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Inventing Chinese Buddhas: Identity, Authority, and Liberation in Song-Dynasty Chan Buddhism
著者 Buckelew, Kevin (撰)
出版年月日2018
ページ348
出版者Columbia University
出版サイト https://www.columbia.edu/
出版地New York, NY, US [紐約, 紐約州, 美國]
資料の種類博碩士論文=Thesis and Dissertation
言語英文=English
学位博士
学校Columbia University
学部・学科名East Asian Languages and Cultures
指導教官Faure, Bernard R.; Yang, Zhaohua
卒業年2018
キーワードSong Dynasty (China); History; Mahayana Buddhism; Zen Buddhism; Chinese – Religion
抄録This dissertation explores how Chan Buddhists made the unprecedented claim to a level of religious authority on par with the historical Buddha Śākyamuni and, in the process, invented what it means to be a buddha in China. This claim helped propel the Chan tradition to dominance of elite monastic Buddhism during the Song dynasty (960-1279), licensed an outpouring of Chan literature treated as equivalent to scripture, and changed the way Chinese Buddhists understood their own capacity for religious authority in relation to the historical Buddha and the Indian homeland of Buddhism. But the claim itself was fraught with complication. After all, according to canonical Buddhist scriptures, the Buddha was easily recognizable by the “marks of the great man” that adorned his body, while the same could not be said for Chan masters in the Song. What, then, distinguished Chan masters from everyone else? What authorized their elite status and granted them the authority of buddhas? According to what normative ideals did Chan aspirants pursue liberation, and by what standards did Chan masters evaluate their students to determine who was worthy of admission into an elite Chan lineage? How, in short, could one recognize a buddha in Song-dynasty China? The Chan tradition never answered this question once and for all; instead, the question broadly animated Chan rituals, institutional norms, literary practices, and visual cultures. My dissertation takes a performative approach to the analysis of Chan hagiographies, discourse records, commentarial collections, and visual materials, mobilizing the tradition’s rich archive to measure how Chan interventions in Buddhist tradition changed the landscape of elite Chinese Buddhism and participated in the epochal changes attending China’s Tang-to-Song transition.
目次List of Figures iii
Acknowledgments v

Introduction: Discerning Buddhas in China 1
How to recognize a buddha 1
Buddhas, buddhahood, and the making of Chan identity 5
Shifting paradigms of authority in Chinese Buddhist history 35
Methodological considerations: performance, identity, discernment 45
Chapter overview 58

Signs of Authority and the “Marks of the Great Man” 63
Great men with unusual bodies: Huangbo Xiyun and the “marks of the great man” in Tang-dynasty Chan 65
Immanence, invisibility, and the uṣṇīṣa in Song-dynasty Chan 80
Encountering Chinese buddhas: “marks of the great man” and the negotiation of authority 91
Conclusion 106

The Heroic “Great Man” 109
“Towering and majestic” 112
The “great man” and the rejection of specialized excellence 122
Three of a kind: general, minister, Chan master 127
Martial heroism, exemplary models, and state power 140
Conclusion 151

Buddhahood, Sovereignty, and the Chan Master 153
The Chan master as cosmic sovereign 156
Rivals for buddhahood on the battlefield of encounter dialogue 178
Killing the Buddha, carrying out the command: sovereignty and the vanishing point of authority 192
Conclusion 201

The Consistency of a “Great Man” 203
The sovereign self 206
Possessed by the words of another 219
Authenticity and artifice 232
The gender of buddhahood 242
Conclusion 258

Farming, Rusticity, and the Chan Work Ethic 262
Baizhang Huaihai and the advent of “farming Chan” 265
Aesthetic rusticity and Chan identity 274
Herding an ox, being an ox 284
Conclusion 299

Conclusion: A Discerning Age 306
Figures 315
Bibliography 325
DOIhttps://doi.org/10.7916/D81Z5MKZ
ヒット数548
作成日2021.12.11
更新日期2021.12.11



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