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See the character 壴 in CJKDict

壴殠鉙 [py] Hua1yan2 jing1 [wg] Hua-yen ching [ko] Hwaômgyông [ja] 働僑儞僉儑僂 Kegonkyou ||| See 壺殠鉙. [Credit] acm(entry)

See the character 戂 in CJKDict

戂堖 [py] tai2yi1 [wg] t'ai-i [ko] t'aeûi [ja] 僞僀僀 taii ||| (1) Moss. (2) The clothes of a Buddhist monk. [Credit] acm(entry) cw(py)

See the character 庒 in CJKDict

庒 [py] ruo4 [wg] jo [ko] yak [ja] 僯儍僋 nyaku ||| (1) And, if, as if, supposing. (2) Like, to be like. (3) Conform to, accord with. (4) This, that. This way. [Credit] acm(entry) cw(py)

庒姳 [py] ruo4gan1 [wg] jo-kan [ko] yakkan [ja] 僯儍僋僇儞 nyakukan ||| Various, multifarious; different (naanaatva). [Credit] acm(entry) cw(py)

See the character 嬯 in CJKDict

嬯 [py] rou4 yan3 [wg] ku [ko] ko [ja] 僋 gu3 ||| (1) Sorrow, suffering, affliction, pain, anxiety, uncomfortableness. The first of the Four Noble Truths (du.hkha). (2) Conditioned existence, "dharmas with outflow" (aasrava-dharma); manifest existence. [Dictionary References] naka265 [Credit] acm(entry) ps(py)

嬯壓 [py] ku3xia4 [wg] k'u-hsia [ko] koha [ja] 僋僎 kuge ||| Within the condition of suffering. 乲潗戝槱榑 T 1595.31.167b29乴 [Credit] acm(entry)

嬯帠 [py] ku3shi4 [wg] k'u-shih [ko] kosa [ja] 僋僕 kuji ||| A disatisfactory situation; a situation of suffering. 乲擇忈媊 HPC 1.792b乴 [Dictionary References] naka266d [Credit] acm(entry)

嬯場 [py] ku3yin1 [wg] k'u-yin [ko] koin [ja] 僋僀儞 kuin ||| Causes of suffering; those activities which bring about painful results; insufficient awareness of the law of cause and effect. [Dictionary References] naka265d [Credit] acm(entry)

嬯惞掹 [py] ku3sheng4di4 [wg] k'u-sheng-ti [ko] kosôngch'e [ja] 僋僔儑僂僞僀 kushoutai ||| The noble truth of suffering; see 嬯掹. [Credit] acm(entry)

嬯嬯 [py] ku3ku3 [wg] k'u-k'u [ko] kogo [ja] 僋僋 kuku ||| Ordinary suffering, concrete suffering, physical suffering. The direct suffering that one experiences in sickness, exhaustion, hunger, etc. One of the three kinds of suffering 嶰嬯. (Skt. du.hkha-du.hkhataa, Tib. sdug bs.nal gyi sdug bs.nal) 乲棼梘榑, T 1602.31.551a乴 [Dictionary References] naka266c [Credit] acm(entry)

嬯峴 [py] ku3xing2 [wg] k'u-hsing [ko] kohaeng [ja] 僋僊儑僂 kugyou ||| (1) The practice of austerities, especially for the purpose of attaining liberation. This method of aiming toward salvation was widely practiced in India at the time of `Saakyamuni, and was the primary method he practiced before his revision of his worldview. Still practiced today in India (Pali tapa; Skt. tapas), it is believed that self-inflicted suffering has the effect of raising the consciousness to the extent that one may have an awakening experience. In its usage in Buddhist texts, the term often refers to the incomplete practices of non-Buddhists (奜摴). (2) A reference to the twenty dhuta 擇廫摢懮. (3) The practice of renunciation of worldly possessions 曻婞. [Dictionary References] naka266a [Credit] acm(entry)

嬯峴椦 [py] ku3xing2lin2 [wg] k'u-hsing-lin [ko] kohaengnim [ja] 僋僊儑僂儕儞 kugyourin ||| A forest inhabited by world-renunciant religious practitioners (`srama.na). Also refers specifically to Uruvelaa forest, where `Saakyamuni carried out his ascetic practices prior to his awakening. [Dictionary References] naka266c [Credit] acm(entry)

嬯峴幰 [py] ku3xing2zhe3 [wg] k'u-hsing-che [ko] kohaengja [ja] 僋僊儑僂僔儍 kugyousha ||| A practitioner of austerities. See 嬯峴. [Credit] acm(entry)

嬯掹 [py] ku3di4 [wg] k'u-ti [ko] koch'e [ja] 僋僞僀 kutai ||| The truth of suffering (du.hkha-satya): the realization byh `Saakyamuni that existence as we normally perceive it cannot but be dissatisfactory. One of the Four Noble Truths 巐掹. Also written 嬯惞掹. [Credit] acm(entry)

嬯廤柵摴 [py] ku3ji2mie4dao4 [wg] k'u-chi-mieh-tao [ko] kujimmyôldo [ja] 僋僔儏僂儊僣僪僂 kujumetsudou ||| Suffering, origination, cessation, path (duhkha, samudaya, nirodha, maarga). The Four Noble Truths (巐掹). [Credit] acm(entry) cw(py)

See the character 拑 in CJKDict

拑旟 [py] tu2pi2 [wg] t'u-p'i [ko] tobi [ja] 僩價 tobi ||| Cremation of a corpse, especially of a Buddhist monk or nun. (2) The death of a Buddhist monk or nun. The reason that the first character has an unusual pronunciation is because this word was originally written with the characters 涠旟, which is a transliteration of the Pali jhaapeti. [Credit] acm(entry) cw(py)

See the character 憪 in CJKDict

憪宷斾媢 [py] cao3ji4 bi3qiu1 [wg] ts'ao-chi pi-ch'iu [ko] ch'ogye bigu [ja] 僜僂働價僋 soukebiku ||| "A monk tangled up in the grass." In ancient India, a monk was mugged by a thief, who restrained him by tying him up in the live grasses. The monk, not wanting to break the precept of "not killing" remained lying tied up in the grass, rather than ripping out. A king who passed by and found the monk was so moved by this scene that he converted to Buddhism. [Credit] acm(entry)

