Niels Guelberg is a Professor at the School of Law, Waseda University.
關鍵詞
Buddhist rites; kōshiki; honji suijaku; Meiji; shinbutsu bunri
摘要
One-sixth of the known works of the kōshiki genre belong to the category of jingi kōshiki, which make non-Buddhist divinities their central objects of worship and thereby integrate them into Buddhist doctrine and practice. Appearing 210 years after the first works of the genre were composed, this subgenre is not one of the oldest, but it is the category that contains the greatest number of works, a fact that makes this group extremely important for an understanding of the genre of kōshiki as a whole. Nevertheless, the study of jingi kōshiki has remained the most neglected field of research among those related to kōshiki. This article examines specific problems faced when attempting to grasp the character of jingi kōshiki, while maintaining a steady focus on the development of the genre as a whole.
目次
Defining Jingi kōshiki 155 Beginnings 157 Sources 157 Mansai, A Medieval Practitioner of kōshiki 161 Monastic Confraternities and jingi kōshiki: The Case of Jien (1155–1225) 163 Jingi kōshiki and Lay Associations: Danzan Shrine 167 The Last Living Tradition: Kōya Myōjin kō 169 Jingi kōshiki and Intertextuality 170 The Origin of Jingi kōshiki 171 References 172
