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See the character 嬥 in CJKDict

嬥岝柧嵟彑墹鉙 [py] Jin1guang1ming2 zui4sheng4wang 2jing1 [wg] Chin-kuang-ming tsui-sheng-wang ching [ko] Kûmgwangmyông ch'oesûngwang kyông [ja] 僐儞僐僂儈儑僂僒僀僔儑僂僆僂僉儑僂 Konkoumyou saishouou kyou ||| Jinguangming zuishengwang jing; 10 fascicles in 31 chapters, trans. by Yijing 媊熌 of the Tang dynasty, T 665.16.403-457. For more information on this text, see 嬥岝柧鉙. [Credit] acm(entry)

嬥岝柧鉙 [py] jin1 guang1ming2 jing1 [wg] Chin-kuang-ming ching [ko] Kûmgwangmyônggyông [ja] 僐儞僐僂儈儑僂僉儑僂 Konkoumyoukyou ||| Jinguangming jing; the Suvarna-prabhaasa-(uttama)-suutra. There are five Chinese translations, as well as various commentarial works available. The three primary translations are (1) by Dharmak.sema 撥柍姗 of the Northern Liang (嬥岝柧鉙; T 663.16.335-357, 4 fascicles in eight chapters); (2) By Baogui 洀婱 et. al. of the Sui dynasty (崌晹嬥岝柧鉙; T 664.16.359-402; 8 fasc.); (3) by Yijing 媊熌 of the Tang dynasty (嬥岝柧嵟彑墹鉙; T 665.16.403-457, 10 fascicles in 31 chapters). Though the first translation is incomplete, it has famous commentaries attached. The merit of this sutra is that wherever it is worshipped, the four Guardian Gods (岇巐墹) protect the state and benefit the people. One of the three 'state protecting sutras' in Japan. [Credit] acm(entry) cw(py)

嬥岝柧鉙尯媊 [py] Jin1guang1ming2jing1 xuan2yi4 [wg] Chin kuang-ming ching hsüan-i [ko] Kûmgwangmyônggyông hyônûi [ja] 僐儞僐僂儈儑僂僉儑僂僎儞僊 Konkoumyoukyou gengi ||| The Jin guangming jing xuanyi; By Zhiyi and Guanding.T 1783.39.1a-12a. [Credit] acm(entry)

嬥崉 [py] jin1gang1 [wg] chin-kang [ko] kûmgang [ja] 僐儞僑僂 kongou ||| (vajra) (1) An extremely hard material, which is identified with the diamond or the essential substance of gold; often used as an trope for something hard and indestructible. 'Adamantine.' (2) The vajra, or thunderbolt; it is generally shaped as such, but has other forms. Also, any one of the beings represented with the vajra is called a vajra. (3) An abbreviation of jingangchu 嬥崉媙 a diamond pounder,' a ritual object in esoteric Buddhism made mainly of iron and copper. (4) An abbreviation for jinganglishi 嬥崉椡巑, one who handles a 嬥崉媙. (5) The thunderbolt of Indra, often called The 'diamond club.' Usually considered as one of the sapta-ratna. (6) An abbreviation of "adamantine absorption" 嬥崉歡掕, 嬥崉嶰枂. [Credit] acm(entry) cw(py)

嬥崉嶰枂 [py] jin1gang1 san1mei4 [wg] chin-kang san-mei [ko] kûmgang sammae [ja] 僐儞僑僂僓儞儅僀 kongou zanmai ||| The adamantine absorption (vajra-samaadhi). A state of medative concentration that penetrates effortless through all matters, and is compared to a vajra, or diamond. (2) The final state of concentration attained at the end of the bodhisattva path in which all defilements are completely extinguished. See 嬥崉歡掕. [Dictionary References] naka419c [Credit] acm(entry)

