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Horrific “Cults” and Comic Religion Manga after Aum |
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| 著者 |
Thomas, Jolyon Baraka
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| 掲載誌 |
Japanese Journal of Religious Studies
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| 巻号 | v.39 n.1 |
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| 出版年月日 | 2012 |
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| ページ | 127 - 151 |
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| 出版者 | Nanzan Institute for Religion and Culture=南山宗教文化研究所 |
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| 出版サイト |
http://nirc.nanzan-u.ac.jp/en/
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| 出版地 | 名古屋, 日本 [Nagoya, Japan] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 英文=English |
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| ノート | Jolyon Baraka Thomas is a PhD candidate in religion at Princeton University. |
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| キーワード | Aum Shinrikyō; manga; “evil cult” trope; Believers; Death Note; Saint Young Men; Twentieth Century Boys |
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| 抄録 | After the 1995 Aum Shinrikyō オウム真理教 sarin gas attacks, influential commentators suggested that enthralling apocalyptic narratives characteristic of manga (illustrated serial novels) made Aum members prone to extremism and violence. This article inverts this interpretation, showing that popular manga published after 1995 have exhibited—and reflected—morbid fascination with the sensational fodder provided by the Aum incident itself. Early manga responses advanced variations on a horrific “evil cult” trope in which marginal religions modeled on Aum were graphically depicted as hotbeds of sexual depravity, fraud, and violence. Over time, equally chilling—if less sensational—psychological thrillers appeared that interrogated the aspects of human nature that allow for “cult-like” behavior. Finally, one very recent manga has sublimated the formerly popular “evil cult” trope by divorcing “religion” from “cults” and rehabilitating the former through mildly irreverent comedy.
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| 目次 | Fanatic Delusion: Believers 131
A Terrorist Plot: 20th Century Boys 134
Judgment, Day after Day: Death Note 139
Comic Relief: Saint Young Men 141
Framing Post-Aum Manga 144
Conclusion: Horrific “Cults” and Comic Religion 146 |
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| ISSN | 03041042 (P) |
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| ヒット数 | 913 |
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| 作成日 | 2013.04.16 |
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| 更新日期 | 2017.09.13 |
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