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敦煌莫高窟第465窟之研究=Mogao Grottoes in Dunhuang Cave 465 Study |
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| 著者 |
林怡蕙 (撰)=Lin, Yi-huei (compose)
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| 出版年月日 | 2010 |
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| ページ | 103 |
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| 出版者 | 華梵大學 |
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| 出版サイト |
https://www.hfu.edu.tw/
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| 出版地 | 新北市, 臺灣 [New Taipei City, Taiwan] |
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| 資料の種類 | 博碩士論文=Thesis and Dissertation |
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| 言語 | 中文=Chinese |
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| 学位 | 修士 |
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| 学校 | 華梵大學 |
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| 学部・学科名 | 東方人文思想研究所 |
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| 指導教官 | 陳娟珠=Chen, Chuan-chu |
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| 卒業年 | 98 |
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| キーワード | 敦煌=Dunhuang; 密教圖像=esoteric images; 莫高窟第465窟=465 of Mogao Grottoes; 曼陀羅=Mandala; 八十四大成就者=Eighty-four achievements |
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| 抄録 | 本文主要探討「敦煌莫高窟第465窟之研究」的圖像內容與石窟結構，帶出密教修習之法門，闡發密教圖像的識別作用與修行之關聯性。透過歷史的軌跡與因緣相續不斷的變化，將佛教在敦煌輝耀燦爛的時光脈動與諸佛、菩薩、本尊、空行、護法對眾生生命的觀照及施設救度為要旨。
在論述架構方面，總共分成五章節。第一章，「緒論」，依據論文的構成要項，歸納共計有五小節，由研究主題到研究概況，逐步闡述全文的構想與研究之計畫。第二章，切入「敦煌莫高窟第465窟之時空沿革」，由佛教在敦煌之發展脈動帶出地理的背景與歷史遺跡。第三章，切換到「莫高窟第465窟圖像結構內涵」，透過整體的圖像結構，分別依主室西、南、北三個壁面，再加上東壁之護法眾等圖像分析，藉由圖像及空間立體圖的說明，了解觀修圖像在此窟之對應位置及圖像意涵。第四章，「莫高窟第465窟八十四大成就者之內涵」，說明八十四大成就者之圖像結構之特徵，並彰顯八十四大成就者之修行意涵，第五章，探討莫高窟第465窟窟頂曼陀羅與中心圓壇，將窟頂曼陀羅之圖像要義做解析並探討觀修之理趣，進一步切換到修行法門之探討，透過本尊、空行、護法神之施設作用與圖像結構的深入內涵，帶入密宗修行之最高級法門，而其目的是探討修行者明心見性至究竟的證悟成佛之義理開展。第六章，「結論與展望」，將全文之要點做總結。後續以本文研究探討的成果為基礎，將來如果研究相關之主題，由此進入來展望和迎接後續相關的探討，獲得更重要的發現。
The main discussion of this paper is “The studying of Dunhuang Mogao Cave 465 " . It discusses the structure of images, cave and its contains which have the way of practicing on the esoteric teaching and the explanation about the discrimination, functions of the images and its relation with practicing. It passed long history and its fate made it changes in continually. During the last period, Those Buddha Bodhisatva and deity’s statues made the Buddhism was flourishing in Dunhuang and did influence to ordinary life of the all sentient beings.
This research paper has been divided into six chapters. First, a preface consists of research motive, explanation of the relevant documents and research plan. According to the research constitute, this chapter has been divided into five sections. In the second chapter, Discussion of the environment and the procession on history of the Dunhuang Mogao Cave 465 including with its geographical locations and historical remains that has procedures on development of Buddhism in Dunhuang. The third chapter is ‘The structure of images in Dunhuang Mogao Cave 465’. According to the situation of the main room，Those pictures and images have been separated on the western, south and north side wall.
Chapter IV, Article 465 of Mogao Grottoes Cave altar Mandala and the center circle. The analysis on pictures of the deities and images of the 84 enlighten one have been added too. As well as there some explanation of the other pictures which have established between those images and study the meaning of those images.
Chapter5," Mandala of the image will be the essence of the Ceiling to do the analysis and explore the concept of repair principle and interest, and further to switch to self-cultivation of the discussion, by deity, blank lines, protect the law of God Facilities for the role and image structure of the in-depth content, into the esoteric practice of the most senior Famennian, and its purpose is to explore the practitioner clear your heart What the Buddha attained enlightenment to carry out of doctrine.
Chapter6, "Conclusions and Prospects", will make the full text of the summary points. Follow-up to the results of this study is based, if future studies related to the theme of this access to follow-up prospects and meet relevant discussion can be more important discoveries. |
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| 目次 | 摘要 Ⅰ
Abstract Ⅱ
目錄 Ⅳ
第一章 緒論 1
第一節 研究主題 1
第二節 研究背景與研究重要性 1
第三節 研究方法與研究依據 3
第四節 研究目標與論述架構 4
第五節 研究概況與問題意識 5
第二章 敦煌莫高窟第465窟之時空沿革 7
第一節 佛教在敦煌之發展脈動 7
第二節 敦煌與莫高窟之環境關連 11
第三節 莫高窟第465窟歷史背景 14
第三章 莫高窟第465窟圖像結構之內涵 21
第一節 主室西壁圖像結構之分析 24
第二節 主室南壁圖像結構之分析 27
第三節 主室北壁圖像結構之分析 29
第四節 主室東壁圖像結構之分析 33
第四章 莫高窟第465窟八十四大成就者之內涵 39
第一節 八十四大成就者之圖像考析 39
第二節 八十四大成就者之修行分析 57
第五章 莫高窟第465窟窟頂與中心圓壇之內涵 60
第一節 莫高窟第465窟窟頂內涵分析 60
第二節 莫高窟第465窟中心圓壇內涵分析 65
第六章 結論與展望 68
參考文獻 70
附錄一 本文選用圖版來源 74
附錄二 佛法在敦煌之發展事蹟 75 |
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| ヒット数 | 46 |
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| 作成日 | 2023.05.22 |
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| 更新日期 | 2023.05.22 |
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