|
|
|
 |
|
|
|
|
|
|
Arthur Waley, Xu Zhimo, and the Reception of Buddhist Art in Europe: A Neglected Source |
|
|
|
| 著者 |
Barrett, T. H.
|
|---|
| 掲載誌 |
Hualin International Journal of Buddhist Studies
|
|---|
| 巻号 | v.1 n.1 Special Issue: Buddhism in the West |
|---|
| 出版年月日 | 2018.05 |
|---|
| ページ | 226 - 247 |
|---|
| 出版者 | Cambria Press |
|---|
| 出版サイト |
http://www.cambriapress.com/
|
|---|
| 出版地 | New York, US [紐約州, 美國] |
|---|
| 資料の種類 | 期刊論文=Journal Article |
|---|
| 言語 | 英文=English |
|---|
| ノート | The author is an Emeritus Professor of East Asian History at the School of Oriental and African Studies, University of London. |
|---|
| キーワード | Arthur Waley; Xu Zhimo; Anesaki Masaharu; Zen art; translation |
|---|
| 抄録 | This paper examines the creation of ‘Zen Art’ in the Anglophone world. In particular, I examine the celebrated translator Arthur Waley’s conceptualization of Zen art, and argue that he wrote an anonymous review of Anesaki Masaharu’s 姉崎正治 English-language treatise on Buddhist art and ideals with the help of Xu Zhimo. This overlooked review is an important text to trace the twentieth century discussion and translation of Zen writings on art and aestheticism. While discussing both Anesaki and Waley’s respective works on Buddhist art, in addition to Waley’s interactions with Japanese Zen writers, I outline the cast of characters and the networks that created a popular concept of ‘Zen Art’ in the Anglophone world that did not exist in East Asia. |
|---|
| 目次 | The Origins of ‘Zen Art’ 227
Anesaki Masaharu (1873–1949) 233
Who wrote the note? 238
|
|---|
| ISSN | 25762923 (P); 25762931 (E) |
|---|
| DOI | https://dx.doi.org/10.15239/hijbs.01.01.08 |
|---|
| ヒット数 | 870 |
|---|
| 作成日 | 2021.03.22 |
|---|
| 更新日期 | 2021.03.22 |
|---|
 |
Chrome, Firefox, Safari(Mac)での検索をお勧めします。ＩＥではこの検索システムを表示できません。
|
|
|
