|
|
|
 |
|
|
|
|
|
|
The Thousand Buddha Motif: A Visual Chant in Buddhist Cave-Temples Along the Silk Road |
|
|
|
| 著者 |
Pepper, France (著)
|
|---|
| 出版年月日 | 1995 |
|---|
| ページ | 136 |
|---|
| 出版者 | McGill University |
|---|
| 出版サイト |
http://www.mcgill.ca/
|
|---|
| 出版地 | Montreal, Quebec, Canada [蒙特婁, 魁北克省, 加拿大] |
|---|
| 資料の種類 | 博碩士論文=Thesis and Dissertation |
|---|
| 言語 | 英文=English |
|---|
| 学位 | 修士 |
|---|
| 学校 | McGill University |
|---|
| 学部・学科名 | Department of East Asian Studies |
|---|
| 指導教官 | Yates, D. S. |
|---|
| 卒業年 | 1995 |
|---|
| キーワード | 石窟=cave; 佛教人物=Buddhist; 修行方法=修行法門=Practice |
|---|
| 抄録 | As early as the fifth century C.E., the thousand buddha motif had become a prevalent feature in the art of many cave-temples in Gansu, China. Past scholarship concentrated on tracing the textual sources of the motif and with relating it to the practices associated with the devotion to the three thousand buddhas of the three ages. Past research has not considered how the thousand buddhas may have been a reflection of a wider range of religious practices and popular beliefs nor has it explored the motif's artistic origin. By demonstrating that the earliest examples of the two-dimensional painted form of the thousand buddhas came from Gansu and that the motif was related to an iconographic and architectural design that existed between several Gansu cave-temple sites, this study proposes that the thousand buddha motif was a Gansu cave-temple art innovation that influenced cave-temple decor in areas west of Gansu. In addition, possible reasons for the prevalence of the motif are suggested by considering that it may have reflected the relationship between the thousand buddhas and meditative practices as well as the acts of chanting and circumambulation. |
|---|
| ヒット数 | 871 |
|---|
| 作成日 | 2008.03.27 |
|---|
| 更新日期 | 2022.08.15 |
|---|
 |
Chrome, Firefox, Safari(Mac)での検索をお勧めします。ＩＥではこの検索システムを表示できません。
|
|
|