嬥崉嶰枂杮惈惔熌晄氂晄柵鉙 [py] Jin1gang1san1mei 4ben3xing4qing1jing 4bu4huai4bu4mie4 jing1 [wg] Chin-kang san-mei pen-hsing ch'ing-ching pu-huai pu-mieh ching [ko] Kûmgangsammae ponsôngch'ôngjông pugoebumyôl kyông [ja] 僐儞僑僂僒儞儅僀儂儞僔儑僂僔儑僂僕儑僂僼僄僼儊僣僉儑僂 Kongousanmai honshoushoujou fuefumetsu kyou ||| The Jingang sanmei benxing qingjing buhuai bumie jing; T 644.15.697a-699b. [Credit] acm(entry)

嬥崉嶰枂鉙 [py] Jin1gang1 san1mei4 jing1 [wg] Chin-kang san-mei ching [ko] Kûmgang sammaegyông [ja] 僐儞僑僂僒儞儅僀僉儑僂 Kongousanmaikyou ||| Kûmgangsammaegyông Vajrasamaadhi-suutra. T 273.9.365-372. An East Asian sutra with Chan tendencies. Topics include the Two Entrances (擇擖) and aamala (ninth) consciousness. This text, like the Diamond Sutra, is primarily an exercise in the deconstruction of reified Buddhist concepts. Translated into English by Robert Buswell in The Formation of Ch'an Ideology in China and Korea. [Credit] acm(entry) cw(py)

嬥崉嶰枂鉙榑 [py] Jin1gang 1san1mei4jing1 lun4 [wg] Chin-kang san-mei-ching lun [ko] Kûmgang sammaegyông non [ja] 僐儞僑僂僒儞儅僀僉儑僂儘儞 Kongou sanmaikyou ron ||| The commentary on the Kûmgang sammaegyông, 3 fasc., By Wônhyo 尦濟. T 1730.34.961a-1008a. cf. T 273. [Credit] acm(entry)

嬥崉椡巑 [py] jin1gang1 li4shi4 [wg] chin-kang li-shih [ko] Kûmgang yôksa [ja] 僐儞僑僂儕僉僔 kongou rikishi ||| Vajra-warriors. Also called zhijingang 幏嬥崉 and jingangye 嬥崉栭. Supernatural beings who protect the buddhadharma and whose weapon is the Vajra-mallet 嬥崉媙. [Dictionary References] naka422 [Credit] acm(entry) rt(add) cw(py)

嬥崉歡掕 [py] jin1gang1 yu2ding4 [wg] chin-kang yü-ting [ko] kûmgang yujông [ja] 僐儞僑僂儐僕儑僂 kongou yujou ||| The "diamond-like samaadhi," or "adamantine absorption." (vajra-upama-samaadhi) A state of deep meditative trance where all of the most subtle defilements are destroyed. Also called "vajra-samaadhi 嬥崉嶰枂." Mahaayaana schools state that this is the highest meditative state attainable in Hiinayaana--the highest attainment of the arhat. In Mahaayaana it is considered to be the same as "equal enlightenment 摍鍿." In Yogaacaara, this state of concentration occurs in the consummating stage of practice 媶桧摴. 乲擇忈媊 HPC 1.805a7乴 [Dictionary References] naka422a [Credit] acm(entry)

嬥崉掕 [py] jin1gang1ding4 [wg] chin-kang-ting [ko] kûmgangjông [ja] 僐儞僑僂僕儑僂 kongoujou ||| See 嬥崉歡掕. [Credit] acm(entry)

嬥崉怱 [py] jin1gang1xin1 [wg] chin-kang-hsin [ko] kûmgangsim [ja] 僐儞僑僂僔儞 kongoushin ||| (1) The diamond-mind, or adamantine mind. The hardness and sharpness of the vajra as metaphor for the wisdom of the bodhisattva, which penetrates everything and is incorruptible. (2) A term for the state of the final stage of the ten bhuumis, also known as the adamantine absorption 嬥崉歡掕. (3) In the True Pure Land sect 熌搚崃廆 the mind of deep faith in other-power 懠椡. [Dictionary References] naka420b [Credit] acm(entry)