See the character 宼 in CJKDict

宼熲扻慠 [py] Jing1qi1 zhan4ran2 [wg] Ching-ch'i Chan-jan [ko] kyônggye tamyôn [ja] 僉儑僂働僀僞儞僱儞 Kyoukei Tannen ||| Jingqi Zhanran of the Chinese Tiantai school (711-782). [Credit] acm(entry) cw(py)

See the character 涞 in CJKDict

涞 [py] zhuang1 [wg] chuang [ko] chang [ja] 僜僂丄僔儑僂 sou, shou ||| (1) Strong, able-bodied, healthy. (2) Fertile, flourishing. (3) Adorned; dressed up; to dress. (4) A small village or farm. (5) Sedate, serious, respectful, grace; correct in conduct. (6) A shop; place of business. (7) A reference to Zhuangzi 涞巕. [Credit] acm(entry) cw(py)

涞殠 [py] zhuang1yan2 [wg] chuang-yen [ko] chang'ôm [ja] 僔儑僂僑儞 shougon ||| (1) Sublime, impressive, magnificent, majestic. (2) To establish, set up. Brightness, splendor. Adornment, decoration, ornamentation. [Credit] acm(entry) cw(py)

涞殠鉙榑 [py] Zhuang1yan2 jing1lun4 [wg] Chuang-yen ching-lun [ko] Changôm kyôngnon [ja] 僔儑僂僑儞僉儑僂儘儞 Shougonkyou ron ||| The Zhuangyanjing lun. An abbreviated title of Dasheng zhuangyanjing lun 戝槱涞殠鉙榑 (Mahaayaanasuutra-la.mkaara). [Credit] acm(entry)

涞殠榑 [py] Zhuang1yan2 lun4 [wg] Chuang-yen lun [ko] Changôm non [ja] 僔儑僂僑儞儘儞 Shougon ron ||| The Zhuangyan lun. An abbreviated title of Dasheng zhuangyanjing lun 戝槱涞殠鉙榑 (Mahaayaanasuutra-la.mkaara, T 1604.31.589b-661c). [Credit] acm(entry)

涞巕 [py] Zhuang1zi2 [wg] Chuang-tzu [ko] Changja [ja] 僜僂僔 Soushi ||| Zhuangzi; a famous Chinese sage and philosopher (369-286 BCE) who is regarded to be a transmitter, as well as a major innovator of the Taoist teachings of Laozi (榁巕). He is the reputed author a work by the same name. His philosophy is characterized by an emphasis on naturalness in one's life and actions and tongue-in-cheek criticism of unchecked intellectuality. Intellectual historians generally attribute a significant amount of LaoZhuang thought to the development of Chan Buddhism. [Credit] acm(entry) cw(py)

See the character 敎 in CJKDict

敎 [py] mo4 [wg] mo [ko] mak [ja] 儅僋丄儌 maku, mo ||| (1) No, not, there is not [柍]. (2) Must not, do not. (3) Extensive, great. (4) To decide, to fix, to plan. [Credit] acm(entry) cw(py)

See the character 壺 in CJKDict

壺殠 [py] hua2yan2 [wg] hua-yen [ko] hwaôm [ja] 働僑儞 kegon ||| (1) To be decorated with various kinds of bright colored flowers; 'flower adornment.'(2) A reference to the Flower Ornament Scripture (Avata.msaka-suutra; 壺殠鉙) or the Huayan school 壺殠廆 of Buddhism. [Credit] acm(entry) cw(py)

壺殠堦槱嫵媊暘陰復 [py] Hua1yan2 yi1sheng4 jiao1yi4 fen1qi2 zhang1 [wg] Hua-yen i-sheng chiao fen-ch'i chang [ko] Hwaôm ilsûng kyoûi punjajang [ja] 働僑儞僀僠僕儑僂僉儑僂僊僽儞僓僀僔儑僂 Kegon ichijou kyougi bunzaishou ||| Huayan yisheng jiao fenqi zhang; T 1866.45.407-509. by Fazang 朄錟. [Credit] acm(entry)

壺殠堦槱朄奅殼 [py] Hua1yan2 yi1sheng2 fa3jie4 tu2 [wg] Hua-yen i-sheng fa-chieh-t'u [ko] Hwaôm ilsûng pôpkye to [ja] 働僑儞僀僠僕儑僂儂僢僇僀僘 Kegon ichijou hokkai zu ||| Hwaôm ilsûng pôpgye to; (Chart of the Dharma-world of the Single Vehicle of the Hua-yen), by Ûisang 媊徝. T 1887A.45.711a-716a. [Credit] acm(entry)

壺殠屲廫梫栤摎 [py] Hua1yan2 wu3shi2yao4 wen4da2 [wg] Hua-yen wu-shih yao wen-ta [ko] Hwaôm osip yo mundap [ja] 働僑儞僑僕儏僂儓僂儌儞僩僂 Kegon gojuu you mondou ||| Hua-yen wu-shih yao wen-ta; 2 fasc., by Zhiyan 抭橵. T 1869.45.519a-536b. [Credit] acm(entry)

壺殠屲嫵復 [py] Hua2yan2 wu3jiao1 zhang1 [wg] Hua-yen wu-chiao chang [ko] Hwaôm ogyo jang [ja] 働僑儞僑僉儑僂僔儑僂 Kegon gokyoushou ||| The Huayan Wujiao zhang "Essay on the Five Teachings of Hua-yen." The full title is 壺殠堦槱嫵媊暘釼復, and it is usually abbreviated as Wujiao zhang 屲嫵復. Three (or four) fascicles. Written by the Huayan master Fazang 朄錟, T 1866.45.407-509. In this work he explains the special teaching of the Single Vehicle 堦槱 (as distinguished from the three-vehicle theory), showing the relative depth and shallowness of these two kinds of teachings. He also classifies the 'five teachings and ten tenets.' [Credit] acm(entry) cw(py)

壺殠屲嫵復巜帠 [py] Hua1yan2 wu3jiao1zhang1 zhi3shi4 [wg] Hua-yen wu-chiao-chang chih-shih [ko] Hwaôm ogyojang chisa [ja] 働僑儞僑僉儑僂僔儑僂僔僕 Kegon gokyoushou shiji ||| Kegon gokyoushou shiji 6 fasc., by Jurei 氭杷. T 2337.72.201-220. Japanese commentary on the Wujiao zhang 屲嫵復. Commonly referred to by the abbreviated title of Shiji 巜帠. [Credit] acm(entry)

