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交匯的新起點:文化x創意 — 以夏荊山書畫藝術為例=A New Convergent Point: Culture x Creativity─ A case study of Xia Jing Shan’s painting art
Author 陳昱宏 (著)=Chen, Yu-hung (au.)
Source 夏荊山藝術論衡=Journal of Xia Jing Shan's Art
Volumen.2
Date2016.09
Pages57 - 88
Publisher財團法人夏荊山文化藝術基金會
Publisher Url http://www.xjsacf.com/TW/Showroom02/ugC_ShowroomItem.asp
Location臺北市, 臺灣 [Taipei shih, Taiwan]
Content type期刊論文=Journal Article
Language中文=Chinese
Note作者為臺北市立大學學習與媒材設計學系助理教授
Keyword美感教育=Aesthetics education; 書畫藝術=painting and calligraphy art; 生活體驗=life experience; 人文素養=cultural literacy
Abstract 文化創意或文化創意產業自2002年起,逐漸受到公部門的重視,世界各國的國家政策與地方經濟發展,對於推動創意產業或文化創意的相關規劃,也都投入大量資源,以期能提升國家、產業競爭力,增加與文化創意相關之產值、創造地方特色文化產業、提高民眾的文化質感、深厚文化內涵等目標。臺灣在文化、創意及相關產業上的發展重點,藉由公部門對相關活動、計畫、產業的補助與投資趨勢,以及行政院的「文化創意發展法草案」可以窺見一二。在文化、藝術的補助或產業的投資上,近年發展的趨勢略為倚重後者,因此容易產生推動文化創意的目的與根本意義,以及相關活動規劃與相關產業發展的重點出現落差,也容易造成資源分散而難見成效的結果。反觀世界各國許多成功的案例,都值得借鏡、參考,他山之石,可以攻錯,藉此重新檢視、省思目前文化、創意、產業的規劃方案與推動發展現況,並以夏荊山居士的書畫藝術為例,作為未來推動、補助與發展相關規劃方案與具體作為之參考。

Development of culture and creativity or the cultural and creativity industry has gradually obtained attention of the public sector since 2002. National policies and local economic development in countries around the world both invest a huge amount of resources in the promotion of the creative industry or relevant planning of development of culture and creativity in order to boost national and industrial competitiveness, add production values to culture and creativity, create the cultural industry with local features, improve cultural literacy of the public, and cultivate cultural contents. For the development focus of Taiwan in the cultural and creative industry of other relevant industries, we have seen the trend of increasing subsidies and investment in relevant events, projects, industrial by the public sector as well as the promulgation of the “Draft of Cultural and Creativity Development Act.” The recent development trend of cultural and art grants or industrial investment over the past years has relied more on the law promulgation. Thus, it is easy to find the gap between purpose and basic meanings of promotion between and focuses of relevant event planning and relevant industrial development. At the same time, resources are not evenly and effectively distributed. On the contrary, we are able to learn and refer to many successful stories around the world. Learning from others can improve our shortcomings. By re-examination and reflection of existing planning initiatives and promotional development of culture, creativity, and the industry and comparing to painting and calligraphy art of Master Xia Jing Shan, we are able to find concrete initiatives and reference for future planning of relevant promotion, subsidy, and development initiatives.
Table of contents壹、背景 60
一、文化匯流 62
二、創意生活 63
三、文創產業 64
四、小結 66
貳、文創 x 生活的實踐 67
一、文創 x 飲食 67
二、文創 x 空間 69
三、小結 71
參、文創 x 產業的激盪 71
一、特色產品 x 文創 72
二、創意經濟 x 文創 73
三、小結 75
肆、文化與創意的匯聚 75
一、夏居士的書法藝術 76
(一)典雅端整的美感 76
(二)富厚的節奏變化與布局編排 77
二、夏居士的繪畫藝術 78
(一)觀音 79
(二)羅漢 80
三、文化加值與操作 82
伍、結論與建議 84
一、結論 84
二、建議 84
(一)清楚界定補助與投資 84
(二)強調生活的美感教育 85
ISSN24126233 (P)
Hits47
Created date2016.10.05
Modified date2020.06.15



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