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從敦煌遺書看中古書法史的一些問題=The Relationship between Medieval Calligraphy and the Dunhuang Documents |
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| 著者 |
畢羅 =De Laurentis, Pietro
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| 掲載誌 |
敦煌研究=Dunhuang Research
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| 巻号 | n.1 (總號=n.167) |
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| 出版年月日 | 2018 |
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| ページ | 62 - 72 |
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| 出版者 | 敦煌研究編輯部 |
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| 出版サイト |
http://www.dha.ac.cn/
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| 出版地 | 蘭州, 中國 [Lanzhou, China] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 中文=Chinese |
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| キーワード | 墨跡=handwriting specimens; 石刻=stone inscriptions; 書手=copyists; 書寫=handwriting; 書法=calligraphy |
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| 抄録 | 遺留到今天的主要中古時期的書法作品大多為石刻文獻一類,墨跡保存得非常少。敦煌遺書問世之后,不但為文字學家考證漢字形體提供了豐富的信息,而且對專門研究書法史的學者來說也是一個具有原真意義的寶藏,原因在于它們終于揭開了當時的書寫語境,對我們鑒定現存書法作品提供了大量的珍貴依據。通過文獻的梳理和書寫實物的比較,對敦煌文書的書法史價值做出一些實證性總結,以便給予關注書法史的學者們一些理性的啟發。
The bulk of calligraphic works from medieval China that have survived to present times consist mainly of stone inscriptions and their ink rubbings, with handwritten specimens on paper occupying only a small portion. After the Dunhuang documents were discovered, the world of Chinese calligraphy was provided with an immense cache of first-hand materials, much of which has yet to be examined by scholars. The importance of these documents for the study of Chinese calligraphy lies in the fact that they have revealed the wider context of handwriting within which calligraphic works were created, and thus contain information crucial to academic evaluation of ancient character writing styles. By comparing philological data and handwriting specimens, this paper aims at outlining the value of the Dunhuang documents to the medieval period of calligraphic history,widening the scope of calligraphic studies. |
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| 目次 | 一 前題:墨跡與石刻 62
二 書寫的格式 64
三 書手與經生的文化修養 65
四 作品優劣 68
五 書法與中外交流 70
六 結語:筆觸之美的感染 71 |
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| ISSN | 10004106 (P) |
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| ヒット数 | 51 |
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| 作成日 | 2020.10.21 |
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| 更新日期 | 2020.10.30 |
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