壺殠岴栚復 [py] Hua2yan2 kong3mu4 zhang1 [wg] Hua-yen k'ung-mu chang [ko] Hwaôm kongmokchang [ja] 働僑儞僋儌僋僔儑僂 Kegon kumokushou ||| Huayan kongmu zhang. The full name of this text is 壺殠鉙撪復栧摍瓒岴栚復, and is usually abbreviated as KongMuzhang 岴栚復. Four fascicles, T 1870.45.536c-589b, written by the second Huayan patriarch Zhiyan 抭殠 in his later years. The theory of '144 gates' is established and the distinction between the theories of 'small vehicle', 'three vehicles' and 'single vehicle' are explained. This text became important for the third Huayan patriarch Fazang in establishing Huayan as a school. [Credit] acm(entry) cw(py)

壺殠廆 [py] Hua1yan2 zong1 [wg] Hua-yen tsung [ko] Hwaôm jong [ja] 働僑儞僔儏僂 Kegon shuu ||| The Huayan zong school, one of the major schools of Chinese Buddhism, the doctrines of which ended up having profound impact on the philosophical attitudes of all of East Asian Buddhism. Established during the period of the end of the Sui and beginning of Tang dynasties, this school centered on the philosophy of interpenetration and mutual containment which its founders perceived in the Huayan jing 壺殠鉙. Yet despite basic reliance on this sutra, much of the technical terminology that the school becomes famous for is not found in the sutra itself, but in the commentarial works of its early founders. The founding of the school is traditionally attributed to a series of five "patriarchs" who were instrumental in developing the schools doctrines. These five are: Dushun 搈弴, Zhiyan 抭橵, Fazang 朄錟, Chengguan 悷鎂 and Zongmi 廆枾. Another important figure in the development and popularization of Huayan thought was the lay scholar Li Tongxuan 棝捠尯. Some accounts of the school also like to extend its patriarchship earlier to A`svagho.sa 攏柭 and Naagaarjuna 棿庽. Although there are certain aspects of this patriarchal scheme which are clearly contrived, it is fairly well accepted that these men each played a significant and distinct role in the development of the school: for example, Dushun is known to have been responsible for the establishment of Huayan studies as a distinct field; Zhiyan is considered to have established the basic doctrines of the sect; Fazang is considered to have rationalized the doctrine for greater acceptance by society; Chengguan and Zongmi are understood to have further developed and transformed the teachings. After the time of Zongmi and Li Tongxuan the Chinese school of Huayan generally stagnated in terms of new development, and then eventually began to decline. The school, which had been dependent upon the support it received from the government, suffered severely during the purge of 841-5, never to recover its former strength. Nonetheless, its profound metaphysics, such as that of the four dharmadhaatu 巐朄奅 of interpenetration, had a deep impact on surviving East Asian schools, especially the Chan school.

The greatest lasting impact of the Huayan school was to be seen in Korea, where it was transmitted by Ûisang 媊徝, who had been, along with Fazang, a student of Zhiyan. After Ûisang returned to Korea in 671, he worked vigorously toward the establishment of the Hwaôm school on the peninsula. In this effort, he was greatly aided by the powerful influences of his friend Wônhyo 尦濟, who although not an official representative of the school, relied deeply on Hwaôm metaphysical principles to establish his concept of "interpenetrated Buddhism 捠樑嫵." After the passing of these two early monks, the Hwaôm school became strongly established under the influence of a long series of Hwaôm masters. The Hwaôm school remained in the position of predominant doctrinal school in Korea up till the end of the Koryô period, when it was placed into a forced merger with the Sôn school 釽廆. Within the Sôn school, Hwaôm thought would continue to play a strong role, and continues as such to modern times.

Huayan studies were founded in Japan when, in 736, the scholar-priest Rouben 椙鐕 (originally a Hossou 朄憡 specialist) invited the Korean Simsang 怰徦 to give lectures on the Huayan jing at Konshu-ji 嬥忇帥. When the construction of Toudaiji 搶戝帥 was completed, Rouben entered that temple to formally initiate Kegon as a field of study in Japanese Buddhism, and the Kegon shuu would become known as one of the "six Nara 撧椙 schools." Kegon thought was later be popularized in Japan by Myoue 柧湪, who combined its doctrines with those of the esoteric school 枾嫵, and Gyounen 嬅慠, who is most responsible for the establishment of the Toudaiji lineage of Kegon.

The most important philosophical contributions of the Huayan school were in the area of its metaphysics, as it taught the doctrine of the mutual containment and interpenetration of all phenomena shishiwuai 帠帠柍釭: that one thing contains all things in existence, and that all things contain one.

[Credit] acm(entry)

壺殠廆復慲涹場柧榐 [py] Hua1yan2 zong1zhang1 shu1bing4 yin1ming2 lu4 [wg] Hua-yen tsung-chang shu-ping yin-ming lu [ko] Hwaômjong changsobyông inmyông nok [ja] 働僑儞僔儏僂僔儑僂僜價儑僂僀儞儈儑僂儘僋 Kegonshuu shousobyou inmyouroku ||| The Kegonshuu shousho byou immyouroku. 1 fasc., by Enchou 殺挻. T 2177.55.1132c-1135b [Credit] acm(entry)

壺殠朄奅尯嬀 [py] Hua1yan2 fa3jie4 xuan2jing4 [wg] Hua-yen fa-chieh hsüan-ching [ko] Hwaôm pôpkye hyôngyông [ja] 働僑儞儂僢僇僀僎儞僉儑僂 Kegon hokkai genkyou ||| Huayan fajie xuanjing; 2 fasc., by Chengguan 悷鎂. T 1883.45.672-683. [Credit] acm(entry)

