|
|
|
|
|
|
Yiengpruksawan, Mimi Hall |
|
|
|
|
8
bibliography, 5 full-text accessible.
|
|
|
|
|
|
|
ID: |
22750 |
|
|
|
Alternative Names: |
Yiengpruksawan, Melanie Hall = Yiengpruksawan, Mimi |
|
|
|
|
Category: |
Individual Author |
|
|
|
|
Website: |
http://arthistory.yale.edu/faculty/faculty/faculty_yiengpruksawan.html |
|
|
|
Fulltext |
Title |
Author |
Source |
Date |
|
|
Book Review: "Flowing Traces: Buddhism in the Literary and Visual Arts of Japan", by J. H. Sanford, W.R. Lafleur and M. Nagatomi |
Yiengpruksawan, Mimi Hall (著) |
Monumenta Nipponica |
1993 |
|
|
Buddha's Bodies and the Iconographical Turn |
Yiengpruksawan, Mimi Hall (著) |
Buddhist Spirituality: Later China, Korea, Japan, and The Modern World |
1999 |
|
|
Downloading the Lotus: From the Public to the Private at Kiyohira's Chuson-ji |
Yiengpruksawan, Mimi Hall |
Japanese Journal of Religious Studies |
1993.03 |
|
|
Hakusan at Hiraizumi: Notes on a Sacred Geopolitics in the Eastern Provinces |
Yiengpruksawan, Mimi |
Japanese Journal of Religious Studies |
1998 |
|
|
Hiraizumi: Buddhist Art and Regional Politics in Twelfth-Century Japan |
Yiengpruksawan, Mimi Hall |
|
1998 |
|
|
Japanese Art History 2001: The State and Stakes of Research |
Yiengpruksawan, Mimi Hall |
The Art Bulletin |
2001.03 |
|
|
The Buddhist Sculpture of Chusonji: The Meaning of Style at the Hiraizumi Temples of the Oshu Fujiwaras |
Yiengpruksawan, Melanie Hall |
|
1987 |
|
|
The Phoenix Hall at Uji and the Symmetries of Replication.(Buddhist temple) |
Yiengpruksawan, Mimi Hall |
The Art Bulletin |
1995.12 |
|
|
|
|
|
|
|