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因愛而入藝‧因藝而入道：論奚淞的宗教文學創作=Entering the Art through Love Entering the Buddhist philosophy through Art: Exploring the Literature and Religion of Shi Song |
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| 著者 |
楊雅儒 (著)=Yang, Ya-Ru (au.)
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| 掲載誌 |
2023 第九屆漢傳佛教與聖嚴思想國際學術研討會
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| 出版年月日 | 2023.07.01 |
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| 出版者 | 財團法人聖嚴教育基金會 |
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| 出版サイト |
https://www.shengyen.org.tw/index.aspx?lang=cht
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| 出版地 | 臺北, 臺灣 [Taipei, Taiwan] |
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| 資料の種類 | 會議論文=Proceeding Article |
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| 言語 | 中文=Chinese |
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| キーワード | 奚淞=Shi Song; 文學與佛教=literature and Buddhism; 〈封神榜裡的哪吒〉=Nezha in Feng Sheng Bang; 《三十三堂札記》=Notes of Thirty-Three Months; 《大樹之歌》=Song of the Big Tree |
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| 抄録 | 本計畫擬從文字與視覺文本創意互文的角度考察奚淞（1947~，上海）如何轉譯觀音形象與佛傳於文字和繪畫，傳達對佛理的體悟。從新編哪吒開始，綜觀其《三十三堂札記》、《給川川的札記》、《大樹之歌──畫說佛傳》，皆可見曾受現代主義、存在主義影響的奚淞轉而對佛理思悟日深，然而，言談佛理的同時，作者其實更深層探索倫理、愛、感情等人類的世俗煩惱；又，作為「手
藝人」的奚淞出身美術專業，將書畫結合文字體現另類修行， 本文主要研討奚淞此類創作的取材特色與實踐效果，以及其中重要的意象，並論證奚淞的佛教書寫在臺灣宗教文學據有怎樣的一席之地。
From the perspective of creative interaction between text and visual elements, this paper intends to examine how Shi Song (1947 to present, born in Shanghai) translated the images of Guanyin, and Buddhist teachings into text and illustrations to convey his understanding of Buddhist philosophy. His works, including "Notes of Thirty-Three Months," "Notes to Chuan Chuan," and "Song of the Big Tree: Painted Stories of the Buddha". It can be seen that he once influenced by modernism and existentialism, has turned to a deeper understanding of Buddhist philosophy.
However, while discussing Buddhist teachings, the author also explores secular troubles encountered by people, such as morality, love, and emotions. Moreover, Shi Song, who considered himself a "craftsman", has a background in fine arts, and is capable of combining calligraphy and painting with text to express a different form of spiritual practice. This paper mainly discusses Shi Song’s characteristics of the use of materials and practical results, as well as the important images in his works. It verifies Shi Song's position in Buddhist writing in Taiwanese religious literature.
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| ヒット数 | 7 |
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| 作成日 | 2024.10.16 |
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| 更新日期 | 2024.10.21 |
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