壺殠鉙 [py] Huayanjing [wg] Hua-yen ching [ko] Hwaômgyông [ja] 働僑儞僉儑僂 Kegonkyou ||| The Huayan jing; Avata.msaka-suutra. One of the most influential texts in East Asian Buddhism, of which three Chinese translations were done, all with the full title of Dafangguangfo huayanjing 戝曽淎樑壺殠鉙. This scripture, which describes a cosmos of infinite realms upon realms, mutually containing each other, contributed greatly to the birth of a whole school of Buddhism, which was characterized by a philosophy of interpenetration. Fragmentary translation of this text probably began in the second century, and the famous "Ten Stages" 廫抧鉙 book, often treated as an individual scripture, was first translated in the third century. The first full translation was the (60 fascicles) was completed by Buddhabhadra 樑懯骐懮 around 420 (Avata.msaka-suutra; 60 fascicles, T 278.9.395a-788b.); the second translation (80 fascicles Avata.msaka-suutra; T 279.10.1b-444c.) was completed by `Sik.saananda 泬嵆擄懮 around 699; the third was completed by Praj~naa 斒庒 (40 fascicles, Gandavyuuha; T 293.10.661a-848b) around 798. [Credit] acm(entry)

壺殠鉙橞婰 [py] Hua1yan2jing1 zhuan4ji4 [wg] Hua-yen ching chuan-chi [ko] Hwaômgyông jôngi [ja] 働僑儞僉儑僂僨儞僉 Kegonkyou denki ||| Huayan jing zhuanji; by Fazang 朄錟. 5 fasc., T 2073.51.153-173. [Credit] acm(entry)

壺殠鉙撪復栧摍棧岴栚復 [py] Hua1yan2 jing1nei4 zhang1men2 deng3li2 kong3mu4zhang1 [wg] Hua-yen ching-nei chang-men teng-li k'ung-mu chang [ko] Hwaômgyông nae changmun tûngri kongmokchang [ja] 働僑儞僉儑僂僫僀僔儑僂儌儞僩僂儕僋儌僋僔儑僂 Kegonkyou naishoumon touri ku mokushou ||| Huayan jingnei zhangmen dengza kongmu zhang; 4 fasc., by Zhiyan 抭橵. T 1870.45.536c-589b. [Credit] acm(entry)

壺殠鉙媊奀昐栧 [py] Hua1yan2jing1 yi4hai3 bo2men2 [wg] Hua-yen ching i-hai po-men [ko] Hwaômgyông ûihae paengmun [ja] 働僑儞僉儑僂僊僇僀僸儍僋儌儞 Kegonkyou gikai hyakumon ||| Huayanjing yihai bomen; by Fazang 朄錟, one fasc. T 1875.45.627a-636c. [Credit] acm(entry)

壺殠榑愡梫 [py] Hua1yan2 lun4 jie2yao4 [wg] Hua-yen-lun chieh-yao [ko] Hwaômnon chôryo [ja] 働僑儞儘儞僙僣儓僂 Kegonron setsuyou ||| Hwaôm non chôryo (Essentials of the Hua-yen lun ). By Chinul 抭鎐; HPC 4.767-869. Chinul's longest work, comprised mainly of an examination of the main themes of Li Tongxuan's 棝捠尯 Xin Huayan jing lun 怴壺殠鉙榑 (Treatise on the New Translation of the Flower Ornament Scripture) [Credit] acm(entry)

壺殠梀怱朄奅婰 [py] Hua1yan2 you2xin1 fa3jie4 ji4 [wg] Hua-yen yu-hsin fa-chieh chi [ko] Hwaôm yusim pôpkye ki [ja] 働僑儞儐僔儞儂僢僇僀僉 Kegon yuushin hokkai ki ||| Huayan youxin fajie ji; one fasc. by Fazang 朄錟. T 1877.45.642c-650c. [Credit] acm(entry)

See the character 曥 in CJKDict

曥 [py] pu2 [wg] p'u [ko] po [ja] 儃 bo ||| (1) A kind of grass. (2) Transliteration of the Sanskrit bo, as used in bodhi (曥採). [Credit] acm(entry) cw(py)

曥採 [py] pu2ti2 [wg] p'u-t'i [ko] pori [ja] 儃僟僀 bodai ||| A transliteration of the Sanskrit/Pali term bodhi, meaning wisdom, enlightenment or awakening. (1) The wisdom of the true awakening of the Buddha. Enlightenment. The function of correct wisdom. The situation of the disappearance of ignorance due to the functioning of awakened wisdom. (2) The wisdom of perceiving the reality-nature. (3) Sublime enlightenment. The expression of enlightened wisdom. (4) An abbreviation of 曥採摴毰, (bodhi-manda). The place where the Buddha attained his enlightenment. [Credit] acm(entry) cw(py)

曥採庽 [py] pu2ti2shu4 [wg] p'u-t'i-shu [ko] porisu [ja] 儃僟僀僕儏 bodaiju ||| (bodhi-druma) 'bodhi-tree.' (1) The tree underneath which `Saakyamuni Buddha attained enlightenment. The original Sanskrit name of the tree was pippala or asvattha. Since Vedic times, it was known as a tree that possessed spiritual power. (2) A term for awakening or enlightenment. [Credit] acm(entry) cw(py)

曥採棳巟 [py] Pu2ti2liu2zhi1 [wg] P'u-t'i-liu-chih [ko] Pojeryuji [ja] 儃僟僀儖僔 Bodairushi ||| (1) (?-527) Bodhiruci, one of the most prolific translators of Sanskrit Buddhist texts into Chinese. His name is also transliterated as 曥採棷巟 and translated according to its meaning as Daoxi 摴婓. He was originally from northern India, and after settling down in the Northern Wei capital of Loyang, completed the translation of over thirty Mahaayaana sutras and treatises. Most of these were reflective of the latest developments in Indian Mahaayaana, most importantly Consciousness-only related works, and these translations ended up having a major impact on East Asian Buddhism from this time. The Ten Stages sect 抧榑廆 was formed based on his translation and studies of the Treatise on the Book of the Ten Stages 廫抧鉙榑. Danluan 撥阛, one of the early founders of the Pure Land School 忩搚廆, based many of his ideas on Bodhiruci's translation of the Treatise on the Sutra of Infinite Life 柍検氭鉙榑. Some of his other important translations include the Diamond Sutra 嬥崉斒庒攇梾枿鉙, Lankaavataara Sutra 擖灴壘鉙. (2) There was also a Bodhiruci who came to Loyang during the T'ang, who served as a translator under the reign of empress Wu. [Dictionary References] iwa736 [Credit] acm(entry)

