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禪與石濤之筆墨表現析論=Analysis on Zen and Shi Tao’s Ink Expressions
Author 吳恭瑞 (著)=Wu, Kung-jui (au.)
Source 夏荊山藝術論衡=Journal of Xia Jing Shan's Art
Volumen.6
Date2018.09
Pages9 - 34
Publisher財團法人夏荊山文化藝術基金會
Publisher Url http://www.xjsacf.com/TW/Showroom02/ugC_ShowroomItem.asp
Location臺北市, 臺灣 [Taipei shih, Taiwan]
Content type期刊論文=Journal Article
Language中文=Chinese
Note作者為國立臺灣藝術大學書畫藝術學系兼任副教授
Keyword禪宗=Zen; 文人畫=literati painting; 頓悟=enlightenment; 一畫=one-stroke
Abstract 石濤(1642-1707)所著的《畫語錄》語意深奧,內容涵蓋博大,立論引用儒、道、釋之哲理,呈現開放性、多義性、多層次的解讀空間,往往同一則畫論,會因為讀者個人創作經驗、生活閱歷的不同,在解讀上呈現相當多元的觀點。對於近現代華人從事書畫藝術創作,更是具有十分深遠的影響。本文除了關注禪學對石濤的書畫創作與理論體系的影響之外,更藉由石濤對於「一畫」的相關論述與山水作品裡皴法的筆墨表現,進行更深入的印證。

Utterances for Paintings by Shi Tao (1642-1707) is a profound work that encompasses a vast range of topics. It references Confucius, Taoist, and Buddhist philosophies and leaves room for open, polysemic, multi-layered interpretations. Oftentimes, a painting could be interpreted in many different ways based on the viewer’s personal experiences with art and in life. Shi Tao’s work continues to have profound influence on Chinese calligraphers and
painters in the modern period. In addition to examining the influence that the teachings of Zen had on Shi Tao’s art and theoretical system, this paper proposes further studies on Shi Tao’s interpretation on the principles of “one-stroke” and the wrinkling techniques applied in his landscape ink paintings.
Table of contents一、前言 11
二、禪與文人畫 13
(一)抒寫主觀心靈 15
(二)「物我同化」的創作追求 16
(三)含蓄朦朧的審美理想 16
三、頓悟與靈感 18
四、「觸事而真」與「一畫」22
五、結語 30
ISSN24126233 (P)
Hits14
Created date2018.10.19
Modified date2020.06.17



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