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夏荊山題畫文辭探析:兼論臺灣古典詩中的題畫之作=A Study on the Exploration of Xia Jing Shan’s Dictions Inscribed on Paintings- A Discussion of Taiwanese Classical Poems Inscribed on Paintings
Author 顧敏耀 (著)=Gu, Min-yao (au.)
Source 荊山水閱 國際學術研討會-場次B
Date2015
Publisher財團法人夏荊山文化藝術基金會
Publisher Url http://www.xjsacf.com/TW/Home/Default.asp
Location臺北市, 臺灣 [Taipei shih, Taiwan]
Content type會議論文=Proceeding Article
Language中文=Chinese
Keyword夏荊山; 佛教書畫; 題畫詩; 臺灣繪畫史; 臺灣美術史
Abstract 此外,其實夏荊山在諸多畫作之上往往亦有相關題辭,其內容也有值得深入考究之處,有的是單純題上畫作題名,有的則是題上佛經或是前賢所編集之詩文。還有的是畫家自己所撰之文辭,例如有一幅鍾魁觀濤圖,除了寫上作畫時間地點與署名之「於京都時年八十七夏荊山題」之外,還有「浪濤來去,仍是在海中,妄想來去。自然是自性源頭,仁者你說是不是?」藉由圖畫中洶湧澎湃的波濤起興發想,敘述本心自性之如如不動,並以設問法作結,頗有平易近人、輕鬆活潑之感。夏荊山之題畫文辭,足以置於臺灣古典詩中的題畫詩脈絡當中進行察考比較,從中發掘題畫文字內容與畫作之間的各式關聯。至於許多臺灣早期的題畫詩都已經是詩存而畫佚,若能得到如夏荊山一般的繪畫大師能夠重新提筆,揣摩畫意而重新配畫,想必更是藝壇美事。
Table of contents一、前言 2500
二、引用與化用 3500
三、作者的個人創作
四、臺灣古典詩中的題畫之作
五、小結
參考文獻
Hits467
Created date2018.09.18
Modified date2018.09.18



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