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大足石刻中所見之文殊像=The Mañjuśrī Images in Dazu Caves
Author 郭鎧銘 (著)=Kuo, Kai-ming (au.)
Source 2023 第九屆漢傳佛教與聖嚴思想國際學術研討會
Date2023.07.01
Publisher財團法人聖嚴教育基金會
Publisher Url https://www.shengyen.org.tw/index.aspx?lang=cht
Location臺北, 臺灣 [Taipei, Taiwan]
Content type會議論文=Proceeding Article
Language中文=Chinese
Keyword大足石刻=Dazu Caves; 文殊=Mañjuśrī; 華嚴三聖=Three chief Protagonists of Mahāvaipulya Buddhāvataṃsaka Sūtra; 圓覺洞=Perfect Enlightenment Cave
Abstract 大足石刻始鑿於唐高宗永徽元年(650),歷經晚唐、五代,於兩宋時期(960 1278)達於鼎盛。在這長達六百餘年的造像工程中,幾乎將過去南北朝隋唐以來所有的單體佛像題材全數繼承,更有突出前人的新題材。大足石刻群的造像內容儒釋道三教皆有,從 題材來看,深受《華嚴經》與密教影響,造像風格也與中原、西北等地的石窟不同,形成風格獨特的大足石刻群,更是
中國南方石刻藝術的代表作。
在大足石刻群中,文殊菩薩常以脇侍菩薩或上首菩薩的身分出現,並多與普賢菩薩對稱配置,未出現有單尊像,且為數不多。目前尚未見有對大足石刻中的文殊菩薩像做專門討論者,本文將對大足石刻群中的文殊菩薩像做一專題討論,從造像風格、題材、持物和表法意義等方面做一探討,對文殊菩薩在大足石刻中的角色,或能有些新的認識。

The Dazu Caves are started to carve from Tang Dynasty (650 A.D) and reach its peak in Song Dynasty (960-1278 A.D.). For the period of more than 600 years, the designers not only inherit the style of single Buddha statue in the past, but also create the new way. The features of Dazu Caves include Confucianism, Taoism and Buddhism. In carving style, Dazu Caves are deeply influenced by Mahāvaipulya Buddhāvataṃsaka Sūtra and Esoteric Buddhism, therefore, they are extremely unique from all the other caves in the central and northwestern China. Moreover, Dazu Caves could be seen as the masterpiece of carving arts in Southern China.
Mañjuśrī is often shown as an attendant or foremost Bodhisattva in Dazu Caves. Samantabhadra is always coupled with Mañjuśrī with symmetry. This article will roughly discuss the style, ornamentation and implication of Mañjuśrī in Dazu Caves and bring some new ideas that might not be shown in the current studies about Mañjuśrī.
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Created date2024.10.16
Modified date2024.10.21



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