|
 |
|
|
|
|
|
|
幽溪〈天樂謠〉尺牘等的真俗酬唱──以《淨土生無生論》的義理交涉為觀察軸線 |
|
|
|
| Author |
陳昱仰 (著)
|
|---|
| Source |
全國佛學論文聯合發表會論文集（第35屆）
|
|---|
| Date | 2024.09.27 |
|---|
| Pages | 31 |
|---|
| Publisher | 台灣大學佛學研究中心 |
|---|
| Publisher Url |
https://homepage.ntu.edu.tw/~ntucbs/Default.html
|
|---|
| Location | 臺北市, 臺灣 [Taipei shih, Taiwan] |
|---|
| Content type | 會議論文=Proceeding Article |
|---|
| Language | 中文=Chinese |
|---|
| Note | 作者單位:華梵大學博士班 |
|---|
| Keyword | 尺牘文化=epistolary culture; 淨土生無生=Birth and Non-Birth of the Pure Land; 幽溪傳燈=Yu-xi Chuan-deng; 天樂妙感應=the extraordinary phenomenon music; 新昌大佛寺=The Grand Buddha Temple of Xinchang |
|---|
| Abstract | 傳燈為近代中興天台的重要人物,在高明寺重建的過程中,《幽溪別志》記錄下傳燈與士儒的書信往來、詩詞饋贈,積累形成幽溪尺牘之特色,處處顯露出與天台教觀有著事理相即互具,密不可分的關係,或可由事中含理、理中含事、事具理事三種層次進行析解。根據尺牘史料,傳燈為調和士儒對於唯心淨土與往生西方的義理
交詰,《淨土生無生論》創作的緣起序文,即有事中含理之風格。再者,此論十門以天台義理為基底,交涉華嚴、楞嚴及淨土等學說,相較於教宗天台行歸淨土的傳統,傳燈融攝諸學導歸淨土的進路,反應出明末天台學應機施設的質變。理中含事或可解讀此論弦外之音。最後,傳燈於無樑石洞竣工時,講演此論感得天樂鳴空的異相,並被記錄在幽溪〈天樂謠〉等尺牘,雖然詩詞內容不能全然地反饋此論的義理交涉,但是天樂妙感應卻引起當時士儒與其弟子的共鳴酬唱。本文認為,從天台性具法門之說:「一假一切假,無空、中而不假」,一即三、三即一,天樂妙感應之事,即是不可思議的佛法,事具理事,即能表露出幽溪尺牘聯誼網交織成一幅重重無盡的景象。
Yu-xi Chuan-deng was an important figure in the modern revival of the Tiantai school. During the reconstruction of Gaoming Temple, "The Yu-xi Gazetteers" documented Chuan-deng’s correspondence and exchanges of poetry with scholars, forming the characteristic epistolary style of the Yu-xi Temple. This collection reveals the intricate relationship between Yu-xi’s literary activities and Tiantai teachings, showcasing a profound, inseparable connection, which can be analyzed at three hierarchy: observing principles inside events, figure out events' relationship by principles, and the mutual embodiment of principles and events. First, according to the related literature, Chuan-deng harmonized the doctrines of the Pure Land of Mind-Only and rebirth in the Western Pure Land, which led composing "The Āstra of the Birth and Non-Birth of the Pure Land". And this Āstra is based on Tiantai principles, engages with the teachings of Huayan, Shurangama, and Pure Land, demonstrating the non-traditional Tiantai style. Similar to the modulation of Chuan-deng disciples, the method of "revealing the reality with
expedient teachings" is more esay to explain the Dharma of "The Āstra of the Birth and Non-Birth of the Pure Land". Furthermore, when Chuan-deng lectured on this Āstra, he experienced the extraordinary phenomenon music, which was recorded in the poem of "The Celestial Music Ballad" and other literary works. Although these pieces can't fully represent the theme of this Āstra, interestingly, the mystical response of the celestial music resonated with scholars leading to an exchange of poetic compositions. According to the Tiantai doctrine of inherent Buddha nature, the extraordinary phenomenon music reflect the truth of trilicosm in a conscious instant of Tiantai—unity in diversity, diversityin unity—illustrate the profound and inconceivable Buddha Dharma. This is also shownhow Chuan-deng delivered the concept of "Pure Land rebirth is truly non-birth, and non-birth does not hinder rebirth Pure Land", the scholars were the key media to spread this Āstra and composed endless network and connection. |
|---|
| Table of contents | 摘要 1
Abstract 2
目次 3
一、前言 4
二、《淨土生無生論》的緣起與義理交涉 7
(一) 此論著作弘演的緣起相由 7
(二) 此論十門義理的宗派交涉 9
三、〈天樂謠〉尺牘等作品的真俗酬唱 15
(一) 天樂妙感應的反饋酬唱 15
(二) 生無生義理的反饋酬唱 22
(三) 幽溪尺牘現象的再觀察 25
四、結論 29 |
|---|
| Hits | 139 |
|---|
| Created date | 2024.10.18 |
|---|
| Modified date | 2024.10.18 |
|---|
 |
Best viewed with Chrome, Firefox, Safari(Mac) but not supported IE
|
|
