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京都古寺參與明治初期新式展示之意義初探=The Participation of Ancient Buddhist Temples of Kyoto in Modern Exhibitions in the Beginning of the Meiji Period |
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| Author |
巫佩蓉 (著)=Wu, Pei-jung (au.)
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| Source |
2023 第九屆漢傳佛教與聖嚴思想國際學術研討會
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| Date | 2023.06.29 |
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| Publisher | 財團法人聖嚴教育基金會 |
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| Publisher Url |
https://www.shengyen.org.tw/index.aspx?lang=cht
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| Location | 臺北, 臺灣 [Taipei, Taiwan] |
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| Content type | 會議論文=Proceeding Article |
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| Language | 中文=Chinese |
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| Keyword | 京都博覽會=Kyoto Exhibition; 西本願寺=Nishihonganji; 建仁寺=Kenninji; 知恩院=Chionin; 東西文化交流=cultural exchanges between the East and the West |
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| Abstract | 雖然京都是著名的古都，但舉辦新式博覽會的時間卻相當早。1871年舉辦首次博覽會後，地方人士成立「京都博覽會社」的組織， ，1872年開始第一回正式會事。表面上看來，京都博覽會，並未特別標舉推動佛教文化之意圖。然而實質上，由於諸多古寺提出展品，或是提供寺域作為會場，使得此會成為佛寺文物得以被新的觀眾觀覽的場域。此外，值得注意的是，主辦單位刻意吸引外國觀者，並擬定許多配合措施，也確實招攬了數以百計的外國人觀展 。
學界對於明治時代博覽會的研究，多以會事如何推廣西方新知，或是促進工商發展為主。本文則考察寺院參與初期京都博覽會的狀況，特別是西本願寺、建仁寺、知恩院作為會場的情形，以探索具體上有哪些類型的佛教文物可得見。十九世紀後期，現代意義下的東亞美術史尚未成形。此研究可提供一些新角度，思索佛教文物於近現代史上角色轉變的歷程。
Although Kyoto is famous for being an ancient capital, new-style exhibitions were conducted in as early as the 1870s. The Kyoto Exhibitions did not announce to promote Buddhist culture, however, the exhibition halls provided chances for viewers’ watching Buddhist works within a new context. It is because that many exhibited items came from local Buddhist temples with long traditions, and that some temples even served as exhibition halls. Another thing needs to be noted is that the organizers of the Kyoto Exhibitions intended to attract foreign viewers. Efforts were made and hundreds of foreigners were drawn to Kyoto.
Earlier researches about the exhibitions of the Meiji period mostly focus on how they promoted Western knowledge or stimulated commercial activities. This paper, rather, will study the details about how Buddhist temples participated the new-style exhibitions in Kyoto, especially the situations that three temples, Nishihonganji, Kenninji, and Chionin, served as the exhibition halls, with a special concern on analyzing the types of works accessible by viewers. The academic field of the East-Asian art history with a modern definition had not yet well established in the late nineteenth century. This study provides new thoughts on the course of changing evaluations of Buddhist works in the 1870s. |
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| Hits | 6 |
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| Created date | 2024.10.08 |
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| Modified date | 2024.10.08 |
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