嬥崉怱埵 [py] jin1gang1xin1wei4 [wg] chin-kang-hsin-wei [ko] kûmgangsimwi [ja] 僐儞僑僂僔儞僀 kongoushin'i ||| A term for the state of the final stage of the ten bhuumis, also known as the adamantine absorption 嬥崉歡掕. [Credit] acm(entry)

嬥崉抭 [py] jin1gang1zhi4 [wg] chin-kang-chih [ko] kûmgangji [ja] 僐儞僑僂僠 kongouchi ||| (1) Adamantine wisdom, or diamond-like wisdom. The wisdom of the Buddha that is more sharp and more hard than anything that in comes into contact with. 乲擇忈媊 HPC 1.801b乴

(2) Vajrabodhi (671-741). Indian monk, translator and ritual master acknowledged as one of the eight patriarchs of the doctrine 橔庼敧慶 in Shingon lineages. Born into the Braahma.na caste, he joined Naalanda monastery 撨啵懮帥 at age 10. There, he is said to have studied Yogaacara and mainstream texts such as the Madhyaantavibhaaga.tiika 鐕暘绮榑, later becoming preceptor to the Pallava king Narasi.mhavarma Raajasi.mha II. His esoteric studies began in 702 after meeting Nagabodhi 棿抭, an expert in the vajrayoga of the Tattvasa.mgraha 嬥崉捀. Vajrabodhi received initiation and continued to be his disciple for the next seven years. While on a pilgrimage to La.nka 灴壘嶳, a mysterious vision inspired him to propagate the doctrine in China. Taking the sea route, he briefly sojourned in `Srivijaya; on the last leg of the trip, he lost the massive Sanskrit text of the Tattvasa.mgraha 嬥崉捀鉙 during a storm which destroyed much of the accompanying fleeT He arrived in Canton in 720 and proceeded to Loyang 棇梲. There he began performing rituals, initiating disciples and translating esoteric texts. In 723, he wrote down the first chapter of the Tattvasa.mgraha from memory, the 'Abridged, Recitable Vajra Summit Yoga' 嬥崉捀囡壘拞 棯弌擮鎢鉙 [T 766]. The emperor Xuanzong 尯廆 lent his support to this proselytising and was later initiated into the esoteric doctrine by Vajrabodhi. From 723 onwards Vajrabodhi resided at the Zisheng temple 帒惞帥, translating and composing a substantial number of esoteric texts, most of which were completed between 731 and 736. He passed away shortly before a planned return to India in 741. His most prominent disciple was Amoghavajra 晄嬻嬥崉, who continued his work as author, imperial patron and propagator of the esoteric doctrine.

[Dictionary References] naka420d [Credit] acm(entry)

嬥崉媙 [py] jin1gang1 chu3 [wg] chin-kang ch'u [ko] kûmgangjô [ja] 僐儞僑僂僔儑 kongousho ||| A weapon of ancient India. A mallet that is made of such hard metal that it will smash anything to smithereens. Metaphorically, the vajra-mallet can destroy all ignorance and affliction (vajra-vara). [Dictionary References] naka402 [Credit] (1) acm (2) is(entry) ps(py)

嬥崉鉙 [py] Jin1gang1 jing1 [wg] Chin-kang ching [ko] Kûmgang kyông [ja] 僐儞僑僂僉儑僂 Kongou kyou ||| The popular short title of the Diamond Sutra 嬥崉斒庒攇梾枿鉙. [Credit] acm(entry)

嬥崉鉙慲榑嶽梫 [py] Jin1gang1jing1 shu1lun4 zuan3yao4 [wg] Chin-kang ching shu-lun tsuan-yao [ko] Kûmganggyông soron ch'anyo [ja] 僐儞僑僂僉儑僂僜儘儞僒儞儓僂 Kongoukyou soron sanyou ||| The Jingang jing shoulun zuanyao; Zongmi's 廆枾 commentary to the Diamond Sutra), (two fascicles). Redacted by Zixuan. T 1701.33.154-169 and Z 460.24.535-?. One of the five commentaries on the Diamond Sutra included in Kihwa's 屓榓 O ka hae sôrûi 屲壠夝愢媌. [Credit] acm(entry)

