The writer Xin Qi-ji is famous in Sung-Tsz, but his metrical poems are small in quantity. To explore the causes, in addition to the collected works are missing, the predecessors still have "innately favoritism" and "to abstain from wirting poetry for avoiding slanders". Different arguments; while observing the content of his poetry, there is indeed the possibility of deliberately "no poetry." However, Jia-xuan's emphasis on poetry is also evident in his poetic works. There is no doubt about this. The greater part of Jia-xuan's metrical poetry style is simple and plain, and it is "ungraceful language but real meaning," and he also likes to study Tao Yuan-ming, Shao Kan-gjie, and Bai Ju-yi. He also has a general tendency to reason about Song metrical poetry and uses allusions; however, there are also scenes and emotions that blend together. When Jia-xuan encounters the difficulties of his career and the fall of his colleagues, he tends to use the metrical poems to convey his sentiments. It is particularly easy to see that he has the three ideological aspects of Buddhism, Taoism, and Confucianism. In the final analysis, we can find that his self-identity is still Confucianism, nevertheless, Jiaxuan unconsciously integrated Laozi, Zhuangzi, Tao Yuan-ming, and even Buddhist thought. The value of Jia-xuan's metrical poems lies in the unambiguous display of the diversity of personality traits and ideas, allowing readers to directly see the contradictions and regrets of his life, as well as his deepest aspirations.
