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Visions Of Enlightenment: Aspects Of Buddhism In Jack Kerouac, Allen Ginsberg And Gary Snyder |
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| 著者 |
Chan, Tsz Shan (著)
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| 出版年月日 | 2011.01 |
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| ページ | 102 |
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| 出版者 | The Chinese University of Hong Kong |
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| 出版サイト |
https://www.cuhk.edu.hk/chinese/index.html
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| 出版地 | 香港, 中國 [Hong Kong, China] |
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| 資料の種類 | 博碩士論文=Thesis and Dissertation |
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| 言語 | 英文=English |
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| 学位 | 修士 |
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| 学校 | Chinese University of Hong Kong |
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| 学部・学科名 | English |
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| 指導教官 | Michael 0'Sullivan |
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| 抄録 | This study investigates the directions and methods Jack Kerouac, Allen Ginsberg and Gary Snyder take in developing their understandings and interpretations of Buddhism. It intends to show how the writers have developed from various Buddhist concepts different visions of Buddhist enlightenment that reflect their own concerns in the tumultuous years known as the Beat generation. The Buddhist concepts this study looks at in relation to the writers include the notion of emptiness, consciousness and universal Buddha-nature. Jack Kerouac employs particular narrative strategies to interrogate the condition of the phenomenal world with the notion of emptiness; Allen Ginsberg's changing understanding of the Buddhist notion of consciousness continues to affect his expressions of the relation between self, mind and consciousness; Gary Snyder's adaption of the concept of Buddha-nature reconstructs nature's fundamental relation to man. This study proposes that a common expression found in the three writers is that the condition of the phenomenal world and the perception of ultimate reality depend on the condition of the mind, or in Ginsberg's terminology, on the consciousness. This study also looks at the complications and constraints in the writers' Buddhist pursuit in the 50s and 60s America. It discusses how the representation of Buddhism to which they were exposed affects their responses, adaptations and interpretations of the Buddhist concepts they came to know. Finally, this study intends to show how the writers have constructed different visions of Buddhist enlightenment through their works.
本文探討凱魯亞克、金斯堡和史耐德在建立對佛教觀的過程中所採取的方法和方向 ，以及他們對佛教悟境的理解如何反映自身對時代的看法。 本文探討作者對佛教槪念包括“空觀”，“識”及“佛性”的理解及i全釋。魯亞克利用敍 事方法探討佛教的空觀以及現象世界的關係；金斯堡對識的理解不斷演變’影響他 . 對自我’思維和意識的看法。史耐德調整佛教觀念’重構自然與人類的根本關係° 本文嘗試指出’三位作者同樣認爲’個人對現象世界，以及對絕對現實的感知取決於人的思維和意識。 本文同時探討三位處身五十至六十年代美國的作者’在硏究佛教時所遇到的限制’ 以及他們所接觸的佛教文獻如何影響他們對佛教觀念的回應’調整和演繹。最後’ 本文期望展示三位作者如何透過作品’建構他們對佛教悟境的各種想像。 |
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| ヒット数 | 263 |
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| 作成日 | 2023.04.07 |
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| 更新日期 | 2023.04.07 |
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