嬥崉鉙夝媊 [py] Jin1gang1jing1 jie3yi4 [wg] Chin-kang ching chieh-i [ko] Kûmganggyông haeûi [ja] 僐儞僑僂僉儑僂僇僀僊 Kongoukyou kaigi ||| The Jingang jing jieyi; (Huineng's 宒擻 commentary to the Diamond Sutra), Z 459.24.517-535. It is one of the five redacted commentaries included in Kihwa's 屓榓 O ka hae sôrûi 屲壠夝愢媌. [Credit] acm(entry)

嬥崉斒庒攇梾枿鉙 [py] Jin1gang1ban1ruo4boluo2mi4jing1 [wg] Chin-kang p'o-jo p'o-lo-mi ching [ko] Kûmgang panyap'aramilgyông [ja] 僐儞僑僂僴儞僯儍僴儔儈僣僉儑僂 Kongou hannyaharamitsu kyou ||| The Chinese title of the Kumaarajiiva translation of the Vajracchedika Praj~naapaaramitaa-suutra. Usually abbreviated as 嬥崉鉙, 'Diamond Sutra.' Alternate Chinese translation titles are Jingang nengduan panruo boluomi jing 嬥崉擻澬斒庒攇梾枿鉙 and Foshuo nengduan jingang panruo boluomi jing 樑愢擻澬嬥崉斒庒攇梾枾鉙, which are more faithful to the original title in Sanskrit. Six Chinese translations survive of this popular short Praj~naapaaramitaa sutra, listed here by translator (Taishou reference) and date: (1) Kumaarajiiva 數杸梾廦 (T235.8.748c-752c), 403 CE; Bodhiruci (T 236.8.752c-761c), 509 CE; Paramaartha (T 237.8.762a-766c), 562CE; Dharmagupta (T 238.8.766c-771c), 605 CE; Xuanzang (T 220[9]), 648 CE; and Yijing (T 239.8.771c-775b), 703 CE. The Bodhiruci translation actually consists of two separate versions of the sutra, presumably either of differing Sanskrit manuscripts, or translated at different times in his career. The Kumaarajiiva version was the first and most popular of the translations, as evidenced by the fact that it is his text that is used by later commentators. However, as is typical of Kumaarajiiva's translations, it is somewhat freer in style compared with other Chinese renditions of the Sanskrit. Later translations, by contrast, were much more literal. Most notable is Dharmagupta's, which breaks with Kumaarajiiva's text entirely and translates very literally. The exegetical tradition regarding this sutra is extensive in the Chinese Canon, including both native treatises and treatises of Indian origin translated into Chinese. In the Taishou gempan Daizoukyou, texts directly related to the Vajracchedika Praj~naapaaramitaa-suutra include T 1510-15, T 1698-1704. [Credit] cp(entry)

嬥崉斒庒攇梾枿鉙屲壠夝愢媌 [py] Jin1gang1 pan2ruo4bo1luo2mi4jing1 wu3jia1jie3 shuo1yi2 [wg] Chin-kang-p'an-jo-po-lo-mi-ching wu-chia-chieh shuo-i [ko] Kûmgang panya p'aramilgyông ogahae sôrûi [ja] 僐儞僑僂僴儞僯儍僴儔儈僣僉儑僂僑働僇僀僙僣僊 Kongou hanyaharamitsukyou goke kaisetsugi ||| Kihwa's commentary to the redaction of five famous East Asian scholars on the Diamond Sutra 嬥崉鉙. This includes the commentaries by (1) Zongmi 廆枾; the Jingang jing shoulun zuanyao 嬥崉鉙慲榑嶽梫. (2) Huineng 宒擻 the Jingang jing jieyi 嬥崉鉙夝媊. (3) Shuanglin fu 櫾椦橔, the Liangzhao fu dashi song jingang jing 椑挬橔戝巘桉嬥崉鉙. (4) Yefu Daochuan 栬晝摴愳. (5) Yuzhang Zongjing 槵復廆嬀. Interwoven with these commentaries and the text of the sutra itself is Kihwa's own sub-commentary. Kihwa also writes a substantial introduction to this piece, in which he makes powerful argument for a balanced approach to religious practice, including both sitting meditation 釽 and scriptural study 嫵. HPC 7.10-107. [Credit] acm(entry)