曥採棷巟 [py] Pu2ti2liu2zhi1 [wg] P'u-t'i-liu-chih [ko] Pojeryuji [ja] 儃僟僀儖僔 Bodairushi ||| . Bodhiruci. See 曥採棳巟. [Credit] acm(entry)

曥採嬥崉 [py] Pu2ti2jin1gang1 [wg] P'u-t'i-chin-kang [ko] Porikûmgang [ja] 儃僟僀僐儞僑僂 Bodaikongou ||| An eponym of Vajrabodhi 嬥崉抭. [Credit] acm(entry)

曥嶧 [py] pu2sa4 [wg] p'u-sa [ko] posal [ja] 儃僒僣 bosatsu ||| A transliteration of the Sanskrit bodhisattva, which means 'enlightening being.' (1) Generally speaking, a person intent on the attainment of enlightenment, who has fully altruistic motivations. (2) The bodhisattva is the model practitioner in the Mahaayaana 戝槱 tradition, who dedicates his/her life entirely to the salvation of other beings. This concept is used in Mahaayaana texts to distinguish from the earlier Indian concept of arhat, a being who is also enlightened, but who, according to Mahaayaanists, possesses an inferior, selfishly-attained enlightenment. In this regard, the bodhisattva is said to possess two main characteristics which distinguish her/him from the arhat 垻梾娍, and other inferior religious practitioners: a deep sense of compassion for the suffering of all other beings, and a special type of wisdom based on a realization of the nature of the emptiness (`suunyataa) of all existences. The bodhisattva attains his/her enlightenment by arousing the thought of selfless enlightenment (bodhicitta) and practicing the six perfections (paaramitaa) based on compassion (karunaa). (3) The term bodhisattva is also often applied as an honorific title to the great Buddhist teachers of antiquity, such as Naagaarjuna 棿庽 and Asa.nga 柍挊. [Credit] acm(entry) cw(py)

曥嶧廧 [py] pu2sa4zhu4 [wg] p'u-sa-chu [ko] posalju [ja] 儃僒僣僕儏僂 bosatsujuu ||| The bodhisattva's stages. See 曥嶧廫擇庬. [Credit] acm(entry)

曥嶧廫擇廧 [py] pu2sa4 shi2er4 zhu4 [wg] p'u-sa shih-erh chu [ko] posal sibi chu [ja] 儃僒僣僕儏僂僯僕儏僂 bosatsu juuni juu ||| See 曥嶧廫擇庬廧. [Credit] acm(entry)

曥嶧廫擇庬廧 [py] pu2sa4 shi2er4 zhong3zhu4 [wg] p'u-sa shih-erh chung-chu [ko] posal sibi chongju [ja] 儃僒僣僕儏僂僯僔儏僕儏僂 bosatsu juuni ujuu ||| Twelve kinds of stages of bodhisattva practices described in the Yogaacaarabhuumi-`saastra: (1) the stage of the bodhisattva nature曥嶧庬惈廧丅(2) The stage of superb understanding and practice 彑夝峴廧丅 (3) The stage of ultimate bliss 嬌焎婌廧丅(4) The stage of unimpeded action of the precepts 憹忋夲廧丅 (5) The stage of unimpeded thought 憹忋怱廧丅(6-8) The three stages of unimpeded wisdom 憹忋宒廧: unimpeded wisdom concomitant with the stems of enlightenment 鍿暘憡滀憹忋宒廧, unimpeded wisdom concomitant with all correct perceptions of reality 彅掹憡滀憹忋宒廧, unimpeded wisdom concomitant with dependent origination, sa.msaara and the stopping of thought 墢婲棳鐉巭懅憡滀憹忋宒廧丅(9) the markless stage that has preparatory practices and efficacy 桳壛峴桳岟梡柍憡廧丅 (10) The markless stage that lack preparatory practices and efficacy 柍壛峴柍岟柍憡廧丅 (11) the stage of unhindered understanding 柍釭夝廧丅 (12) The stage of ultimate consummation of bodhisattvahood 嵟忋惉熮曥嶧廧丅乲囡壘榑 T 1579.30.552c25-553a10乴 [Credit] acm(entry)

曥嶧慞夲鉙 [py] Pu2sa4 shan4jie4 jing1 [wg] Pu-sa shan-chieh ching [ko] Posal sôngye kyông [ja] 儃僒僣僛儞僇僀僉儑僂 Bosatsu zenkai kyou ||| Busa shanjie jing; 9 fasc., trans. by Gu.nabhadra 媮撨骐懮梾. T 1582.30.960-1012. [Credit] acm(entry)

曥嶧抧帩鉙 [py] Pu2sa4 di4chi2 jing1 [wg] P'u-sa ti-ch'i ching [ko] Posal chiji kyông [ja] 儃僒僣僕僕僉儑僂 Bosatsu jiji kyou ||| Pusa diqi jing; Bodhisattvabhuumi-suutra; 10 fasc.; T vol. 30. Translated into Chinese by Dharmak.sema 撥柍姗 (Tan Wuchen). Also referred to as the 曥嶧抧帩榑 and 抧帩榑. It was originally called a `saastra, and is said to be the teaching of Maitreya 淺栌 as recorded by Asa.nga 柍挊. It explains in detail the practices of the Mahaayaana Bodhisattva, especially the Mahaayaana disciplines. In East Asian Buddhism, it is usually classified together with the Sutra of Brahma's Net. It was translated by Gu.nabhadra 媮撨骐懮梾 into the nine fascicle Pusa shanjie jing 曥嶧慞夲鉙 and by Hsüan-tsang 尯汍 as part of his Yü-ch'ieh shih-ti lun 囡壘巘抧榑. Sanskrit and Tibetan versions are also extant. [Credit] acm(entry) cw(py)

曥嶧抧帩榑 [py] Pu2sa4 di4chi2 lun4 [wg] P'u-sa ti ch'ih lun [ko] Posal chiji ron [ja] 儃僒僣僕僕儘儞 Bosatsu jiji ron ||| Pusa di chi lun; See Pusa dichi jing 曥嶧抧帩鉙. [Credit] acm(entry)

