
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| Hits | 111 |
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| Created date | 2020.01.10 |
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| Modified date | 2020.01.17 |
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