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從《雲禪畫》之創作實踐談星雲大師人間佛教之善巧方便=A Discussion on Venerable Master Hsing Yun’s Skillful Means in the Medium of the Visual Arts: A Case Study of “Cloud Chan Art”
Author 方雲=Fang, Yun
Source 2016星雲大師人間佛教理論實踐研究(下)
Pages124 - 157
Publisher Url
Location高雄市, 臺灣 [Kaohsiung shih, Taiwan]
Content type會議論文=Proceeding Article
Keyword人間佛教=Humanistic Buddhism; 星雲禪話=Venerable Master Hsing Yun’s Chan talk; 歷代禪偈=Chan verses; 方雲禪畫=Fang Yun Chan Art; 善巧方便=skillful means



This paper briefly describes the artistic style of “Cloud Chan Art,” as well as its development and dissemination by Venerable Master Hsing Yun. It will also discuss Cloud Chan Art along various lines, including its succession through the Chan lineage, the aesthetics of Chan, the Chan practitioner’s pursuit, and their techniques. In addition, it will use as its primary resources Venerable Master Hsing Yun’s Chan Stories and collections of the verses of past Chan masters, to better understand how he sees the relationship between Chan and art, the ideal and actualization, and the word and character of Chan art. Thus, this paper will work towards a greater understanding of the relationship between Chan, Chan practitioners, and
Chan art.

In this paper, the techniques of Cloud Chan Art and the technique of creating resemblances of images to symbols will be investigated. During contemplation, the most important thing is that one must keep one’s composure and allow conflicting phenomena to be at harmony – the same applies to artistic creation.

Table of contents中文摘要 124
一、前言 126
二、由禪入畫:無能說盡佛境界 126
(一)禪畫佛境界 126
(二)禪畫禪觀境界 128
(三)禪畫禪者境界 130
三、禪畫相融:千江有水千江月 133
(一)雲禪畫裡的禪與悟 133
(二)《雲禪畫》裡的江與月 136
(三)《雲禪畫》中的靜與淨 140
四、畫者求禪:水花凝幻質,墨彩染空塵 141
(一)禪悟與夢境 141
(二)禪境與無住 143
五、禪者畫禪:一念心清淨,處處蓮花開 146
(一)《雲禪畫》之造像技法 146
(二)《雲禪畫》之出離技法 148
(三)《雲禪畫》之取象符號 153
六、結論—畫中悟禪:世界光如水月,身心皎若琉璃 154

Created date2018.03.27
Modified date2018.04.10

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