曥嶧渘姇弍揤崀恄曣戀愢淎晛鉙 [py] Pu2sa4 cong2 dou1shu4tian1 jiang4 shen2mu3tai1 shuo1guang3 pu3jing1 [wg] P'u-sa ts'ung Tou-shu-t'ien chiang shen-mu-t'ai shuo kuang-p'u ching [ko] Posal chong tusulch'ôn kang sinmot'ae sôlgwang pogyông [ja] 儃僒僣僕儏僂僩僕儏僣僥儞僑僂僕儞儌僞僀僙僣僐僂僼僉儑僂 Bosatsu juutojutsu tengoujinmotai setsukou fukyou ||| Pusa cong Doushoutian jiang shenMutai shuo guangpu jing; 7 fasc., translation attributed to Zhu Fonian 幈樑擮. T 384.12.1015a-1058b. [Credit] acm(entry)

曥嶧杸鎑嶧 [py] pu2sa4 mo2 he1 sa4 [wg] p'u-sa mo-ho-sa [ko] posal mahasal [ja] 儃僒僣儅僇僒僣 bosatsu makasatsu ||| A transliteration of the Sanskrit bodhisattva-mahaasattva. A bodhisattva. [Credit] acm(entry) cw(py)

曥嶧杮嬈帑噔鉙 [py] Pu2sa4 ben3ye4 ying1luo4 jing1 [wg] P'u-sa pen-yeh ying-lo-ching [ko] Posal ponôp yôngnakkyông [ja] 儃僒僣儂儞僑僂儓僂儔僋僉儑僂 Bosatsu hongou yourakukyou ||| Pusa benye yingluojing. See 曥嶧帑噔杮嬈鉙. [Credit] acm(entry) cw(py)

曥嶧杮嬈鉙 [py] Pu2sa 4ben3ye 4jing1 [wg] P'u-sa pen-yeh ching [ko] Posal ponôp kyông [ja] 儃僒僣儂儞僑僂僉儑僂 Bosatsu hongoukyou ||| See 曥嶧帑噔杮嬈鉙. [Credit] acm(entry)

曥嶧杮惗椤榑 [py] Pu2sa4 ben3 sheng1man2 lun4 [wg] P'u-sa pen sheng-man lun [ko] Posal pon saengman ron [ja] 儃僒僣儂儞僔儑僂儅儞儘儞 Bosatsu hon shouman ron ||| Pusa ben shengman lun; T 160.3.331c-385c. [Credit] acm(entry)

曥嶧帑噔杮嬈鉙 [py] Pu2sa4 ying1luo4 ben3ye4 jing1 [wg] P'u-sa ying-lo pen-yeh ching [ko] Posal yôngnak ponôp kyông [ja] 儃僒僣儓僂儔僋儂儞僑僂僉儑僂 Bosatsu youraku hongou kyou ||| The P'u-sa ying-lo pen-yeh ching; 2 fascicles, eight chapters; T 1485.24.1010b-1023a. Translation into Chinese was attributed to Zhu fonian 幈樑擮 but later scholarship indicates that it was probably written in China during the fifth or sixth century. In common with the Huayan jing 壺殠鉙, Renwang jing 恗墹鉙, Sutra of Brahma's Net 瀽栐鉙, etc., it discusses the course of the bodhisattva's practice through the fifty-two stages, the pure precepts, the ten paaramitaas, etc. It was commented on by Zhiyi 抭 in terms of its relation to the Sutra of Brahma's Net. The only commentary which dealt with this treatise exclusively was the one done by Wônhyo 尦濟, of which only the second fascicle remains. Commonly referred to by the short titles of 杮嬈鉙 and 帑噔鉙, but the latter abbreviation also refers to another scripture of similar name. [Dictionary References] ZGD1252d [Credit] acm(entry)

曥嶧帑噔鉙 [py] Pu2sa4 ying1luo4 jing1 [wg] P'u-sa ying-lo ching [ko] Posal yôngnak kyông [ja] 儃僒僣儓僂儔僋僉儑僂 Bosatsu youraku kyou ||| 14 fascicles. An explanation of the course of the practice of the bodhisattva. T 656.16.1-127. Not to be confused with the 曥嶧帑噔杮嬈鉙 (T 1485), both of which are sometimes problematically referred to by the abbreviated title of Yingluo jing 帑噔鉙, and which are attributed to the same translator. [Credit] acm(entry)

曥嶧峴 [py] pu2sa4xing2 [wg] p'u-sa-hsing [ko] posalhaeng [ja] 儃僒僣僊儑僂 bosatsugyou ||| The practices of the bodhisattva (bodhisattva-caryaa). Especially, the 52-stage path of the bodhisattva. 乲擇忈媊 HPC 1.812c乴 [Dictionary References] naka1220b [Credit] acm(entry)

See the character 挊 in CJKDict

挊 [py] zhu4 zhuo2 [wg] chu [ko] chô [ja] 僠儑 jaku ||| (1) To make known, to express, clarify; especially in writing. Conspicuous, salient, pronounced, notable. (2) Attachment. (3) The attainment of an objective. [Credit] acm(entry) cw(py)

挊岅 [py] zhuo2yu3 [wg] chu-yü [ko] chô-ô [ja] 僕儍僋僑 jakugo ||| In Chan Buddhism, a criticism or critique, especially of a kongan, ancient teaching, or verse, wherein one adds one's own comment. Also called xiayu 壓岅. [Dictionary References] naka619d [Credit] acm(entry) cw(py)

See the character 妺 in CJKDict

妺摗 [py] ge3 teng2 [wg] ko-t'eng [ko] kaldûng [ja] 僇僢僩僂 kattou ||| Arrowroot vines and wisteria vines. A metaphor for entanglement and confusion. [Credit] acm(entry) cw(py)

See the character 漭 in CJKDict

漭 [py] wan4 [wg] wan [ko] man [ja] 儅儞 man ||| Ten thousand; myriad, all. A vast number. [Credit] acm(entry) cw(py)

漭慞摨焏廤 [py] Wan4shan4 tong2gui1 ji2 [wg] Wan-shan t'ung-kuei chi [ko] Mansôn tonggwi jip [ja] 儅儞僛儞僪僂僉僔儏僂 Manzen douki shuu ||| Wanshan tonggui ji; 3 fasc., by Yanshou 墑氭. T 2017.48.957b-993c. [Dictionary References] ZGD1178d [Credit] acm(entry)

漭崰 [py] wan4 qing3 [wg] wan-ching [ko] mangyông [ja] 儅儞働僀 bankei ||| (1) A vast area. One 崰 is about 15 acres, therefore, literally 150,000 acres. (2) To travel on water continuously without end. [Credit] acm(entry) cw(py)