嬥崉錟 [py] jin1 gang1 zang4 [wg] Chin-kang-tsang [ko] kûmgangjang [ja] 僐儞僑僂僝僂 Kongouzou ||| Vajragarbha bodhisattva, one of the bodhisattvas of the Esoteric school, who is also the fourth of the twelve bodhisattvas to appear as interlocutor in the Yuanjue jing (殺鍿鉙 T 842.17.914-923). (2) The 'diamond store', referring to a wisdom that has the immutable quality of a diamond. [Credit] acm(entry) cw(py)

嬥崉恎 [py] jin1gang1 shen1 [wg] chin-kang-shen [ko] kûmgangsin [ja] 僐儞僑僂僔儞 kongoushin ||| Diamond body, adamantine body. The indestructible body of the Buddha. The indestructible mind of enlightenment. [Credit] acm(entry) cw(py)

嬥岥 [py] jin1kou3 [wg] chin-k'o [ko] kûmgu [ja] 僐儞僋 konku ||| "Golden mouth." The mouth of the Buddha-thus, the dharma preached by the Buddha. [Credit] acm(entry) cw(py)

嬥惎 [py] jin1xing1 [wg] chin-sheng [ko] kûmsông [ja] 僉儞僙僀 kinsei ||| Venus. [Credit] acm(entry) cw(py)

嬥娀 [py] jin1guan1 [wg] chin-kuan [ko] kûmgwan [ja] 僐儞僇儞 konkan ||| A gold coffin. [Credit] acm(entry) cw(py)

嬥椫 [py] jin1 lun2 [wg] chin-lun [ko] kûmyun [ja] 僐儞儕儞 konrin ||| "Metal wheel" "gold wheel." (1) From Buddho-Indian mytho-cosmology. Above the primordial void are three layered wheels, which eventually give support to the earth. The lowest is the "wind wheel." This is followed by the water wheel and metal wheel. (kaa~ncana-ma.n.dala) (2) As an abbreviation of 嬥椫洀, the first of the seven treasures (椫丄徾丄攏丄庫丄庡錟恇丄嬍彈丄庡暫恇) of the wheel-turning sage kings (鐉椫惞墹). In this case there are four wheels (cakra, or rings, which are made of gold, silver, copper and iron. The "wheel turning King" takes his name from the fact that he takes the uppermost wheel and on it distributes the four great continents and their respective contents. This thousand-spoked golden wheel treasure, originally a symbol of the ruling authority of the Wheel Turning King is borrowed into Buddhism, where it is used to symbolize the authority of the King of the Dharma (the Buddha), and his exposition of true reality comes to be referred to as "turning the wheel of the dharma." Because of this, in Buddhist iconography and art, the Buddha is depicted as having the physical marks of thousand spoke wheels on the palms of his hands and the undersides of his feet. (3) The Golden Wheel Sage King. [Dictionary References] gjt145a-b iwa297 [Credit] acm(entry) cw(py)

嬥屰 [py] jin1gu3 [wg] chin-ku [ko] kûmgo [ja] 僐儞僋 konku ||| 'A metal drum', also 'crocodile's mouth;' a metal plate hung above the entrance to the main hall of a temple, where worshippers can sound it by means of ropes attached to it. (2) An abbreviation of the Suvarna-prabhaasa-atarmarva-suutra (嬥岝柧鉙). [Credit] acm(entry) cw(py)

嬥屰鉙 [py] Jin1gu3 jing1 [wg] Chin-ku ching [ko] Kûmgogyông [ja] 僐儞僋僉儑僂 Konkukyou ||| Jingu jing An alternative name for the Suvarna-prabhaasa-suutra (嬥岝柧鉙). [Credit] acm(entry) cw(py)

