|
|
|
 |
|
|
|
|
|
|
禪畫的美學意境：以牧谿《六柿圖》分析為例=The Aesthetic Conception of Zen Painting：Taking the Analysis of Muxi\'\'s \""Six Persimmons\"" as an Example |
|
|
|
| Author |
涂晏瑄 (撰)=Tu, Yen-husan (compose)
|
|---|
| Date | 2019 |
|---|
| Pages | 129 |
|---|
| Publisher | 國立中興大學 |
|---|
| Publisher Url |
https://www.nchu.edu.tw/
|
|---|
| Location | 臺中市, 臺灣 [Taichung shih, Taiwan] |
|---|
| Content type | 博碩士論文=Thesis and Dissertation |
|---|
| Language | 中文=Chinese |
|---|
| Degree | master |
|---|
| Institution | 國立中興大學 |
|---|
| Department | 歷史學系所 |
|---|
| Advisor | 劉瑞寬 |
|---|
| Publication year | 107 |
|---|
| Keyword | 牧谿=Muxi; 禪畫=Zen painting; 文人圖=literati painting; 六柿圖=six persimmon |
|---|
| Abstract | 本論文以禪僧畫家—牧谿繪畫作品中的禪風美學意境為書寫中心，禪畫讓中國的繪畫世界增添更多元豐富的創作謬思，並且富含智慧禪機與天人合一的美學意境。禪僧牧谿（法常）的禪畫在中國繪畫史上的評價不高，但其作品遠渡日本之後卻讓日本畫壇造成極大的影響，在日本不僅被尊為水墨畫的宗師，牧谿畫作在中國本土與日本有著天差地別的評價，筆者想藉此對牧谿的畫作做一個更深入的探討與分析，尤其以牧谿《六柿圖》為研究主軸，深入瞭解牧谿把獨一無二的禪悟與藝術結合之後，創造出獨特的禪風美學意境。
論文內容分成五章來討論，先提出研究動機與問題意識，回顧過去的研究成果後，統整並找到正確適當的研究方法。接著從南北分宗理論來看禪畫對中國繪畫的影響，以及對牧谿生平的考察，探究其作品的創作背景。接下來則是從造型與構圖、用筆與用墨及美學意境等方向，去深入探討《六柿圖》。再來是從作品裡去探究其自然與人、萬物合一的禪悟生命觀，最後是希冀本論文能提供世人對禪畫有一定的認識與理解，並且了解文人畫與禪畫的不同，藉此理解禪畫背後帶來的深遠影響，更進一步理解牧谿的獨特禪畫風格，且深入探究牧谿特有的禪風美學意境，以及牧谿畫作對後世的影響與貢獻。
This thesis is based on the Zen aesthetics in the paintings of the Buddhist monk-Mu Xi. The Zen paintings add more creative ideas to the Chinese painting world, and are rich in the aesthetic conception of the Zen machine and the harmony between man and nature. The Zen paintings of Zen Buddhism (Fa Chang) are not highly evaluated in the history of Chinese painting, but their works have greatly influenced Japanese painting after they crossed Japan. In Japan, not only was the master of ink painting, but also the painting of Muxi in China. Japan has a different evaluation. The author wants to make a more in-depth discussion and analysis of Muxi''s paintings, especially with Muxi''s """"Six Persimmons"""" as the main axis of research, and in-depth understanding of Muxi''s unique combination of Zen and art. Create a unique Zen aesthetic.
The content of the thesis is divided into five chapters to discuss, first research motivation and problem awareness, review the past research results, and find the correct and appropriate research methods. Then, from the North-South branching theory, the influence of Zen painting on Chinese painting, as well as the investigation of the life of Muxi, explore the creative background of his works. The next step is to explore the """"Six Persimmons"""" from the aspects of modeling and composition, using pens and inks, and aesthetics. Then come from the works to explore the concept of meditation on nature and human beings, and finally realize that this thesis can provide the world with a certain understanding and understanding of zen painting, and understand the difference between literati painting and zen painting. This understanding of the far-reaching influence brought by Zen painting, further understanding the unique Zen style of Muxi, and in-depth exploration of the unique Zen aesthetics of Muxi, and the influence and contribution of Muxi paintings on later generations. |
|---|
| Table of contents | 第一章 緒論 1
第一節 研究動機與問題意識 6
第二節 研究成果的回顧和研究方法 24
第二章 禪畫的演變與牧谿創作背景分析 29
第一節 從南北分宗理論看禪學對中國繪畫的影響 29
第二節 牧谿的生平與創作 35
本章附錄圖版 45
第三章 牧谿《六柿圖》的美學探究 47
第一節 《六柿圖》造形與構圖分析 48
第二節 《六柿圖》用筆與用墨的討論 57
第三節 《六柿圖》的美學意境 69
本章附錄圖版 78
第四章 牧谿作品裡的禪悟生命觀 79
第一節 自然與人、天人合一 79
第二節 萬物合一、世間有情 93
第三節 禪風生命觀 97
本章附錄圖版 102
第五章 結論 117
參考書目 123 |
|---|
| Hits | 209 |
|---|
| Created date | 2022.10.14 |
|---|
| Modified date | 2023.01.09 |
|---|
 |
Best viewed with Chrome, Firefox, Safari(Mac) but not supported IE
|
|
|
