|
|
|
 |
|
|
|
|
|
|
Journey To Inner Peace Installation and Sculpture From a Buddhist Perspective |
|
|
|
| Author |
Le Thua, Tien (著)
|
|---|
| Date | 2008 |
|---|
| Pages | 80 |
|---|
| Publisher | University of New South Wales |
|---|
| Publisher Url |
https://www.unsw.edu.au/
|
|---|
| Location | Sydney, Australia [雪梨, 澳洲] |
|---|
| Content type | 博碩士論文=Thesis and Dissertation |
|---|
| Language | 英文=English |
|---|
| Degree | master |
|---|
| Institution | University of New South Wales |
|---|
| Department | Arts Design & Architecture |
|---|
| Advisor | Martin Sims; Bonita Ely |
|---|
| Publication year | 2008 |
|---|
| Abstract | My Master of Fine Arts research project focuses on installation and sculpture that embodies the themes of Buddhism and War. My artwork examines how the two themes interact and influence each other. Making art, for me, is an intensely personal process of rediscovering myself. The project is an attempt to create a visual conversation between my personal experiences, memories and imagination. In particular, I explore the collective memory of the people of Hue in relation to the immediate past, and the longer historical heritage of the city and the region. Chapter One provides a background to my personal experiences of growing up in Hue, Vietnam, during a time of war. This is a relevant starting point as these experiences have shaped my life and my art practice. This chapter begins with my childhood and charts my journey into art education. Visual art is the form and methodology by which I can best express my thoughts, dreams, and reflections. Through sculpture I can share my own vision and thoughts with people from different cultural backgrounds, ideally reaching beyond existing socio-cultural boundaries. It is a personal journey that has led me toward the path of re-discovering my inner world and awakening a forward-looking perspective. Chapter Two explores the influence Buddhist philosophy has on my art practice. This chapter also discusses the work of four contemporary artists who are primarily concerned with themes of Buddhism and war. Through this research I explore how the philosophy of Buddhism gave me a new perspective on how an artist can live completely in the present, while building a bridge between the past and the future through creative practice. Buddhism is a process of everyday transformation; in practice it is an attempt to forge new beginnings in every facet of daily life. Chapter Three discusses my earlier sculpture and installation artworks. I then examine how this led me to collaborate with other international contemporary artists who share a common aesthetic or theme. Chapter Four examines my current art practice and discuss how I see it shaping my future art practice. |
|---|
| DOI | https://doi.org/10.26190/unsworks/20325 |
|---|
| Hits | 225 |
|---|
| Created date | 2023.02.06 |
|---|
| Modified date | 2023.02.07 |
|---|
 |
Best viewed with Chrome, Firefox, Safari(Mac) but not supported IE
|
|
|