See the character 撦 in CJKDict

撦 [py] dun4 [wg] tun [ko] tun [ja] 僪儞 don ||| (1) Dull (knife edge, etc.) (2) Mental dullness, slowness, foolishness. (3) Dullness of the religious/spiritual faculty; the lowest of the three levels of faculties (嶰崻). (4) Defilements that are difficult to sever. [Credit] acm(entry) cw(py)

撦崻 [py] dun4 gen1 [wg] tun-ken [ko] tungûn [ja] 僪儞僐儞 donkon ||| Dull, foolish, incapable, stupid. "Dull faculties." The lowest of the three kinds of faculties (嶰崻). Those of dull faculties are incapable of grasping the sudden teaching 撢嫵. [Credit] acm(entry) cw(py)

See the character 玮 in CJKDict

玮 [py] chao1 [wg] ch'ao [ko] ch'o [ja] 僔儑僂丄僜僂 shou, sou ||| (1) To copy; to transfer in writing. To extract, to excerpt. (2) To steal; to plagiarize. (3) To scoop up, to dip up. (4) A summary of the contents of a large book. Digest. Gist. [Credit] acm(entry) cw(py)

See the character 敨 in CJKDict

敨 [py] bo [wg] po [ko] pal [ja] 僴僣丄僴僠 hatsu, hachi ||| A bowl. The bowl that a monk uses when he goes begging for food. [Credit] acm(entry)

敨梾庒 [py] bo1luo2ruo4 [wg] po (pai)-lo-jo [ko] pallanya [ja] 僴儔僯儍 haranya ||| A transliteration of the Sanskrit praj~naa 斒庒. [Credit] acm(entry)

See the character 琪 in CJKDict

琪 [py] xiao1 [wg] hsiao [ko] so [ja] 僔儑僂 shou ||| (1) Melt, dissolve, fuse, cast (iron). (2) Conquer, overcome, surmount. (3) Pass away, cancel, finish. [Credit] acm(entry) cw(py)

琪嬥 [py] xiao1jin1 [wg] hsiao-chin [ko] sogûm [ja] 僔儑僂僉儞 shoukin ||| 'To smelt gold.' A metaphor for religious practice, which purifies and discloses the real person. [Credit] acm(entry) cw(py)

See the character 塻 in CJKDict

塻 [py] rui4 [wg] jui [ko] ye [ja] 僄僀 ei ||| Sharp, alert, strong, able. [Credit] acm(entry) cw(py)

See the character 楤 in CJKDict

楤 [py] lian4 [wg] lien [ko] ryôn, yôn [ja] 儗儞 ren ||| (1) To forge, temper (metal). (2) Drill, train, improve, cultivate, discipline, practice. (3) To knead. (4) Boil off, polish, refine. [Credit] acm(entry) cw(py)

See the character 嶖 in CJKDict

嶖 [py] cuo4 [wg] ts'uo [ko] ch'ak [ja] 僒僋 saku ||| (1) To mix, to put together; to confuse. (2) Wrong, mistake, blunder, be at fault, err. (3) Facing, opposite. (4) A grindstone; to polish. (5) To place, to put by. (6) To stop, to settle down. [Credit] acm(entry) cw(py)

嶖槳 [py] cuo4luan4 [wg] ts'uo-lan [ko] ch'angnan [ja] 僒僋儔儞 sakuran ||| Confused, mixed up, complicated. [Credit] acm(entry) cw(py)

嶖憥 [py] cuo4zong1 [wg] ts'uo-tsung [ko] ch'angjong [ja] 僒僋僜僂 sakusou ||| Complication, confusion. To mix up, to mix together. [Credit] acm(entry) cw(py)

嶖峴楍 [py] cuo4 hang2lie4 [wg] ts'uo-hsing-lieh [ko] ch'anghaengryôl [ja] 僒僋僐僂儗僣 sakukouretsu ||| To go in circular rows, round and round. [Credit] acm(entry) cw(py)

