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Non-Attachment in the Creative Process |
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| 著者 |
Stein, Denise A (著)
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| 出版年月日 | 2014.01 |
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| ページ | 57 |
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| 出版者 | Arizona State University |
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| 出版サイト |
https://www.asu.edu/
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| 出版地 | Tempe, AZ, US [坦佩, 亞利桑那州, 美國] |
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| 資料の種類 | 博碩士論文=Thesis and Dissertation |
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| 言語 | 英文=English |
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| 学位 | 修士 |
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| 学校 | Arizona State University |
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| 学部・学科名 | Dance |
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| 指導教官 | Pegge Vissicaro |
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| 卒業年 | 2014 |
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| 抄録 | This ethnographic research focuses on the specific creative processes of one dance-maker who worked collaboratively with seven dancers, a sound designer, a costume designer, and a narrative speaker. Together they created an evening-length dance work entitled "The Now Creature." Throughout the creative process, the dance-maker was interested in noticing attachments, finding freedom from these attachments, and being aware of how the work was affected by the choice to detach or remain attached to certain ideas. This interest stemmed from the dance-maker/researcher's interest in Buddhist philosophy and a system of decision-making she had been developing since childhood. The creative process for "The Now Creature" began with experiments in chance procedures as a method of non-attachment. After the first public showing of the piece, the process shifted to include intuition and aesthetic integration. "Embodied nowness," or the awareness of one's physical and mental sensations in the present moment, played an important role in rehearsals and in the overall process of letting go of attachments. All collaborators kept journals and were usually given specific prompts about which to write. The researcher/dance-maker also conducted one-on-one verbal interviews and group discussions with the collaborators. These data informed the development of the work presented on January 31-February 2 at Arizona State University, Findings from this research can be applied to any kind of creative process, or any life situation that includes decision-making. |
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| ヒット数 | 235 |
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| 作成日 | 2023.03.22 |
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| 更新日期 | 2023.03.22 |
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