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夏荊山佛教繪畫之「羅漢像」風格淺評=A Brief Discussion on "Arhats Painting" of Xia Jing Shan's Buddhist Paintings
Author 陳炳宏 (著)=Chen, Bing-hung (au.)
Source 夏荊山藝術論衡=Journal of Xia Jing Shan's Art
Pages35 - 55
Publisher Url
Location臺北市, 臺灣 [Taipei shih, Taiwan]
Content type期刊論文=Journal Article
Keyword夏荊山=Xia Jing Shan; 佛教繪畫=Buddhist paintings; 水墨人物畫=Chinese brush figure painting; 羅漢=Arhats; 宗教畫=religious painting
Abstract 夏荊山居士以將近一世紀的人生悟得諸佛之法,潛心於法相繪製,以筆中修為行教化之功。其所繪之花卉、山水、人物於造化之師外,更傳達藝術家將創作融入性靈之中。此研究,筆者僅就其佛教繪畫中大量的佛、菩薩法相外,選擇同時具備神格與人格的羅漢人物畫作為研究主題,根據作品圖像所呈現的特徵依造形、線質、構圖等方面,構築對其創作內涵之理解。然而,因現有研究史料有限,故目標設定於基礎研究之目地,建構評述的內容。夏居士曾在臺灣居住後回大陸深耕,今日在臺灣成立文教基金會回饋藝術教育工作。筆者期以建構史料整理為第一步未來擴大效應提供社會更多的教化之用。

Master Xia Jing Shan has been devoted to Buddhist painting according to his realization of Buddhism over the past century. He uses painting for inspiration and cultivation. Flowers, landscapes, figures he painted demonstrate excellent skills and convey mind and thought of artist. In this study, the author focuses Arhats in both god and human features of Master Xia’s various Buddhist and Bodhisattv paintings. According to features of shaping, lines, and composition of Master Xia’s artworks, the understanding of creation contents is constructed. Due to limits of research materials, however, the objective has been set to conduct a basic research that constructs discourse contents. Before returning to China, Master Xia lived in Taiwan. Today, he set up the Foundation to make contribution to art education. The author would like to take the first step of constructing and compiling historical materials for future expansive effects for the provision of more educational and inspiring functions.
Table of contents壹、前言 37
貳、藝術與宗教畫的關係 38
參、歷代羅漢像的創作表徵 40
肆、夏荊山的羅漢繪畫 44
伍、夏荊山羅漢像系列作品風格分析 45
陸、小結 54
ISSN24126233 (P)
Created date2016.10.05
Modified date2020.06.15

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