See the character 榐 in CJKDict

榐 [py] lu4 [wg] lu [ko] rok [ja] 儘僋 roku ||| (1) To record. (2) A written record, usually the teaching record of a Ch'an/Sôn master. [Credit] acm(entry) cw(py)

See the character 抌 in CJKDict

抌 [py] duan4 [wg] tuan [ko] tan [ja] 僞儞 tan ||| (1) To forge, temper (metal). (2) To drill, train, improve, cultivate, discipline, practice. [Credit] acm(entry) cw(py)

See the character 鐸 in CJKDict

鐸鋱 [py] zhen1 ai4 [wg] chen-ai [ko] ch'imae [ja] 僔儞僈僀 shingai ||| . Acupuncture and moxibustion. The practice of this art by Buddhist monks was prohibited. (2) Medical treatment. [Credit] acm(entry) cw(py)

See the character 鐿 in CJKDict

鐿 [py] rong2 [wg] jung [ko] yong [ja] 儓僂 you ||| Fuse, melt, smelt. [Credit] acm(entry) cw(py)

See the character 鐽 in CJKDict

鐽 [py] zhen4 [wg] chen [ko] chin [ja] 僠儞 chin ||| (1) To calm, quiet, still; calm down, stop. (2) To stroke, rub gently. (3) To press down, repress. (4) To ward off evil influences, to guard. [Credit] acm(entry) cw(py)

See the character 鑂 in CJKDict

鑂鑅 [py] keng1qiang1 [wg] k' ng-ch'iang [ko] kaengjang [ja] 僐僂僜僂 kousou ||| The tinkling of jade or metal pendants, often heard in Buddhist temples. A clear, resonant sound. [Credit] acm(entry) cw(py)

See the character 嬀 in CJKDict

嬀 [py] jing4 [wg] ching [ko] kyông [ja] 僉儑僂 kyou ||| (1) A mirror--often used in Buddhism as a metaphor for the pure mind of enlightenment. (2) The moon. (3) To illuminate, clarify. [Credit] acm(entry) cw(py)

See the character 鑎 in CJKDict

鑎 [py] nao2 [wg] jao [ko] yo [ja] 僪僂 nyou ||| (1) Abundant, rich, plentiful. (2) To forgive, to spare, to overlook. To be liberal or indulgent. [Credit] acm(entry) cw(py)

鑎塿 [py] nao2 yi4 [wg] jao-i [ko] yo-ik [ja] 僪僂儎僋 nyouyaku ||| (1) To aid or benefit people (pala, anugraha, upakaara). (2) To tempt, to seduce. [Credit] acm(entry) cw(py)

鑎塿峴 [py] nao2yi4 xing2 [wg] jao-i-hsing [ko] yo-ik'aeng [ja] 僪僂僄僉僊儑僂 nyouyakugyou ||| 'Beneficial service.' The second of the 'ten practices' (廫峴) stages of the bodhisattva. [Credit] acm(entry) cw(py)

See the character 娪 in CJKDict

娪 [py] jian4 [wg] chien [ko] kam [ja] 僇儞 kan ||| (1) A mirror. (2) Example; to regard as an example. The precedent teachings of former masters. (3) To discriminate, to discern. [Credit] acm(entry) cw(py)

See the character 鑙 in CJKDict

鑙 [py] kuang [wg] k'uang [ko] kwang [ja] 僐僂 kou ||| Ore. Unrefined metal--a metaphor for sentient beings in the condition of ignorance. [Credit] acm(entry)

鑙嬥 [py] kuang4jin1 [wg] k'uang-chin [ko] kwanggûm [ja] 僐僂僉儞 koukin ||| Gold ore; metal ore--a metaphor for sentient beings in the condition of ignorance. [Credit] acm(entry) ps(py)

See the character 鑢 in CJKDict

鑢壩 [py] zuan4 huo3 [wg] tsuan-huo [ko] ch'anhwa [ja] 僒儞僇 sanka ||| To make a fire by rubbing two sticks together. [Credit] acm(entry) cw(py)

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