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夏荊山羅漢圖管窺=A Study on Xia Jing Shan's Arhats
Author 沈政乾 (著)=Sheen, Jenq-chyan (au.)
Source 夏荊山藝術論衡=Journal of Xia Jing Shan's Art
Volumen.1
Date2016.03
Pages15 - 36
Publisher財團法人夏荊山文化藝術基金會
Publisher Url http://www.xjsacf.com/TW/Showroom02/ugC_ShowroomItem.asp
Location臺北市, 臺灣 [Taipei shih, Taiwan]
Content type期刊論文=Journal Article
Language中文=Chinese
Note作者單位:長榮大學書畫藝術學系專任副教授
Keyword夏荊山=Xia Jing Shan; 佛像畫=Buddhist Painting; 道釋畫=Daoism and Buddhism Painting; 工筆人物畫=Chinese Figure Painting
Abstract 本篇論文主要透過夏荊山繪製之《夏荊山中國佛像畫集》與《佛像的欣賞》之閱覽及賞析,就兩套作品其中之羅漢圖部分進行探討,依據其作品,針對羅漢之意義、題材內容、筆墨色技法、造形、構圖與特色等,加以分析歸納,以期能對夏氏羅漢圖之創作具進一步之了解,做為筆者往後創作及教學之參考。

This paper examines and analyzes Arhats painted in two set of works of Xia Jing Shan, “Chinese Buddhist Painting Collection of Xia Jing Shan” and “the Appreciation of Buddhist Paining.” According to the works of Xia Jing Shan, meaning, theme contents, color and painting techniques, landscaping, structure, and features in paintings are discussed with the aim to have further understanding about Arhats painted by Xia for the reference of future creation and teaching.
Table of contents壹、 前言 17
貳、 傳統羅漢圖之淺探 18
一、羅漢之定義 19
二、羅漢圖之發展 19
三、歷代繪製羅漢圖之畫家 21
叄、夏荊山生平簡介 22
肆、夏荊山羅漢圖探析 23
一、羅漢之題材內容 24
二、羅漢之筆墨色技法之探討 25
(一)、勻細挺拔之流暢長線條 26
(二)、渾厚律動之曲線 26
(三)、極短之細線條 26
(四)、粗率顫動之闊筆線條 27
三、羅漢之造形 30
四、羅漢之構圖 32
伍、羅漢圖之特色 33
陸、結論 34
ISSN24126233 (P)
Hits16
Created date2016.10.05
Modified date2020.06.15



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