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禪學空間設計擬作之探討=A study on Zen Theory using in practical Space Design |
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| Author |
鞏昱宏 (撰)=Gong, Yu-hong (compose)
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| Date | 2020 |
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| Pages | 161 |
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| Publisher | 台南應用科技大學 |
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| Publisher Url |
https://www.tut.edu.tw/
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| Location | 臺南市, 臺灣 [Tainan shih, Taiwan] |
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| Content type | 博碩士論文=Thesis and Dissertation |
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| Language | 中文=Chinese |
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| Degree | master |
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| Institution | 台南應用科技大學 |
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| Department | 室內設計系碩士班 |
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| Advisor | 盧錦融 |
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| Publication year | 108 |
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| Keyword | 禪學空間=Space for Zen; 落地轉譯=floor translation; 山門=mountain gate; 參道=Taoism; 阿蘭若處=Aran Ruo; 無常無限=impermanence and infinity; 虛實相間=intertwining between reality and reality; 本來面目 |
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| Abstract | 現代人在生活節奏緊張，因此在空閒時間之餘會把握時間尋找能夠讓身心沉澱與穩定的方式，而禪學透過空間語言來傳達其禪之意境這樣的方式也為人們在這個需求上提供了一個不錯的選擇，不過禪學箇中義理涉及很多專有名詞與藏經，這對於一般的使用者或設計者來說，在面對這樣的內容或是概念時其實是模糊的，甚至是不得其門而入的，這常讓對於禪學有興趣者望而怯步。
本研究工作重點將放在禪學與空間兩者的討論與落地轉譯，先以廣為大眾所熟悉的佛學人士之相關談話內容切入，在融入相關的美學意識探討與部分相關的學者討論，並實地參訪國內著名的禪空間案例，以文獻探討之結果與實地參訪之經驗進行驗證對話，整個過程也會不時地納入現有的實際操作案例來支持說明，經過這樣的組織過程，嘗試得出較容易讓一般使用者或設計者想像與理解的關鍵概念，並以如此的概念作為背景來進行設計演練。
經過一連串的梳理工作後，本研究對於禪學空間設計之探討提出一種思維概念與六個關鍵詞，提供給設計者與使用者參考，其中一種思維概念為：交疊投射思維。至於六個關鍵詞則是：山門˙參道˙阿蘭若處˙無常無限˙虛實相間˙本來面目且前三項與後三項則分別對應禪學在空間中，形而上到形而下的面相。
Modern people's life rhythm is very tense, so in their spare time, they will seize the time to find a way to precipitate and stabilize the body and mind. Zen is a good choice to provide people with spiritual care, but the doctrine in Zen re-search involves many proper nouns and Tibetan scriptures. When users face such content or concepts, they are actually very vague and even completely incom-prehensible. Yes, this usually makes those interested in Zen learning give up. The location of this base design is located in exit of the Kaohsiung Aihe River in Pier-2 Art Center Warehouses. It mainly proposes to explore the diachronic his-torical changes of Kaohsiung Harbor and synchronic image of Kaohsiung Harbor City view, and find out the future design factors. According to the current status of Pier-2 Art Center, it considers the essence of Kaohsiung Harbor Warehouse space creation and proposes reconsideration.
The focus of this research work is to discuss and transform the discussion and complementarity between Zen and space. First, it will begin with the relevant dialogues of Buddhist masters familiar to the public. Then, the scholars discussed and visited the more famous Zen temples in the country, and used the results of the literature discussion to verify the dialogue with the field trip. Try to gain some key concepts in this organization process. These general concepts make it easier for ordinary users or designers to imagine and understand the meaning of Zen, and ultimately use this concept as a background for design exercises.
After a series of combing work, this study proposed a thinking concept and six keywords to discuss Zen space design for the reference of designers and users. A thinking concept is: the original intention of Zen is difficult to understand, but the outline can be explained more clearly by projecting and overlapping various related concepts. The six keywords focus on discussing the conclusions of the Zen space experience and make it easy for the public to understand: Shanmen, San Aranru, Impermanence and Infinity, Real and Virtual, and Primitive Faces. The first three terms and the last three terms also correspond to the metaphysics and metaphysics aspects of Zen in space, respectively. |
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| Table of contents | 摘要 II
Abstract III
目錄 V
圖目錄 VI
第一章 緒論 1
1-1 研究背景 1
1-2 研究動機 2
1-3 研究目的 3
1-4 研究範圍 4
1-5 工作流程架構 5
第二章 禪學相關文獻探討 7
2-1 禪學裡之於空間與藝術的初步討論 7
2-2 近代禪學與空間之轉譯 17
2-3 日本美學意識探討 24
第三章 國內禪學空間案例分析 50
3-1 維摩舍 51
3-2 北投農禪寺 60
3-3 齋明寺 64
3-4 討論 69
第四章 概念演繹與設計操作 77
4-1 禪學情境建構 77
4-2 基地設定 79
4-3 擬作設計 83
第五章 結論與建議 127
文獻參考 131
附錄 訪談調查資料 133
現場調查 155 |
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| Hits | 230 |
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| Created date | 2022.10.14 |
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| Modified date | 2023.01.05 |
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