See the character 棊 in CJKDict

棊敮 [py] luo4fa3 [wg] luo-fa [ko] nakpal [ja] 儔僋僴僣 rakuhatsu ||| To shave one's head--to enter the Buddhist sangha. [Credit] acm(entry) cw(py)

See the character 栔 in CJKDict

栔 [py] meng2 [wg] meng [ko] mong [ja] 儌僂 mou ||| (1) To conceal. (2) Dull, stupid.(3) To receive, to get, to suffer, to undergo, to enjoy. (4) To be acted upon; passivity. Sometimes mixed in usage with 濶 and 濩. [Credit] acm(entry) cw(py)

See the character 拁 in CJKDict

拁 [py] xu4 [wg] hsü [ko] ch'uk [ja] 僠僋 chiku ||| To store up, to gather; storage, storehouse [錟 憅]. To nurture, develop, cultivate. [Credit] acm(entry) cw(py)

See the character 奧 in CJKDict

奧 [py] gai4 [wg] kai, ho [ko] kae [ja] 僇僀 kai ||| (1) To cover, hide, conceal; to obscure the function of wisdom. (2) a cover(ing). (3) Umbrella. (4) Maybe, probably, possibly. (5) Now, why, why not, what do you think about... (6) To build, erect. (7) To affix a stamp or seal. (8) "Now..." "However..." (晇). Often used interchangeably with 岢 and 岵. [Credit] acm(entry) cw(py)

See the character 朒 in CJKDict

朒 [py] peng2 [wg] p'eng [ko] pong [ja] 儂僂 hou ||| (1) Mugwort or raspberry found growing sporadically among hemp. (2) Overgrown, tangled, disheveled, confused. [Credit] acm(entry) cw(py)

See the character 楡 in CJKDict

楡壺鉙 [py] Lian2hua2 jing1 [wg] Lien-hua ching [ko] Yônhwagyông [ja] 儗儞僎僉儑僂 Rengekyou ||| The Lotus Sutra See Miaofa lianhua jing 柇朄楢壺鉙. [Credit] acm(entry) cw(py)

楡壺柺鉙 [py] Lian2hua1mian4 jing1 [wg] Lien-hua-mien ching [ko] Yônhwamyôn kyông [ja] 儗儞僎儊儞僉儑僂 Rengemen kyou ||| Lianhuamian jing; 1 fasc., trans. Narendraya`sas 撨楢採栯幧. T 386.12.1070b-1077c. [Credit] acm(entry)

See the character 摖 in CJKDict

摖 [py] dang4 [wg] tang [ko] t'ang [ja] 僩僂 tou ||| (1) To cleanse, to clarify. (2) To squander, waste, destroy. (3) Licentious, unsettled, vagrant, dissipated, greedy. (4) Easy and plain. Level, peaceful. (5) Vast, large, magnificent. [Credit] acm(entry) cw(py)

摖慠 [py] dang4ran2 [wg] tang-jen [ko] t'angyôn [ja] 僩僂僱儞 tounen ||| The condition of not being unitary; emptiness, dissipation. To go broke. Disappearance. [Credit] acm(entry) cw(py)

See the character 敄 in CJKDict

敄 [py] bo2 [wg] po, pao [ko] pak [ja] 僴僋 haku ||| (1) Small, trifling, light, insipid, thin, slight. Shallow, shallow-minded. (2) Poor, mean, stingy, contemptuous, careless. (3) To reach to, to extend to. (4) A curtain or screen. (5) To gather. (6) Initial particle--ah, so. [Credit] acm(entry) cw(py)

敄壘 [py] bo2qie2 [wg] po-ch'ieh [ko] pakka [ja] 僶僈 baga ||| See next 敄壘瀽. [Credit] acm(entry) cw(py)

敄壘瀽 [py] bo2qie2fan4 [wg] po-ch'ieh-fan [ko] pakkabôn [ja] 僶僈儃儞 bagabon ||| A transliteration of bhagavaan or bhagavat, meaning "holy one" or "world-honored one"--the Buddha. One of the ten epithets of the Buddha. According to Hsüan-tsang, bhagavat has six meanings: one who possesses auspicious marks; one who destroys illusion and evil; one who is provided with such auspicious virtues of freedom as the Law, fame, good marks, desire and intelligence; one who has completely understood the Four Noble Truths; one who accepts and maintains various excellent practices and one who has abandoned the wandering of transmigration. [Credit] acm(entry) ps(py)

敄暉彮摽 [py] bo2 fu2 shao3 de2 [wg] po-f o shao-te [ko] pangbok sodôk [ja] 僴僋僼僋僔儑僂僩僋 bakufukushoutoku ||| "Shallow in merit and weak in virtue." [Dictionary References] naka1101c [Credit] acm(entry) cw(py)

敄夀瀽 [py] bo2jia1fan4 [wg] po-chia-fan [ko] pakkabôm [ja] 僶僈儃儞 hakukabon ||| A variant rendering of 敄壘瀽. [Credit] acm(entry)

See the character 慐 in CJKDict

慐庢 [py] jian4qu3 [wg] chien-ch'ü [ko] ch'ônch'wi [ja] 僙儞僔儏 senshu ||| To take all to oneself; to monopolize; get complete possession of. Stealing, pilfering. A pilferer; a sneak thief. [Dictionary References] naka842a [Credit] acm(entry) cw(py)

慐摼 [py] jian4de2 [wg] chien-te [ko] ch'ôndûk [ja] 僙儞僩僋 sentoku ||| "To seize the mat." As in gambling when one wins the whole pot (all the money on the mat), one takes all of it and puts it in his own pocket. To take everything for oneself. [Credit] acm(entry) cw(py)

See the character 嶧 in CJKDict

嶧? [py] saduo [wg] sa-tuo [ko] salt'a [ja] 僒僢僞 satta ||| A transliteration of the Sanskrit sattva, meaning "(sentient) being." Also, an abbreviation of bodhisattva (曥採嶧?). [Credit] acm(entry)

嶧攌 [py] sa4po2 [wg] sa-pa [ko] salp'a [ja] 僒僣僶 satsuba ||| A transliteration of the Sanskrit sarva, which means "all" or "completely." Usually translated into Chinese as yiqie 堦愗. [Credit] acm(entry) cw(py)

