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佛教敦煌舞的個人、信仰與團體動力之研究-以佛光山道場學員為例=Individual,Belief and Group Dynamics of Dunhuang Dance of Buddhism-A Case Study of Buddhist of Fo Guang Bhan Monastery |
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| Author |
許楷慧 (著)=Syu, Kai-Hui (au.)
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| Date | 2018 |
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| Pages | 68 |
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| Publisher | 東吳大學 |
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| Publisher Url |
https://www-ch.scu.edu.tw/october/
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| Location | 臺北市, 臺灣 [Taipei shih, Taiwan] |
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| Content type | 博碩士論文=Thesis and Dissertation |
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| Language | 中文=Chinese |
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| Degree | master |
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| Institution | 東吳大學 |
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| Department | 社會學系 |
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| Advisor | 石計生 |
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| Publication year | 106 |
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| Keyword | 宗教認同=Commitment; 敦煌舞=Dunhuang Dance; 團體動力=Group Dynamics; 逃逸線=Line of Flight; 無器官身體=Body without Organs |
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| Abstract | 本研究從研究者進入佛光山敦煌舞團體，經學員的歷程為出發點。由學員個人的家庭背景、個性、成長歷程，到如何因為身邊的人、事、物而進入宗教認同，進而選擇敦煌舞做為媒介，連結自我的身、心、靈達到調整的效果作為研究題材。
在三角環節當中，經由婦女個人對生活中的壓力來源產生的自我解讀，在生活中尋找宗教認同，藉由敦煌舞的舞蹈內涵與團體動力，在練習、表演的過程中，經由意義的生產，而使得身體有不同的自我感知，再與所經歷的過程與意義作解釋。當生活中的煩亂支配著個人時，婦女如何由團體中，經由逃逸線出走，邁入與神接觸的無器官身體，昇華自我意識，在最後回到凡世生活的歷程。
在第一章主要說明研究動機、背景、目的、方法、材料；第二章對於文獻的探討，從敦煌舞蹈的歷史文學到宗教的意義開始切入主題，到宗教信仰對自我身體認同作為主軸架構，至德勒茲所談的無器官身體、塊莖、逃逸線，在不同階段所以扮演的分子，引導著整個論文的主結構；第三章在針對在對研究方法與研究架構，包含研究的佛光山組織，與研究對象做最深入的探討；第四章開始對於訪談對象的解析與理論的結合作整理，透過學者博大理論開始驗證本文的題旨；第五章是為本研究最後的研究末端，在經歷一系列的自我重整與修復後如何回到世俗中繼續成長?抑或是重新調正狀態，進入生活當中?本研究正是要提醒，回歸生活當中，我們如何在可取得的有限資源當中，找到屬於自己的逃逸線的可能，並等待我們去挖掘與接受。
This study departs from my investigation of female disciples’ progress in Fo Guang Shan Dunhuang Dance Group. I study the disciples’ family background, personality, personal history and research into how these women turn to religious commitment because of surrounding factors in their life and how they choose Dunhuang Dance as the proper medium to connect their own body, mind and soul to adapt to life.
In the triangular model, through the disciples’ self-interpretation in the face of their sources of pressure in life, I discover how they manage to find religious commitment in life. By way of the choreographic essence and group dynamics in Dunhaung Dance, these women produce individual meanings of their unique corporeal awareness of their selves during practices and performances, and interpret their own experiences with these meanings. I demonstrate how women, when overwhelmed by annoyance of everyday life, move out of their group along the Line of Flight, approach Body without Organs with the divine, sublimate their consciousness and finally return to secular mundane life.
Chapter one introduces the motivation, background, goal, methodology as well as materials and data of my study. Chapter two provides a literature review, which includes the history of Dunhuang Dance and its religious significance, which elicit the topics of the study; the passage from religious belief to identification with one’s own body, which forms the axis of the study, and a survey on Deleuzian concepts such as Body without Organs, Rhizome, Line of Flight and molecules of different stages that function as the structural elements of the study. Chapter three follows the structure and applies the methodology introduced in chapter one and extensively explores the organization of Fo Guang Shan Monastery and the disciples, the main concern of the study. Chapter four attempts to analyze the interviewees of the study and examine my research findings with scholars’ profound theories. Chapter five is the end and the conclusion of the study, which addresses the question: after undergoing self-reorganization and recuperative process, how does one return to secular life and keep improving oneself; that is, how does one adjust oneself and return to quotidian life? The aim of the study is to evoke a possibility to excavate, find and accept the Line of Flight for us from limited accessible resources in life. |
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| Table of contents | 謝誌 I
摘要 II
英文摘要 III
目錄 IV
第一章 舞 序 1
第二章 相關理論文獻回顧 5
第一節 宗教與舞蹈 5
第二節 宗教信仰與自我身體認同 10
第三節 無器官身體、塊莖、逃逸線 16
第三章 研究方法與假設 23
第一節 研究架設與研究架構 23
第二節 研究方法 25
第三節 研究佛光山分會簡介 29
第四節 研究對象 31
第四章 身體的感知 32
第一節 個人家庭背景與生活 32
第二節 宗教認同 37
第三節 團體動能 41
第五章 討論與結論 46
第一節 舞蹈中的身體 46
第二節 回到社會中的個體 48
參考書目 49
附錄一 訪談大綱 56
附錄二 訪談內容歸納 58
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| Hits | 324 |
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| Created date | 2022.06.23 |
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| Modified date | 2023.01.07 |
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