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From Yuanqi (Primal Energy) to Wenqi (Literary Pneuma): A Philosophical Study of a Chinese Aesthetic |
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| 著者 |
Gu, Ming-dong
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| 掲載誌 |
Philosophy East and West
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| 巻号 | v.59 n.1 |
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| 出版年月日 | 2009.01 |
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| ページ | 22 - 46 |
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| 出版者 | University of Hawaii Press |
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| 出版サイト |
https://uhpress.hawaii.edu/
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| 出版地 | Honolulu, HI, US [檀香山, 夏威夷州, 美國] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 英文=English |
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| 抄録 | Wenqi 文氣 (literary pneuma) is a foundational idea in Chinese aesthetics. It has remained elusive since its initial formulation, however. This is so largely because previous scholars did not examine its ontological and epistemological conditions in analytic terms, still less explore its implications in a conceptual framework of artistic creation. Here, it is proposed to explore its general as well as specific implications against the larger background of Chinese intellectual thought and in relation to contemporary theories of literature and aesthetics. Through a philosophical inquiry, wenqi is here reconceived as an integration of the primal energy of the universe, the creative energy of human beings, and the totalizing force that animates an artistic work. Wenqi is viewed not as a substance or a product but as a creative and shaping force that flows from the writer into his writing, gives it a distinct shape, and makes it different from any other writing. The theory of wenqi is a system of aesthetic principles that govern the creative and shaping force operating in the space of three intertwined entities: the macrocosm of the universe including human society, the microcosm of the writer, and the microcosm of his writing. |
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| ISSN | 00318221 (P); 15291898 (E) |
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| DOI | 10.1353/pew.0.0038 |
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| ヒット数 | 1314 |
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| 作成日 | 2009.02.03 |
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| 更新日期 | 2019.05.17 |
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