|
|
|
 |
|
|
|
|
|
|
The Yuima-e as Theater of the State |
|
|
|
| 著者 |
Bauer, Mikaël
|
|---|
| 掲載誌 |
Japanese Journal of Religious Studies
|
|---|
| 巻号 | v.38 n.1 |
|---|
| 出版年月日 | 2011 |
|---|
| ページ | 161 - 179 |
|---|
| 出版者 | Nanzan Institute for Religion and Culture=南山宗教文化研究所 |
|---|
| 出版サイト |
http://nirc.nanzan-u.ac.jp/en/
|
|---|
| 出版地 | 名古屋, 日本 [Nagoya, Japan] |
|---|
| 資料の種類 | 期刊論文=Journal Article |
|---|
| 言語 | 英文=English |
|---|
| キーワード | Kōfukuji; Yuima-e; Hossō; Kenmitsu Buddhism |
|---|
| 抄録 | This article analyzes a twelfth-century session of the Yuima-e at Kōfukuji as a stage of history to determine the institutional and factional background of its participants. In order to do this, the format of the Yuima-e as it was held in the twelfth century is presented, followed by a study of primary materials related to the 1196 session of this annual ritual. The article then examines the Sanne jōichiki, the personal notes of the Tōdaiji monk Sōshō, and diaries, to conclude that these sessions can indeed be considered “theaters of the state” in which the connection between Kuroda Toshio’s concepts of kenmon and kenmitsu taisei can be found. |
|---|
| ISSN | 03041042 (P) |
|---|
| ヒット数 | 639 |
|---|
| 作成日 | 2013.04.16 |
|---|
| 更新日期 | 2017.09.13 |
|---|
 |
Chrome, Firefox, Safari(Mac)での検索をお勧めします。ＩＥではこの検索システムを表示できません。
|
|
|
