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釋自孝幽溪傳燈之觀音耳根圓通見解=Annotating upon the Organ of Ear of Avalokiteśvara’s Perfect Enlightenment by Yōuxī Chuándēng |
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| Author |
釋自孝 (著)=Shih, Tzu-hsiao (au.)
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| Source |
正觀雜誌=Satyabhisamaya: A Buddhist Studies Quarterly
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| Volume | n.106 |
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| Date | 2023.09.25 |
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| Pages | 87 - 131 |
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| Publisher | 正觀雜誌社 |
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| Publisher Url |
http://www.tt034.org.tw/
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| Location | 南投縣, 臺灣 [Nantou hsien, Taiwan] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Keyword | 圓通大士; 耳根圓通; 《楞嚴經》; 古師; 天台家 |
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| Abstract | 楞嚴會上，二十五位圓通大士，各自陳述所修圓通法門， 最後，文殊菩薩獨選觀音耳根圓通，做為後世眾生的修行依據。 其中法義衍申，疏解之作，代不乏人。逮至乾隆 41 年（1776）， 《楞嚴經》之注釋作品，已多達六十八種。其中天台各家的疏 作，為數也是頗為可觀。
除了幽溪傳燈所撰述，現仍存世的三部《楞嚴經》注釋作 品外，幽溪傳燈於其著述中，所稱「古師」之天台家疏解之作， 有的早已散佚，並無單行刊本行世，留存下來的注釋作品，亦 存有各宗之作。而天台宗雖曾有山家、山外之爭，但在幽溪傳 燈所收諸師作品中，則摒除藩籬，一併收之。對於觀音耳根圓 通法門，頗為著墨的著作，除了淨覺仁岳所撰《楞嚴經熏聞記》 仍收於大藏外，其餘如孤山智圓、雲間法師的作品，則皆只收 錄於桐州懷坦所撰述的《楞嚴經集註》中。
而從天台諸師及幽溪傳燈，對於觀音耳根圓通的疏解中， 誠可看出其發自個人內修的法義體證，亦皆表達其對觀音耳根 圓通化度末劫的淑世用意。就此而言，其疏解之內容，自然也 無高下優劣之分。況且，幽溪傳燈除了疏解《楞嚴經》外，亦 曾領眾修行耳根圓通，其親修親證的解悟，實足以承先而啟後。 本文即於上述諸師的《楞嚴經》注釋作品中，針對觀音耳根圓 通法門，進行法義考查，期於諸師及幽溪傳燈的疏作教解上， 得到適切的反省與啟發。
In the assembly of Śūraṅgama, the twenty-five great practitioners called “Yuantōng Dàshì”, who had achieved perfect enlightenments related their own gateways towards the perfect enlightenments. Eventually, Bodhisattva Mañjuśrī uniquely chose the practice upon the organ of ear of Avalokiteśvara named “ěrgēn yuántōng” as the basic practice for the later sentient beings. In according to the correlative works of annotating or interpreting of the Śūraṅgama Śūtra, there were never lacking through the past generations. The amount of annotating works of the Śūraṅgama Śūtra was calculated as sixty-eight publications as of 1776. And the number of Tiāntāi annotators’ works seems to be considerable amongst them.
In addition to the extant three annotating works of the Śūraṅgama Śūtra which were authored by Yōuxī Chuándēng, some of the other concerning works finished by Tiāntāi annotators who were called “ancient masters”(gǔshī) in the writing of Yōuxī Chuándēng had been scattered and lost without any publication. Still, some annotated works which were produced by the other Buddhist sects were preserved. Though controversies happened between “Shānjiā” and “Shānwài” of Tiāntāi Sect then, yet Yōuxī Chuándēng got rid of the fence to collect their works together. Furthermore, some works discussed the practice upon the organ of ear of Avalokiteśvara to certain degrees including Jìngjiào Rényuè’s “Lèngyánjīng Xūnwénjì”, which was preserved in the Tripiṭaka, and both the works of Gūshān Zhìyuán and Yúnjiān Fǎshī which were merely collected in “Lèngyánjīng Jízhù” authored by Tóngzhōu Huáitǎn.
In the annotating works with regard to the organ of ear of Avalokiteśvara which were produced by the Tiāntāi masters and Yōuxī Chuándēng, we can find that the works came from their individual insight practices and they all performed the salvaging spirit of the organ of ear of Avalokiteśvara to rescue the sentient beings of final kalpa. On this point, the contents of their annotations ought to certainly be viewed as equivalence without high and low, superior and inferior. Moreover, apart from his annotating the Śūraṅgama Śūtra, Yōuxī Chuándēng also guided his followers to practice the perfect enlightenment of the organ of ear. His personal practicing and achieving the perfect enlightenment showed that he can inherit the ancestors and instruct the descendants. It will be proceeded a series of meaning research towards the practice upon the organ of ear of Avalokiteśvara in the works of the above-mentioned masters respecting the Śūraṅgama Śūtra. And hoping to obtain an appropriate reflection and inspiration through the annotations and interpretations out of those masters and Yōuxī Chuándēng. |
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| Table of contents | 一、前言 89
二、幽溪傳燈的生平 100
三、幽溪傳燈之觀音耳根圓通見解 106
四、幽溪傳燈之前天台宗三家之觀音耳根圓通見解 115
五、結論 124
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| ISSN | 16099575 (P) |
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| Hits | 87 |
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| Created date | 2023.10.25 |
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| Modified date | 2023.10.25 |
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