嶧攌懡晹 [py] Sa4po2duo1 bu4 [wg] Sa-pa-tuo-pu [ko] Salp'adabu [ja] 僒僣僶僞僽 Satsubatabu ||| The Sarvaastivaada school, more commonly designated by the abbreviated name youbu 桳晹 "existence school" which held to the position that all existences (dharmas 朄) are real. [Credit] acm(entry) cw(py)

嶧斒庒 [py] sa4pan2ruo4 [wg] sa-p'an-jo [ko] salbanya [ja] 僒僣僶儞僯儍 satsubanya ||| A transliteration of sarvaj~naa, which means "omniscience." See 堦愗抭. [Dictionary References] ZGD385a [Credit] acm(entry)

嶧斒庒懡 [py] sa4pan2ruo4duo1 [wg] sa-p'an-jo-tuo, to [ko] salbanyada [ja] 僒僣僶儞僯儍僞 satsubanyata ||| A transliteration of sarvaj~nataa, which means "omniscience." See 堦愗抭. [Dictionary References] ZGD385a [Credit] acm(entry)

嶧敄 [py] sa4bo2 [wg] sa-po [ko] salbak [ja] 僒僣僶 satsuba ||| A transliteration of the Pali sabhaa, which means commerce, trade, etc. A trading cartel. [Credit] acm(entry) cw(py)

嶧夀栯 [py] sa4jia1ye2 [wg] sa-chia-yeh [ko] salgaya [ja] 僒僢僇儎 sakkaya ||| See 嶧夀栯尒. [Credit] acm(entry)

嶧夀栯尒 [py] sa4jia1ye2 jian4 [wg] sa-chia-yeh chien [ko] salgaya kyôn [ja] 僒僢僇儎働儞 sakkaya ken ||| A transliteration of the Sanskrit sat-kaaya-d.r.s.ti. Sat means "real" or "existent," and kaaya means "body." Thus, the term refers to the view of the (real) existence of the body (youshenjian 桳恎尒). A view which includes attachment to self 変 and objects 朄; also called 屲庢錧, or "attachment to the five skandhas." The condition of non-recognition of the fact of the provisionality of the combination of the five skandhas, resulting in the belief in a true body centered around an eternal aatman. Among the "five views" 屲尒 the view of possessing a body 恎尒. [Dictionary References] naka453b [Credit] acm(entry)

See the character 麨 in CJKDict

麨 [py] xun1 [wg] hsün [ko] hun [ja] 僋儞 kun ||| To perfumate, to permeate, the way smoke or perfume permeates one's clothing. This is a metaphor for the permeation of the consciousness by pure and defiled dharmas, found used in Buddhist texts interchangably with 鄭. (vaasanaa) 乲擇忈媊 HPC 1.793a乴 [Dictionary References] naka288d [Credit] acm(entry)

麨惉 [py] xun1cheng2 [wg] hsün-ch'eng [ko] hunsông [ja] 僋儞僕儑僂 kunjou ||| The accomplishment of perfumation. A synonym for "seeds" 庬巕.乲擇忈媊 HPC 1.797b乴 [Dictionary References] naka289a [Credit] acm(entry)

麨幄 [py] xun1fa1 [wg] hsün-fa [ko] hunbal [ja] 僋儞儂僣 kunhotsu ||| The action of permeation by defiled or pure dharmas into the consciousness. 乲擇忈媊 HPC 1.793a乴 [Credit] acm(entry)

麨廗 [py] xun1xi2 [wg] hsün-hsi [ko] hunsûp [ja] 僋儞僔儏僂 kunshuu ||| Perfumation. See 鄭廗. [Credit] acm(entry)

See the character 錟 in CJKDict

錟 [py] zang4 [wg] tsang [ko] chang [ja] 僝僂 zou ||| (1) To cover, to conceal. (2) To hold, embrace, cherish, nurture. (3) To keep, to store, put, place. (4) To accumulate. (5) A storage place, a hold, a bank, a container. [Credit] acm(entry) cw(py)

錟幆 [py] zang4shi4 [wg] tsang-shih [ko] changsik [ja] 僝僂僔僉 zoushiki ||| 'storehouse consciousness;' the eighth, or aalaya-vij~naana as taught by the school of Consciousness-only. See 垻棅栯幆. [Credit] acm(entry) cw(py)

See the character 錤 in CJKDict

錤 [py] yao4 [wg] yao [ko] yak [ja] 儎僋 yaku ||| Medicines, healing herbs, drugs. To administer medicines. [Credit] acm(entry) cw(py)

錤庽 [py] yao4 shu4 [wg] yao-shu [ko] yaksu [ja] 儎僋僕儏 yakuju ||| A medicinal tree; medicinal herb. A metaphor for the teachings of the Buddha, which heal the sicknesses of people. In the `Suurangama-samaadhi-suutra, a metaphor for the `Suurangama-samaadhi (T vol. 15, p. 633b). [Credit] acm(entry) cw(py)

See the character 慼 in CJKDict

慼桘 [py] su1you2 [wg] su-yu [ko] soyu [ja] 僜儐 soyu ||| An oil that is extracted from butter. Sanskrit ghrta. [Credit] acm(entry) cw(py)

慼枿 [py] su1mi4 [wg] su-mi [ko] somil [ja] 僜儈僣 somitsu ||| Refined butter-oil and refined honey. [Credit] acm(entry) cw(py)

See the character 錧 in CJKDict

錧 [py] yun4 [wg] yün [ko] on [ja] 僂儞 un ||| (1) skandha. Something accumulated; or, something differentiated. The constitutional element (aggregates) of human existence. Looking at human existence from five aspects, the five skandhas are posited. See wuyun 屲錧. (2) To gather, to hoard, collect, bring together. [Credit] acm(entry) cw(py)

錧檤奅嶰壢 [py] yun4chu4jie4 san1ke1 [wg] yün-ch'u-chieh san-k'o [ko] onch'ôkye sangwa [ja] 僂儞僔儑僇僀僒儞僇 unshokai sanka ||| The division of all elements present in sentient beings into the three categories of the five skandhas 屲錧, twelve loci 廫擇檤, and eighteen realms 廫敧奅. [Credit] acm(entry) cw(py)

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