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Kumano Nachi Mandalas: Medieval Landscape, Medieval National Identity |
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| Author |
Gossett, Sarah E (著)
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| Date | 2017.01 |
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| Pages | 46 |
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| Publisher | Arizona State University |
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| Publisher Url |
https://www.asu.edu/
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| Location | Tempe, AZ, US [坦佩, 亞利桑那州, 美國] |
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| Content type | 博碩士論文=Thesis and Dissertation |
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| Language | 英文=English |
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| Degree | master |
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| Institution | Arizona State University |
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| Department | History |
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| Advisor | Claudia Brown |
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| Abstract | A Japanese national identity is generally thought to have originated in the 17th century, with the advent of the Kokugaku movement. I will argue that there is earlier evidence for the existence of a Japanese national identity in the Kumano Nachi mandalas of the Kamakura and Muromachi periods. These mandalas employ the Nachi waterfall as a symbol of the strength and power of the Japanese land, counterbalancing Chinese Buddhist visual motifs. In this paper, I further assert that these mandalas are an early example of an artistic tradition of painting specific landscape features as symbols of a Japanese national identity, and that this tradition continues into the modern period. / Dissertation/Thesis / Masters Thesis Art History 2017 |
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| Hits | 236 |
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| Created date | 2023.04.26 |
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| Modified date | 2023.04.26 |
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