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神通寺四門塔探源=A Study of the Origins of the Four Gate Pagoda of Shentong Monastery |
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| 著者 |
陳清香 (著)=Chen, Ching-hsiang (au.)
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| 掲載誌 |
中華佛學學報=Chung-Hwa Buddhist Journal=Journal of Chinese Buddhist Studies
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| 巻号 | n.17 |
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| 出版年月日 | 2004.07 |
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| ページ | 149 - 172 |
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| 出版者 | 中華佛學研究所=Chung-Hwa Institute of Buddhist Studies |
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| 出版サイト |
http://www.chibs.edu.tw/publication_tw.php?id=12
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| 出版地 | 新北市, 臺灣 [New Taipei City, Taiwan] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 中文=Chinese; 英文=English |
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| ノート | 作者為文化大學史學系教授 |
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| キーワード | 佛塔=Buddhist pagoda; 隋唐佛教造像=Buddhist images in the Sui and Tang dynasties; 山東佛教=Buddhism in Shandong Province; 僧朗=Senglang; 神通寺四門塔=Four Gate Pagoda, Shentong monastery; 阿閦佛=Ak?obhya Buddha |
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| 抄録 | 本文共分六個章節，除第一章緣起外，第二章題曰四門塔建築的源流與特色，討論四門塔建築造型的原始源流，那是來自印度窣堵波的創意，從單純的圓形覆缽佛塔造型，演變成方形且塔上刻像的式樣。本章列舉隋代以前存世的單層石造四面像的遺例，以及從背屏式佛像光背、石碑佛像拱形龕楣上端等處，所呈現的浮雕或線刻的佛塔圖像，以捕捉六、七世紀之際，亭閣式單層塔的流行式樣。第三章題為塔內的供像，內容討論四面佛塔供像的主題，經典的依據，反映當時《觀佛三昧海經》、《金光明經》等信仰的流傳。第四章討論神通寺四門塔內四佛的功德主雕造動機與造塔因緣，第五章討論塔內四佛佛容體軀的雕刻風格與歷史意義，第六章總結四門塔的建築式樣與四佛造像風格，及其對山東濟南一地的後續影響。
This article is divided into six sections. The first section deals with background matters. The second section is entitled “the origins and unique features of the Four Gate Pagoda’s architecture.” It discusses the origins of the Four Gate Pagoda’s architectural design, deriving from the creativity of the Indian stūpa. From the simple design of the round shape of an inverted bowl, it evolved into a four-sided structure with Buddha images carved into the upper portions. This article lists the following: existant instances of single-story, stone, four-sided images dating to before the Sui dynasty, Buddha images carved in high relief with a flat background, stone images in upper section of niche archways, Buddhist stūpas with relief or line-carving. This is done to pin down the style that was popular in pavilion-style, single-story pagodas from the sixth and seventh centuries. The third section is entitled “images used for worship within the pagodas.” It discusses the theme of four-sided pagoda Buddha images and scriptural references, which reflect the existence of belief in sūtras such as the Guan Fo sanmei hai jing觀佛三昧海經and the Golden Light Sūtra. The fourth section discusses the motivation of the Four Gate Pagoda’s donor and the background of the pagoda’s construction. The fifth section discusses the style of the faces and bodies of the four Buddhas within the pagoda and their historical significance. The sixth section summarizes the Four Gate Pagoda’s subsequent influence on the style of four-sided Buddha images and on the region near Jinan, Shandong province. |
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| 目次 | 一、緣起 150
二、四門塔建築的源流與特色 150
（一）源於印度窣堵波的創意
（二）單層石造四面像
（三）圖像中的單層塔
三、塔內的供像 155
四、山東的四面像 158
五、四佛像造像風格 160
六、四門塔的建築與四佛造像的後續 162 |
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| ISSN | 10177132 (P) |
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| ヒット数 | 1779 |
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| 作成日 | 2005.05.03 |
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| 更新日期 | 2017.06.20 |
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