|
|
|
 |
|
|
|
|
|
|
唐代長安寺院壁畫之研究=Reserch of wall murals in China Chang-An(618~907C.E.) |
|
|
|
| 著者 |
江明臣 (著)=Chiang, Ming-chen (au.)
|
|---|
| 出版年月日 | 2010 |
|---|
| ページ | 107 |
|---|
| 出版者 | 玄奘大學 |
|---|
| 出版サイト |
https://www.hcu.edu.tw/hcu/zh-tw
|
|---|
| 出版地 | 新竹市, 臺灣 [Hsinchu shih, Taiwan] |
|---|
| 資料の種類 | 博碩士論文=Thesis and Dissertation |
|---|
| 言語 | 中文=Chinese |
|---|
| 学位 | 修士 |
|---|
| 学校 | 玄奘大學 |
|---|
| 学部・学科名 | 宗教學系碩士在職專班 |
|---|
| 指導教官 | 黃運喜=Huang, yun-shi |
|---|
| 卒業年 | 98 |
|---|
| キーワード | 長安=Chang-An city; 寺院=temple; 壁畫=murals; 《歷代名畫記》=Collections of Famous Historical Paintings |
|---|
| 抄録 | 本論文以長安寺院之壁畫作為研究取向，旨在探究長安城寺院壁畫與其影響。唐代佛教之盛衰深受政治影響，長安城及其近郊寺院密布，自受佛教思想融入繪畫，畫師文人圖壁揮毫，展現出唐代文化最美、最燦爛的一頁。可惜因時代變遷、戰火蔓延、政策更改等緣由，今日已無緣窺見，本文僅能就畫史及相關史料中尋找蛛絲馬跡。
第一章：緒論。敘述研究動機、文獻回顧、研究取向內容及限制。
第二章：長安寺院區位之分布。探討隋唐時期長安城內寺院之分布、寺院於長安各坊之分布、寺院於長安之功能。
第三章：唐代長安寺院壁畫。以《歷代名畫記》看寺院壁畫、以當朝畫家——吳道子看寺院壁畫。
第四章：寺院壁畫對當代文人影響。研究王維的詩與畫、討論唐代寺廟壁畫對韓愈詩歌之影響。
第五章：結論。
唐代佛教文化發展臻於成熟伴隨著長安寺院繁盛，寺院活動廣泛多樣，影響唐代社會文化甚巨。根據畫史及相關歷史之載述，分析長安城寺院壁畫，得知唐朝佛道興盛，所以帶動了佛寺道觀風起雲湧，而壁畫亦隨之發達，唐代畫壁之風趨於極盛，所畫寺壁之多可說是歷代之最，張孝師、尹琳、尉遲乙僧、吳道子、盧稜伽、楊庭光、韓幹等都是揮毫圖壁的高手，僅吳道子一人在兩京寺觀「圖畫牆壁三百餘間」。寺廟壁畫把宗教的想像和繪畫技巧進一步結合，凝聚著無數畫師的創作與智慧，以此反映一個時代社會審美意識的重要標誌。另外，詩人墨客與僧侶相交，因深受寺廟壁畫影響而表現在詩文創作上，為當時整個文化藝術領域帶來了一股異樣的氛圍。
The purpose of this research is to study the temple murals painted during the Tang Dynasty in Chang-an City China and its suburbs. Throughout the development and decline of the Tang Dynasty, the murals, which were steeped in Buddhist thought, had a profound influence on the politics and social culture of the period. They depicted the crowning achievments of the Tang Dynasty, and in themselves showed the splendor of the artists and scholars from that era. At present, we are unable to see these murals because of the ravages of war, time, and changes of policy which called for their destruction. This thesis researches the history of the paintings and related data that has survived to the present day.
Chapter one: Introduction. Statement of the motive of the research, reviews of the documentaries, and the orientation of the research and its limits.
Chapter two: A study of Chang-an City temple locations in the Tang and Sui Dynasties and the functions of the temples for Chang-an City.
Chapter three: The murals in the Tang Dynasty temples. A view on the murals from the book 'Collections of Famous Historical Paintings', and thoughts on the temples from Wu Dao-zi, a painter in Tang Dynasty.
Chapter four: The influences on the scholars of the Tang Dynasty. A study of the paintings and poems of Wang-wei, and an analysis of how the murals influenced the poems and songs written by Han-yui.
Chaper five: Conclusion
As Buddhism developed in the Tang Dynasty, the number of temples in Chang-an increased, and the area saw a greater diversity in the ceremonies performed at the temples. As Buddhism flourished, it had a profound impact on the social culture of the Tang Dynasty.
By analyzing the murals in the temples according to the history of the paintings and other related descriptions, we can come to an understanding of the complete development of Buddhism and Daoism in the Tang Dynasty. The popularization of these religions stimulated the trend of building temples, and the number of murals grew as well.
Zhang Xiao Shi,Yin Lin, Wei Chi Yi Seng, Wu Dao Zi, Lu Leng Qie, Yang Ting Guang and Han gan were experts on the murals.
In Chang-an and Luo-yang, Wu dao-zi alone 'painted on the walls of over three hundred temples'. Murals in the temples combined the painter's religious imagination with their painting skills. The murals, studied as a whole, gather the works and wisdom from countless painters. These temples are a landmark to the aesthetic sense of the Tang dynasty, and because of the artists' close relationship with the monks, the works of the scholars were affected by the murals. It created a mysterious atmosphere in the field of arts and culture. |
|---|
| 目次 | 第一章 緒論
第一節：研究動機 1
第二節：文獻回顧 2
第三節：研究取向、內容及限制 6
第二章 長安寺院區位之分布
第一節：隋唐時期長安城內寺院之分布 9
第二節：寺院於長安各坊之分布 20
第三節：寺院於長安之社會功能 29
第三章 唐代長安寺院壁畫
第一節：以《歷代名畫記》看寺院壁畫 39
第二節：以當朝畫家——吳道子看寺院壁畫 58
第四章 寺院壁畫對當代文人影響—以王維、韓愈為例
第一節：王維的詩與畫 73
第二節：唐代寺院壁畫對韓愈詩歌之影響 88
第五章 結論 103
參考書目 107 |
|---|
| ヒット数 | 56 |
|---|
| 作成日 | 2023.04.12 |
|---|
| 更新日期 | 2023.04.12 |
|---|
 |
Chrome, Firefox, Safari(Mac)での検索をお勧めします。ＩＥではこの検索システムを表示できません。
|
|
|
