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詹獻坤 (撰)=Jan, Hsien-kun (compose)
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| Date | 1998 |
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| Pages | 30 |
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| Publisher | 國立臺南藝術學院 |
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| Publisher Url |
https://www.tnnua.edu.tw/
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| Location | 臺南市, 臺灣 [Tainan shih, Taiwan] |
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| Content type | 博碩士論文=Thesis and Dissertation |
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| Language | 中文=Chinese |
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| Degree | master |
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| Institution | 國立臺南藝術學院 |
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| Department | 造形藝術研究所 |
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| Advisor | 蕭勤 |
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| Publication year | 86 |
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| Keyword | 阿卜極=Abugy; 中觀=The Middle Way of Reality; 心相=The Appearance of Mind; 觀相=Contemplation |
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| Abstract | 藝術創作的內容是離不開人類對生命的認知與感悟，僅管存在於東、西文化之中，有著明顯差異性，而藝術也各自呈現其應有的光采。歷史的過程如此，現代如此，個人何嘗不是這樣在呈現？
本文中，個人雖借用「中觀」一詞，卻也誠然自知才識淺薄， 尚無真修實證，實難掌握其實質的真切要義。故而，學習與追求的過程中， 常抱持誠惶誠恐之心，希冀透過內外調和， 實際進行修證之方式， 漸次體察「中觀」思維更深層的意涵 ，並內化而為個人創作之中心精神， 讓作品之內在精神性，得以真正駕馭〝形式〞之上， 同時也提示自己重新審視一己存在之意義與價值。
In the art, the content of creation is dependent on the human knowledge and feeling about life. Although, there is an evident cultural difference between the East and the West, the art always has its special qualities within a culture. The process of history is same, from the past to the present, such that, and everyone also exhibits this property. Don*t you think that?
In this essay, I tried to use the phrase-The Middle Way of Reality-to explain the art, but it was difficult to express the essence of art for myself, being untalented and unlearned. Even more, there is no concrete proof of this now, which I got in person. Therefore, in the process of pursuing knowledge, I always keep sincere and respectful. By the way, I hope I can gather understanding and experience the deepest content of "the middle way of reality" through the harmony between inside and outside. I also want to do it by proving personally. At the same time, I wish the thought of "the middle way of reality" changes into the inner and central spirit of personal creation. Further more, I really hope it makes the inward spirit of art production above "the form". Then again, I also desire to look inward the meaning and value of my own existence from it.
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| Table of contents | 一 前言
二 我的創作與中道思想之相關性
1 以真誠心契悟中道精神
2 我的創作與中道思想的認知與省悟
3 我的作品分析
三 宋畫與我的創作觀
1 我與宋畫的因緣
2 宋畫內涵的體悟
3 我的作品與宋畫
四 羅斯科(Mark Rathko)繪畫與我的作品之相關性
1 羅斯科的繪畫世界
2 作品質素的相關分析
3 作品表現形式的思考
4 從"文化差異"分析羅斯科內在精神
五 Anish Kapoor的藝術內涵與我的作品之相關性
1 Kapoor的生平與學習
2 Kapoor的藝術觀與作品說明
3 作品的分析與內容的共通性
六 結語 |
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| Hits | 806 |
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| Created date |
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| Modified date | 2023.01.16 |
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